The German baritone Dietrich Fischer-Dieskau (born 28 May 1925) is a German singer and conductor of classical music, one of the most famous lieder (art songs) singers of his generation. He is greatly admired for his interpretations, the tonal qualities and shadings of color in his voice, his exceptional rhythmic sense and his impeccable diction. Fischer-Dieskau has also performed and recorded many operatic roles.
Early years
Albert Dietrich Fischer-Dieskau was born in Berlin to Albert, a principal, and Dora, a teacher. He started singing as a child and began formal voice lessons at the age of sixteen. When he was drafted into the Wehrmacht in 1943, Fischer-Dieskau had just completed his secondary school studies and one semester at the Berlin Conservatory. He was captured in Italy in 1945 and spent two years as an American prisoner of war. During that time, he sang lieder in POW camps to the homesick German soldiers.
Singing career
In 1947, he returned to Germany where he launched his professional career as a singer in Badenweiler when he sang in Brahms' Ein Deutsches Requiem without any rehearsal—he was a last-minute substitute for a singer who was indisposed. He gave his first lieder recital in Leipzig in the autumn of 1947 and followed it soon afterwards with a highly successful first concert at Berlin's Titania-Palast.
In the fall of 1948, Fischer-Dieskau was engaged as principal lyric baritone at the Berlin State Opera, making his debut as Posa in Verdi's Don Carlos under Ferenc Fricsay. Subsequently, Fischer-Dieskau made guest appearances at the opera houses in Vienna and Munich. After 1949 he made concert tours in the Netherlands, Switzerland, France and Italy. In 1951, he made his Salzburg Festival concert debut with Mahler's Lieder eines fahrenden Gesellen (Songs of a Wayfarer) under Wilhelm Furtwängler. That year, he also made his British debut, at the Royal Albert Hall in London during the Festival of Britain. He appeared in Frederick Delius's A Mass of Life, conducted by Sir Thomas Beecham.[1] He made regular opera appearances at the Bayreuth Festival between 1954 and 1961 and at the Salzburg Festival from 1956 until the early 1970s.
As an opera singer, Fischer-Dieskau performed mainly at Berlin and at the Bavarian State Opera in Munich. He also made guest appearances at the Vienna State Opera, at the Royal Opera House, Covent Garden in London, at the Hamburg State Opera, in Japan, and at the King's Theatre in Edinburgh during the Edinburgh Festival. His first tour in the United States took place in 1955, when he was 29, with his concert debut in Cincinnati on 15 April (J. S. Bach's Kreuzstab cantata) and 16 April (Ein Deutsches Requiem). His American lieder debut, singing Franz Schubert songs, took place in Saint Paul, Minnesota, on 19 April. His New York City debut occurred on 2 May at The Town Hall, where he sang Schubert's song cycle Winterreise without intermission. Both American recitals were accompanied by Gerald Moore.
In 1951, Fischer-Dieskau made his first recordings of lieder with Gerald Moore, at EMI Studios, London. They performed publicly until Moore retired from public performance in 1967. They continued to record together until 1972, in which year they completed their massive project of recording all of the Schubert lieder appropriate for the male voice. Gerald Moore retired completely in 1972, and died in 1987, aged 87. Their recordings of Die schöne Müllerin and Winterreise are highly prized.
Fischer-Dieskau also performed many works of contemporary music, including Benjamin Britten, Samuel Barber, Hans Werner Henze, Ernst Krenek, Witold Lutosławski, Siegfried Matthus, Winfried Zillig, Gottfried von Einem and Aribert Reimann.
Beyond his recordings of lieder and German repertoire, Fischer-Dieskau also recorded interesting performances in the Italian operatic repertoire. His recordings as Rigoletto alongside Renata Scotto and Carlo Bergonzi and also Rodrigo in Verdi's Don Carlos are probably the most respected of these ventures. Both these recordings, made right at the peak of his career, are very fine indeed (comparable to performances of the quality shown by Tito Gobbi or Giuseppe Taddei at their peak ). Other roles such as the title role in Verdi's Macbeth alongside Elena Souliotis, Giorgio Germont in La traviata, and Scarpia in Giacomo Puccini's Tosca with Birgit Nilsson, and are not often as successful, showing insight and inventiveness but lacking somewhat in idiomatic Mediterranean vocal colour or temperament - perhaps seeming too Germanic. However, as with Elisabeth Schwarzkopf and Maria Callas, Fisher-Dieskau's performances always seem thought out and are often true to the score. Fischer-Dieskau retired from opera in 1978, the year he recorded his final opera, Aribert Reimann's "Lear."
Fischer-Dieskau retired from the concert hall in 1992 and dedicated himself to conducting, teaching (especially lieder), painting, writing books, etc.
In a 1999 "Top Singers of the Century" critics' poll compiled by British Classic CD magazine, Fischer-Dieskau came second, behind Jussi Björling.
He is an honorary member of the Robert Schumann Society.
Personal life
In 1949, Fischer-Dieskau married the cellist Irmgard Poppen. Together they had three sons: Mathias (stage designer), Martin (conductor), and Manuel (cellist). Irmgard died in 1963 of complications following childbirth. Afterwards, Fischer-Dieskau was married to the actress Ruth Leuwerik from 1965 to 1967 and Christina Pugel-Schule from 1968 to 1975. Since 1977 he has been married to the soprano Julia Varady.
Partial discography
As singer
Fischer Dieskau recorded mainly on the labels EMI, DG and ORFEO.
- Bach, Cantatas, with Karl Richter on the Polygram label
- Bach, Jesus and bass parts in the Passions under a wide host of conductors, e.g. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler and Karl Richter
- Bartók, Bluebeard's Castle, with Ferenc Fricsay
- Bartók, Bluebeard's Castle, with Wolfgang Sawallisch
- Beethoven, Fidelio, with Fricsay
- Beethoven, Fidelio, with Leonard Bernstein
- Brahms, Ein Deutsches Requiem, with Rudolf Kempe
- Brahms, Ein deutsches Requiem, with Otto Klemperer and the Philharmonia Orchestra on the Angel label
- Brahms, Liebeslieder Walzer on the Deutsche Grammophon label
- Brahms, Vier ernste Gesänge, lieder, with Jörg Demus, piano on the Deutsche Grammophon label
- Britten, War Requiem, Benjamin Britten conducting, with Galina Vishnevskaya and Sir Peter Pears
- Busoni, Doktor Faust, conductor Ferdinand Leitner
- Cimarosa, The Secret Marriage, with Daniel Barenboim
- Debussy, Mélodies, with Hartmut Höll, piano, recorded 1988 for Claves Records, available in 2006 on Brilliant Classics
- Fauré, Requiem, Op. 48 under André Cluytens on EMI
- Haydn, The Creation, with Herbert von Karajan
- Mahler, Das Lied von der Erde, with Leonard Bernstein and the New York Philharmonic
- Mahler, Lieder, with Daniel Barenboim, piano, on the EMI label
- Mahler, Lieder eines fahrenden Gesellen and Des Knaben Wunderhorn, with Daniel Barenboim, piano, on the Sony label
- Mahler, Lieder eines fahrenden Gesellen and Kindertotenlieder with orchestra, with Wilhelm Furtwängler and Rudolf Kempe, on the EMI label
- Mahler, Kindertotenlieder, with Karl Böhm
- Mahler, Rückert-Lieder, on the Deutsche Grammophon label
- Felix Mendelssohn, Lieder, with Harmut Holl, piano, recorded 1989 and 1991 for Claves Records, available in 2006 on Brilliant Classics
- Mozart and Haydn Discoveries, with Reinhard Peters and the Vienna Haydn Orchestra on the Decca label
- Mozart, The Magic Flute with Ferenc Fricsay
- Mozart, The Magic Flute, with Karl Böhm
- Mozart, The Marriage of Figaro, with Karl Böhm
- Mozart, Don Giovanni, with Ferenc Fricsay
- Mozart, Don Giovanni, with Karl Böhm
- Orff, Carmina Burana, with Eugen Jochum and the Chor und Orchester der Deutschen Oper Berlin on the Deutsche Grammophon label
- Puccini, Tosca, with Birgit Nilsson, as well as excerpts in German with Anja Silja, on Decca Records
- Reimann, Lear, with the Bavarian State Orchestra on the Polygram label
- Schoeck, Lebendig begraben, with Radio-Symphonie-Orchester Berlin, on the Deutsche Grammophon label
- Schoeck, Notturno, five movements für voice and string quartet, on EMI Classics
- Schoeck, Lieder, with Margrit Weber (piano) and Karl Engel (piano), on the Deutsche Grammophon label
- Schubert, Deutsche Messe, with Wolfgang Sawallisch and the Orchester des Bayerischen Rundfunks on the Capitol label
- Schubert, Winterreise, with Gerald Moore, piano, on the Deutsche Grammophon label
- Schubert, Die Winterreise, with Jörg Demus, piano, on the Deutsche Grammophon label
- Schubert, Die schöne Müllerin, with Gerald Moore, piano, on the Angel label
- Schubert, Lieder, with Gerald Moore, piano on the Deutsche Grammophon label
- Schubert, Missa Solemnis and Masses in C major and E flat major, with Wolfgang Sawallisch and the Bavarian Radio Symphony Orchestra on the EMI label
- Schubert, Schwanengesang, with Gerald Moore, piano on the EMI label
- Schubert, Lieder, with Harmut Holl, piano, recorded 1987 for Claves Records, available in 2006 on Brilliant Classics
- Schumann, Dichterliebe, Liederkreis, and others with Christoph Eschenbach, piano, on the Deutsche Grammophon label
- Schumann, Liederkreis, with Gerald Moore, piano, on the EMI label
- Shostakovich, Suite on Verses of Michelangelo Buonarroti and Four Verses of Captain Lebyadkin, with Vladimir Ashkenazy and the Radio Symphony Orchestra Berlin on the Polygram label
- Shostakovich, Symphony No. 14 with Bernard Haitink and the Concertgebouw Orchestra on the Decca label
- Richard Strauss, Elektra, with Karl Böhm
- Strauss, Arabella, with Joseph Keilberth
- Strauss, Die Frau ohne Schatten
- Verdi, Un ballo in maschera (in German language), with Fritz Busch
- Verdi, La traviata, with Lorin Maazel
- Verdi, Otello
- Verdi, Falstaff, with Leonard Bernstein
- Verdi, Macbeth, with Elena Souliotis
- Verdi, Rigoletto with Rafael Kubelík and the La Scala Orchestra on the Deutsche Grammophon label
- Wagner, Die Meistersinger von Nürnberg, with Eugen Jochum and the Berliner Staatsopernorchester on the Deutsche Grammophon label
- Wagner, Lohengrin with Rudolf Kempe (EMI)
- Wagner, The Flying Dutchman, with Franz Konwitschny (EMI)
- Wagner, Tannhäuser, with Franz Konwitschny (EMI)
- Wagner, Das Rheingold, with Herbert von Karajan (DG)
- Wagner, Götterdämmerung, with Georg Solti and the Vienna Philharmonic Orchestra on the Decca label
- Wagner, Tristan und Isolde, with Wilhelm Furtwängler
- Wagner, Tristan und Isolde, with Carlos Kleiber
- Weber, Lieder, with Hartmut Höll, piano, recorded 1991 for Claves Records, available in 2006 on Brilliant Classics
- Wolf, Fruhe Lieder, with Hartmut Höll, piano, recorded 1986 for Claves Records, available in 2006 on Brilliant Classics
As conductor
Footnotes
- ^ Liner notes to Portrait of Dietriech [sic] Fischer-Dieskau, HMV, released by World Record Club
Books
- The Fischer-Dieskau Book of Lieder: The Original Texts of over 750 Songs, translated by Richard Stokes and George Bird. Random House, 1977. (ISBN 0-394-49435-0)
- Reverberations: The Memoirs of Dietrich Fischer-Dieskau, translated by Ruth Hein. Fromm International, 1989. (ISBN 0-88064-137-1)
- Robert Schumann Words and Music: The Vocal Compositions, translated by Reinhard G. Pauly. Hal Leonard, 1992. (ISBN 0-931340-06-3)
- Schubert's Songs: A Biographical Study. Alfred A. Knopf, 1977. (ISBN 0-394-48048-1)
- Wagner and Nietzsche, translated by Joachim Neugroschel. Continuum International, 1976.
Further reading
- Neunzig, Hans A. Dietrich Fischer-Dieskau Trans. Kenneth S Whitton. Gerald Duckworth & Co, 1998. (ISBN 0-7156-2818-6)
- Whitton, Kenneth S. Dietrich Fischer-Dieskau: Mastersinger Holmes & Meier Publishers, 1981. (ISBN 0-8419-0728-5)
External links
