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Der Untertan

 

Untertan, Der, a satirical novel by H. Mann, dealing with the Bürgertum and forming the first part of his Kaiserreich-Trilogie. Mann wrote it between 1906 and 1914, and extracts were published in Simplicissimus in 1911, 1912, and 1913. The novel began to appear as a serial in Zeit im Bild in 1914, and a whole chapter in März (1913), but the instalments were suspended on the outbreak of war. Apart from a limited edition in 1916 for private circulation, Der Untertan was not available until the end of the war (November 1918).

The novel is set in the period 1890-7, from the dismissal of Bismarck to the centenary of Wilhelm I, partly in the small town of ‘Netzig’, and partly in Berlin. Its main character is Diederich Heßling, of the lower middle class, a weakling who rises in the world by obsequiously deferring to those above him and brutally tyrannizing those of lower station. He evades military service, seduces a girl in Berlin, and deserts her without compunction; he rigs elections, and carries out shady business deals. He talks the hollow thea-trical language of his Emperor Wilhelm II, whom he twice encounters in (for himself) humiliating or ridiculous situations. The bitter satire is heightened by a dual parody: Wilhelm II speaks as if he were Heßling, and Heßling as if he were the Kaiser. The book ends with what should be Heßling's great day, the inauguration of the monumental statue to Wilhelm I, at which he makes the principal speech, only for the event to end in farce: torrential rain disperses the audience. (Film version by W. Staudte, 1951.)

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Wikipedia: Der Untertan
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Cover of an English translation.

Der Untertan is the most famous novel by German author Heinrich Mann. It has been translated into English under the titles "Man of Straw," "The Patrioteer," and "The Loyal Subject" (translation by Helmut Peitsch). The title poses a problem for the non-German reader since there is no effective translation of the word 'Untertan' in the sense it was employed by Mann. The 'Subject' of the title conveys a sense of unthinking servility to the state.

Although the novel was completed in July 1914, shortly before the outbreak of World War I, it was not published until 1918 (by Kurt Wolff Verlag of Leipzig). After the war, the novel enjoyed considerable popularity, given its critiques of the ultra-nationalism of Wilhelmine Germany.

"Der Untertan" portrays the life of Diederich Hessling, a slavish and fanatical admirer of Kaiser Wilhelm II, as an archetype of nationalist Wilhelmine Germany. Hessling is unthinkingly obedient to authority and maintains a rigid dedication to the nationalist goals of the German state.

Throughout the novel, Hessling's inflexible ideals are often contradicted by his actions: he preaches bravery but is a coward; he is the strongest proponent of the military but seeks to be excused from his obligatory military service; his greatest political opponents are the revolutionary Social Democrats, yet he uses his influence to help send his hometown's SPD candidate to the Reichstag to defeat his Liberal competitors in business; he starts vicious rumors against the latter and then dissociates himself from them; he preaches and enforces Christian virtues upon others but lies, cheats, and regularly commits infidelity.

Diederich's ideals: blood and iron, and the might of opulent power, are exposed as hollowness and weakness. Diederich Hessling--the child (and later adult) who acts as an informer, the member of the Neo-Teuton student fraternity, the doctor of chemistry, the paper manufacturer, and eventually the most influential man in town--is a critical allegory depicting German society's increasing susceptibility to chauvinism, jingoism, ultra-nationalism, anti-Semitism, and proto-fascism. His character is often juxtaposed, in both words and appearance to another man of straw: Kaiser Wilhelm II. In one instance, Hessling's behavior and outward appearance move an observer to stammer, 'It almost seems to me...You look so very much like His ...' , meaning the Kaiser.

Mann uses the moral bankruptcy and shallow ridiculousness of Hessling's life to critique Wilhelmine German society generally. Like other novels of the period, such as Theodor Fontane's Effi Briest, or even his brother Thomas Mann's Buddenbrooks, the principal target is the hypocrisy of bourgeois society and the risk of social collapse in a nation of loyal 'Untertan' citizens.

In East Germany, the book was made into a movie in 1951, directed by Wolfgang Staudte and starring Werner Peters as Diederich Hessling.

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German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
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