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Dead Cities

 
Album Review: Dead Cities

Review

Dead Cities turned out to be the Future Sound of London's bow out from the spotlight -- at least, nothing further was released by them for the rest of the decade and well into the next one. Compared to the crisp approach of Accelerator and Lifeforms' disorienting, surprising exploration into ambient sound, Dead Cities finds the group trying out something new yet again. The theme of the album, thoroughly explored in the art (as always, created by the group itself), seems to be one of futuristic urban decay, almost as if reacting against the perceived otherwordliness of Lifeforms, calmer moments like the acoustic guitar shimmer of "Her Face Forms in Summertime" aside. Hints of cyberpunk fetishism and atmospheres are everywhere, combined with a generally darker sound track for track and more upfront beats on a number of songs. "My Kingdom," a spooky choice for the initial single, blends in low-pitched drones with the echoing shuffle of the main rhythm, suggesting a Japanese city set somewhere in the outback after all the world's power finally ran out. As a further touch, the overall Blade Runner feeling of Dead Cities is heightened even more via the sampling of Mary Hopkin's haunting, wordless vocals from that film's soundtrack. The collage approach that has served the band well over the years recurs time and again -- snippets from unreleased spoken word performances and reworked orchestrations float up and down in the mix, feeling like an unusual sonic tour. That said, two of the strongest moments on Dead Cities -- the amazing single "We Have Explosive" and its semi-remix "Herd Killing," which starts the album -- come from the same source, namely Run-DMC. The brutal guitar stab and accompanying wah-wah and shout, which define both tracks, come from the Tougher Than Leather album, here reshuffled into a brusque, memorable punch with a killer, buzzing bassline. ~ Ned Raggett, All Music Guide

Tracks

Track TitleComposersPerformersTime
Herd Killing The Future Sound of London The Future Sound of London (2:36)
Dead Cities The Future Sound of London The Future Sound of London (6:36)
Her Face Forms in Summertime The Future Sound of London The Future Sound of London (5:39)
We Have Explosive The Future Sound of London The Future Sound of London (6:19)
Everyone in the World Is Doing Something Without Me The Future Sound of London The Future Sound of London (4:10)
My Kingdom The Future Sound of London The Future Sound of London (5:46)
Max The Future Sound of London The Future Sound of London (2:50)
Antique Toy The Future Sound of London The Future Sound of London (5:43)
Quagmire/In a State of Permanent Abyss The Future Sound of London The Future Sound of London (6:58)
Glass The Future Sound of London The Future Sound of London (5:38)
Yage The Future Sound of London The Future Sound of London (7:32)
Vit Drowning/Through Your Gills I Breathe The Future Sound of London The Future Sound of London (5:32)
First Death in the Family The Future Sound of London The Future Sound of London (4:49)

Credits

Richard Thomas (Drums), The Future Sound of London (Producer), The Future Sound of London (Main Performer), Mary Hopkin (Vocals), Keith Webb (?), YAGE (Engineer), YAGE (?), YAGE (Moroccan Flute), Buggy G. Riphead (Artwork), Buggy G. Riphead (Art Direction), Buggy G. Riphead (Photography), Garry Cobain (Vocals), Garry Cobain (Art Direction), Garry Cobain (Text), Garry Cobain (Image Construction), Brian Dougans (Art Direction), Brian Dougans (Design), Brian Dougans (Computer Graphics), Andrea Giacobbe (Photography), Andrea Giacobbe (Portraits), Olaf Wendt (?), Simon Wells (Engineer)
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Wikipedia: Dead Cities (album)
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Dead Cities
Studio album by The Future Sound of London
Released October 18, 1996 United Kingdom
Recorded Earthbeat Studios, London – 1996
Genre Ambient, techno, experimental, IDM
Length 70:11
Label Astralwerks ASW 6181 (US)
Virgin CDV 2814 (UK)
Producer The Future Sound of London
Professional reviews
The Future Sound of London chronology
ISDN
(1994)
Dead Cities
(1996)
ISDN Show
(1997)

Dead Cities is a seminal 1996 album by electronic music group The Future Sound of London.

Contents

Overview

Though almost without lyrics to speak of, most of the first half of the album (with the exception of "Her Face Forms In Summertime") is dark and full of well structured malevolence in that its songs combine synthetic sounds with samples to create an apocalyptic, dystopian atmosphere, the second half of the disc is rather more relaxed however and FSOL combine the darkness with more of their now familiar complex, ambient techniques to create an odd, peaceful yet intriguing atmosphere.[1][2]

The album art consisted of 3D graphics, photography, and writing complementing the album's themes, combined via digital image editing. This was created primarily by the band and then-frequent artistic collaborator Buggy G. Riphead. A limited edition release of the album included a 196-page book, containing additional artwork and writing in the same style.[3]

"My Kingdom" and "We Have Explosive" were released as singles. The "My Kingdom" music video was directed by the same artistic collaboration, whereas the "We Have Explosive" music video was directed by 2D-animator Run Wrake.

Track listing

Though the album contains 13 tracks, the track listing on the back insert of the CD is ambiguous, as 15 song titles are listed, with most of the second half of songs not numbered. The common interpretation, confirmed by the promo edition of the CD, is listed here:

  1. "Herd Killing" – 2:37
  2. "Dead Cities" – 6:37
  3. "Her Face Forms in Summertime" – 5:38
  4. "We Have Explosive" – 6:19
  5. "Everyone in the World Is Doing Something Without Me" – 4:10
  6. "My Kingdom" – 5:47
  7. "Max" – 2:48
  8. "Antique Toy" – 5:43
  9. – 6:57
    • "Quagmire" – 5:13
    • "In a State of Permanent Abyss" – 1:44
  10. "Glass" – 5:38
  11. "Yage" – 7:32
  12. – 5:32
    • "Vit Drowning" – 4:48
    • "Through Your Gills I Breathe" – 0:44
  13. – 4:46
    • "First Death in the Family" – 2:18
    • silence – 1:00
    • "Dead Cities Reprise" (hidden track by Headstone Lane) – 1:28

Samples

  • Track 1, "Herd Killing", is a remix of track 4; it is also titled "We Have Explosive (Herd Killing mix)" on a single. Both feature several samples from the Run DMC album Tougher Than Leather.
  • Track 2, "Dead Cities", contains a vocal sample at the beginning of Laurence Fishburne from the film Deep Cover.
  • Track 4, "We Have Explosive" was used in the second game in the "wipE'out"" series, wipE'out" 2097, for the original Playstation.
  • Track 6, "My Kingdom" prominently features:
  • The title of track 11 "Yage" was one the previous aliases of FSOL, and still their alias for their own sound engineering credits.
  • The title of track 12 "Vit Drowning" refers to Vit, a Chinese restaurant owner friend with the artists. His face appears on the "Far-out Son Of Lung" cover, and he appears in the "Teachings From The Electronic Brain II" and "My Kingdom" videos" [1].

Charts

Album - UK Albums Chart

Year Chart Position
1996 UK Albums Chart 22

Singles - UK Singles Chart

Year Single Chart Position
1996 "My Kingdom" UK Singles Chart 13
1997 "We Have Explosive" UK Singles Chart 12

References


External links


 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Dead Cities (album)" Read more