James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral passages. While Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al Pacino, and his decision to avoid thematic consistency is another clever tool for keeping the listener off balance, with strange, ominous noises lurking in the background to further underscore the dark forces at work. Spooky, compelling stuff. ~ Jason Ankeny, All Music Guide
Robert Elhai (Orchestration), Doug Frank (Executive in Charge of Music), Sandy DeCrescent (?), Doug Frank (?), Jim Hill (Producer), Dave Marquette (Engineer), Patricia Joseph (Executive in Charge of Music), Artie Kane (Conductor), Gary LeMel (?), Patricia Joseph (?), Brad Dechter (Orchestration), Dave Olson (Music Editor), James Newton Howard (Orchestration), Paul Salamunovich (Conductor), Virgil Fox (Performer), Shawn Murphy (Mixing), Robin Glowski (Art Direction), Sandy DeCrescent (Music Contractor), Phil Klum (Mastering), JoAnn Kane (Music Preparation), James Newton Howard (Producer), Gary LeMel (Executive in Charge of Music), Jeff Atmajian (Orchestration), Michael Lang (Producer), James Newton Howard (Composer)