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Dixieland Jug Blowers

 
Artist: The Dixieland Jug Blowers

Similar Artists:

Kentucky Jug Band, Gus Cannon, Whistler & His Jug Band, Jack Kelly, King David's Jug Band, Cincinnati Jug Band, Jed Davenport, Memphis Jug Band
  • Genres: Jazz

Biography

The Louisville, Kentucky-based Dixieland Jug Blowers were one of the first jug bands to record. Led by violinist Clifford Hayes and jug player Earl McDonald, the Chicago-based group, which featured clarinetist Johnny Dodds, left a legacy of twenty-three tracks, including "Boodle Am Shake", "Memphis Shake" and "Skit, Skat, Doodle-Do", recorded between December 1926 and June 1927. Recording as the Louisville Jug Band, they cut such tunes as "She's In The Graveyard Now".

South Carolina-born McDonald moved to Louisville, at the age of two, in 1885. He formed the Louisville Jug Band while still in high school. The product of a musical family, Glasgow, Kentucky-born Hayes moved to Jeffersonville, Indiana in his teens. He joined McDonald's band in 1913.

Although McDonald and Hayes formally separated, over financial conflicts, by 1919, they continued to hire each other to play on recordings and live performances. ~ Craig Harris, All Music Guide
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The Dixieland Jug Blowers were a popular American musical group of the 1920s. While being a jug band, the group is often classified as a jazz band due to its set up which, while including regular Jug band instruments such as jug, banjo, guitar, and violin, also used alto saxophone, trombone, piano, and even the famous Johnny Dodds on clarinet. This wide variety of instrumentation caused the jug band to become the most sophisticated of its time and influenced many other jug bands of the time such as the Memphis Jug Band.

The Dixieland Jug Band was originally formed through the commingling of two separate groups run by banjoist Earl MacDonald and fiddler Clifford Hayes. They were brought together in 1926 in for a Victor Records recording session in Chicago and again later in 1927 Earl MacDonald had been a musician for almost 30 years and so favoured the earlier traditional and minstrel tunes. Clifford Hayes on the other hand favoured a more straight ahead Jazz styled approach, eventually dispensing with the jug altogether. The two would only work together in the studio due to Hayes' financial shenanigans, in which he would lie to fellow bandmates about the takings and would pocket more than his fair share.



 
 
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