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Peter De Wint

 
Art Encyclopedia: Peter De Wint
 

(b Hanley, Staffs, 21 Jan 1784; d London, 30 June 1849). English painter. Drawing lessons from a local Stafford landscape painter named Rogers led the young De Wint to abandon plans for a medical career, and in 1802 he was apprenticed for seven years to John Raphael Smith. A fellow apprentice was William Hilton, who became a lifelong friend and whose sister De Wint married in 1810. From the first De Wint's taste seems to have been for landscape, and his progress in that line is indicated by his arrangement with Smith in 1806 to be released from the remaining years of his indenture in exchange for 18 landscape paintings in oils. In November 1806 De Wint and Hilton moved into lodgings in Broad Street, Golden Square, London, where they were neighbours of John Varley. Acquaintance with Varley and involvement with the circle of Dr Thomas Monro must have determined De Wint's adoption of watercolour and introduced him to the drawings of Thomas Girtin, which later influenced his own work in the medium. He enrolled as a student in the Royal Academy Schools in 1809 and was admitted to the Life School in 1811.

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Black Gang Chine, Isle of Wight,Peter De Wint(21/01/1784 -30/06/1849), about 1843, V&A Museum no. 1036-1886

Peter De Wint (21 January 178430 January 1849) was an English landscape painter.

De Wint was the son of an English physician of Dutch extraction who had come to England from New York., he was born in Stone, Staffordshire. He moved to London in 1802, and was apprenticed to John Raphael Smith, the mezzotint engraver and portrait painter. He bought his freedom from Smith in 1806, on condition that he supply eighteen oil paintings over the following two years. In 1806 he visited Lincoln for the first time, with the painter of historical subjects William Hilton, R.A., whose sister Harriet he married in 1810. De Wint and Hilton lived together in Broad Street, Golden Square, where John Varley also lived. Varley gave De Wint further lessons and introduced him to Dr Monro, who ran an informal academy for young artists. De Wint first exhibited at the Royal Academy in 1807, and the following year at the Gallery of Associated Artists in Watercolours. In 1809 entered the Royal Academy schools. He was elected an Associate of the Old Watercolour Society in 1810 and was made a full member the following year. By that time, as an established drawing-master, he was spending his summers teaching well-to-do provincial families. In 1812 he became a member of the Society of Painters in Watercolours, where he exhibited largely for many years, as well as at the Academy.

De Wint's life was devoted to art; he painted admirably in oils, and he ranks as one of the chief English watercolorists. "No artist", asserted Alfred William Rich, "ever came nearer painting a perfect picture than did Peter de Wint".

A number of his pictures are in the National Gallery, the Victoria and Albert Museum and The Collection, Lincoln. He frequently visited his wife's home city of Lincoln, and many of his panoramic landscapes and haymaking scenes are set in Lincolnshire. He occasionally toured in Wales, and in 1828 travelled to Normandy.

He died in London.

Selected Paintings

Boats, 1816

32 Works in Tate Britain including

  • 1810 - Children at Lunch by a Corn Stook, Oil on board - Tate Gallery, London
  • 1840 - Roman Canal, Lincolnshire, watercolour on paper - Tate Gallery, London

References

  • David Scrase, Drawings & Watercolours by Peter De Wint, exhibition catalogue, Fitzwilliam Museum, Cambridge (1979)
  • Hammond Smith, Peter De Wint 1784-1849, London (1982)

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