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Diva

 
Movies:

Diva

  • Director: Jean-Jacques Beineix
  • AMG Rating: starstarstarstar
  • Genre: Thriller
  • Movie Type: Psychological Thriller, Romantic Mystery
  • Themes: Flight of the Innocent, Witnessing a Crime
  • Main Cast: Frederic Andréi, Wilhelmenia Wiggins Fernandez, Richard Bohringer, Thuy An Luu, Dominique Pinon
  • Release Year: 1981
  • Country: FR
  • Run Time: 123 minutes
  • MPAA Rating: R

Plot

The diva of the title is a famous black opera singer (Wilhelmina Wiggins-Fernandez) who steadfastly refuses to be recorded. The singer is idolized by young French mail-carrier Jules (Frederic Andrei), who sneaks a tape recorder into the theater and records her performance. This is witnessed by a pair of Taiwanese criminals, who unlike Andrei wish to profit from the bootlegged recording. They begin to pursue the boy, as do a couple of home-grown hooligans who believe that Jules is in possession of some murder evidence. The serpentine plot leads to a warm friendship between Jules and the reclusive diva - and to a brilliantly photographed (by Philipe Rousselot) motorcycle chase through the subway tunnels of Paris. Diva marked the directorial debut of Jean-Jacques Beineix, whose obvious fondness for the more esoteric techniques of the Nouvelle Vague never impedes his willingness to simply entertain his audiences. ~ Hal Erickson, All Movie Guide

Review

A stunning debut for director Jean-Jacques Beineix, Diva is a pulsating, eccentric slice of post-modernism. Shocking to many audiences, Diva blends violence, wit and punk style in a manner that later would be appropriated by Quentin Tarantino and other admirers of updated, jazzed-up film noir. The plot concerns a black Parisian soprano, some recording pirates who want to profit from her voice, corrupt policemen and a chief who runs a prostitution ring, and other seedy scenarios. More important than any of this is the frenzied, bold atmospherics, aided by an eclectic sound track. Cinematographer Philippe Rousselot's work earned him several critics' awards. Beneix failed to live up to the dazzling promise shown in Diva, a film whose attitude was widely imitated in the rest of the 1980s and the 1990s. ~ Michael Betzold, All Movie Guide

Cast

Jacques Fabbri - Jean Saporta; Roland Bertin - Weinstadt; Anny Romand - Paula; Gérard Darmon - Spic, I'Antillais; Raymond Aquilon; Nathalie Dalyan; Chantal Deruaz - Nadia; Etienne Draber; Patrick Floersheim - Zapotek; Nane Germon; Brigitte Lahaie; Jean-Jacques Moreau - Krantz; Jean-Luc Porraz; Bernard Robin; Jean-Louis Vitrac; Eugene Berthier; Laure Duthilleul; Gabriel Gobin; Isabelle Mergault; Thuy Ann Luu; Yann Roussel

Credit

Vladimir Cosma - Conductor, Claire Fraisse - Costume Designer, Jean-Jacques Beineix - Director, Monique Prim - Editor, Marie-Josephe Yoyotte - Editor, Vladimir Cosma - Composer (Music Score), Hilton McConnico - Production Designer, Philippe Rousselot - Cinematographer, Ully Pickard - Production Manager, Irene Silberman - Producer, Hilton McConnico - Set Designer, Jean-Jacques Beineix - Dialogue Writer, Jean-Jacques Beineix - Screenwriter, Jean VanHamme - Screenwriter, Charles Gounod - Featured Music, Delacorta - Book Author

Similar Movies

Alphaville; The Moon in the Gutter; La Femme Nikita; Mauvais Sang; Mortel transfert
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Wikipedia: Diva (film)
Top
Diva
Directed by Jean-Jacques Beineix
Produced by Claudie Ossard
Irène Silberman
Serge Silberman
Written by Jean-Jacques Beineix
Jean Van Hamme
Based on the novel by Delacorta
Starring Frédéric Andréi
Wilhelmenia Wiggins Fernandez
Richard Bohringer
Music by Vladimir Cosma
Cinematography Philippe Rousselot
Editing by Monique Prim
Marie-Josèphe Yoyotte
Distributed by United Artists
Release date(s) March 11, 1981
Running time 117 min (France)
123 min (United States)
Country France
Language French
English
Budget 7.5m FRF[citation needed]

Diva is a 1981 film directed by Jean-Jacques Beineix, adapted from a novel of the same name by Daniel Odier (under the pseudonym Delacorta). It is one of the first[citation needed] French films to let go of the realist, harsh mood of 1970s French cinema and return to a colourful, melodic style, called "Cinema du look".[citation needed] The film made a muted debut[citation needed] in France in 1981, but had success in the United States the next year.[citation needed] The film became a cult classic[citation needed] and was internationally acclaimed.[citation needed]

Contents

Plot

Jules, a young postman, is obsessed with Cynthia Hawkins, a beautiful and celebrated opera singer who has never consented to have her performances recorded. He attends her performance, secretly and illegally records it, and steals a gown from her dressing room.

Unknowingly, Jules also comes into possession of another important tape: the testimony of a prostitute, exposing Saporta, a high-ranking policeman, as the boss of various rackets. The prostitute drops the recording in the bag of the postman's moped moments before she is murdered.

In danger from Saporta's enforcers as well as from Taiwanese gangsters seeking the Hawkins tape, Jules seeks refuge with his new friends, the mysterious bohemian Serge Gorodish and his young muse Alba (the central figures of a series of novels, including the one upon which the screenplay was based). Gorodish acts as a deus ex machina to manipulate Jules's enemies into destroying each other. Meanwhile a romantic relationship between Jules and Cynthia develops, beautifully emphasised by the piano instrumental 'Promenade Sentimentale' of Vladimir Cosma as they walk around Paris early one morning.

Jules returns Hawkins' dress out of guilt after stealing it. Although she is initially angry, she then becomes amused and somewhat moved that she has such a fan. The two have breakfast together and Jules is given the privilege of hearing her practice her singing. Their relationship becomes somewhat strained however, when Hawkins hears that a perfect bootleg copy of her performance was made and sent to Taiwan, which insists that she either sign to make recordings of her performances or they will sell copies of the illegal tape. Jules believes that Gorodish and Alba sold the tape to the hitmen after him. He later learns that they still have the tape and that the call was a fake. At the end of the movie however, he plays the bootleg tape for Cynthia. She expresses slight nervousness over hearing it as she "never heard [herself] sing". Jules responds by holding her and the two dance together to the music.

Soundtrack

Highlights of the soundtrack include the aria Ebben? Ne andrò lontana from Alfredo Catalani's opera La Wally, and a pastiche of Erik Satie's Gnossiennes composed by Vladimir Cosma.

Cast

Awards

External links


 
 
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