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Derek Boshier

 
Art Encyclopedia: Derek Boshier

(b Portsmouth, 19 June 1937). English painter, sculptor, photographer and printmaker. He studied painting and lithography at Yeovil School of Art in Somerset (1953-7), Guildford College of Art (1957-9) and the Royal College of Art, London (1959-62), where he was one of the students associated with Pop art. Like R. B. Kitaj and David Hockney, Boshier juxtaposed contrasting styles within his paintings, but he favoured topical subject-matter such as the space race, political events and the Americanization of Europe. The satirical edge of such paintings as Identi-kit Man (1962; London, Tate), which pictured the threat posed by advertising to individual identity, was prompted by his reading of Marshall McLuhan, Vance Packard and other commentators. In the autumn of 1962 Boshier went to India on a one-year scholarship, producing paintings based on Indian symbolism (accidentally destr.). Returning to England he adopted a hard-edged geometric style, often using shaped canvases, abandoning overt figuration but continuing to allude through form to architectural structures and to the grid plans of cities.

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Derek Boshier (b. Portsmouth, 1937) is a British pop artist works in various media including painting, drawing, collage, photography, film and sculpture.

Boshier along with David Hockney, Allen Jones and Peter Phillips was one of the 1959 intake at the Royal College of Art. The boredom of the previous few years of National Service in the RAF had been alleviated by reading the works of Marshall McLuhan. During the College years his work was didactic, commenting on the space race, the all powerful multinationals, ad man and the increasing Americanisation of English culture. After graduating he spent a year travelling in India on an Indian government scholarship.

He appeared with Peter Blake, Pauline Boty and Peter Phillips in Pop goes the easel, a film by Ken Russell for the BBC's Monitor series in 1962. He later played the role of John Everett Millais in Russell's 1967 TV film Dante's Inferno; his girlfriend Gala Mitchell played Jane Morris.

Never one to allow his message to be governed by any particular medium, at the 1964 ‘The New Generation’ show at the Whitechapel he exhibited large shaped canvases with vibrant areas of evenly applied colour. In subsequent years he has used metal, coloured plastics, even light, the materials of the commercial sign maker, to create three-dimensional objects. Also he has experimented both with books and film.

Currently he is living in the States. Social commentary has once more become a major element of his work tackling head on subjects that have strong political overtones such as gun control, police brutality and once again, the multinationals - this time on home turf.

He is a visiting lecturer at UCLA's School of Arts where he teaches drawing.

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Dante's Inferno (1967 Drama Film)
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