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Dogs from the Hare That Bit Us

 
Album Review: Dogs from the Hare That Bit Us

  • Artist: The Dickies
  • Rating: StarStarStarStar
  • Release Date: July 03, 1998
  • Type: Extended Play (EP)
  • Genre: Rock

Review

An eight-song, all-covers Dickies mini-LP? Why not! Remember these zany punks' terrific covers of "Nights in White Satin" (a classic even if you hate the Moody Blues), Black Sabbath's "Paranoid" (which basically inspired the Bad Brains to form!), and the cartoon themes to "Banana Splits" and "Gigantor"? In an era where everyone hated covers bands, the Dickies were the obvious exception, reinventing a bizarre array of choices with both furious intensity and hilarious humor. As it happens, Dogs from the Hare is not of the caliber of the great moments listed above, but only because it's a totally different breed of cover. These are tribute versions, done punk'n'pop, without need to be funny. Yet it's still frickin' great and a lot of fun. If the Dickies want to be just reverent fans, it still works. The Human Beinz's obscure, killer '60s hotfoot "Nobody But Me" has been in the Dickies' set for years (this recording is also on the Baseketball soundtrack). Elsewhere, you can tell the clown princes of punk were big Beatles fans, doing 1963's Merseybeat charmer "There's a Place," and they show more British Invasion smarts by doing the Hollies' immortal, stomping, super-melodic "I Can't Let Go" (a smash 1966 U.K. hit that somehow failed to chart in the U.S. until Linda Ronstadt murdered it in 1980), as well as Donovan's unusually zippy folk-rock popper "Epistle to Dippy," a 1967 hit. Leonard Graves' singing on these tunes shows how much he flat-out loves them; he's rarely sounded more giddy, and that's saying something! The overdubbed calls and responses on "Can't Let Go" are especially nice. Even songs by the Knack, the otherwise suspect Uriah Heep, and early Iron Butterfly sound good. With covers, the Dickies can do anything. ~ Jack Rabid, All Music Guide

Tracks

Track TitleComposersPerformersTime
Intro The Dickies (:21)
Solitary Confinement John Denney, Cliff Roman The Dickies (2:08)
Easy Livin' Ken Hensley The Dickies (2:23)
Unconscious Power Doug Ingle, Danny Weis, Ron Bushy The Dickies (2:22)
There's a Place Paul McCartney, John Lennon The Dickies (1:42)
Nobody But Me Ronald Isley, Rudolph Isley, O'Kelly Isley The Dickies (2:08)
Can't Let Go Koko Taylor The Dickies (1:57)
Let Me Out Doug Fieger, Berton Averre The Dickies (2:20)
Epistle to Dippy Donovan The Dickies (3:13)

Credits

Shag (Design), Leonard Graves Phillips (Keyboards), Ray Dobbins (Engineer), Shag (Illustrations), Dave Teague (Guitar), Glen Laughlin (Engineer), Shag (Artwork), Glen Laughlin (Vocals), Mark Chalecki (Mastering), Stan Lee (Liner Notes), Glen Laughlin (Guitar (12 String)), Leonard Graves Phillips (Liner Notes), Andy Richter (?), Ray Dobbins (Mixing), Leonard Graves Phillips (Vocals), Marc Mylar (MIDI Assistance), Stan Lee (Guitar), John X. (Harmonica), Gary Dobbins (Mixing), Travis Johnson (Drums), Rick Dasher (Vocals), Rick Dasher (Engineer), John X. (Producer), Rick Dasher (Guitar), Rick Dasher (Bass), Gary Dobbins (Engineer), John X. (Engineer)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more