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Don Juan

 
Movies:

Don Juan

  • Director: Alan Crosland
  • AMG Rating: starstarstarstar
  • Genre: Musical
  • Movie Type: Musical Drama
  • Themes: Playing the Field, Arranged Marriages
  • Main Cast: John Barrymore, Mary Astor, Willard Louis, Estelle Taylor, Warner Oland, Montagu Love
  • Release Year: 1926
  • Country: US
  • Run Time: 90 minutes

Plot

Historically important as the first film to carry a Vitaphone sound track (consisting of music and sound effects, but no dialogue) Don Juan is a first-rate production by any standards, and would have been just as good with or without musical accompaniment. John Barrymore plays the legendary lover Don Juan, raised by his cynical father (also played by Barrymore) to "love 'em and leave 'em", and to never trust any woman. All of this changes when he meets the beautiful Adriana Della Varnese (Mary Astor). When it seems that Adriana has betrayed him in favor of a wealthy marriage to the lecherous Count Donati (Montague Love), Don Juan renounces her and returns to his rakish ways. What he doesn't know is that Adriana is a political pawn, who has been forced into an alliance with Donati by the calculating Borgias (Estelle Taylor and Noah Beery Sr.). By the time Don Juan finds out that his true love is still true, he has been tossed in prison for killing Donati in a spectacular duel. He breaks out, rescues Adriana from the Borgias' torture chamber, and escapes with his beloved to the safety of Spain. The plot is, of course, more complicated than that, but so fascinating is John Barrymore's performance that it's difficult to concentrate on anything else. The film's highlights include the out-sized duel between Barrymore and Montagu Love, capped by Barrymore's spectacular leap from the top of a huge staircase, and the torture chamber sequences, wherein Barrymore sneaks past the Borgia guards by assuming the facial characteristics of fiendish torturer Gustav von Seyfertitz--and this without makeup. "In the know" film historians may read a lot more into the Barrymore/Mary Astor love scenes than is readily apparent, forearmed as they are with the knowledge that John and Mary had once been passionate lovers offscreen. Scenarist Bess Meredyth used the Lord Byron poem Don Juan as a mere stepping stone for this imaginative, exquisitely filmed romantic adventure. ~ Hal Erickson, All Movie Guide

Review

Historically significant for its groundbreaking use of sound, Don Juan was no mere box-office gimmick. It indicates why John Barrymore was one of the top stars of the 1920s, and it features the crisp, rich cinematography of Byron Haskin, who would later direct some of the best episodes of the television series The Outer Limits. It was a hallmark of Haskin's career that he could create vivid, believable visual settings that were strange and wonderful to the viewers, whether in science fiction or historical romance. Directed by Alan Crosland at the height of his career, Don Juan was an enormous box-office success, leading Warner Bros. to ask Crosland to helm an even more complex sound project, The Jazz Singer. ~ Richard Gilliam, All Movie Guide

Cast

Myrna Loy - Mai, Lady in Waiting; Helene Costello - Rena, Adriona's Maid; Jane Winton - Donna Isobel; John Roche - Leandro; June Marlowe - Trusia; Yvonne Day - Don Juan, at Age 5; Philippe DeLacy - Don Juan, at Age 10; John George - Hunchback; Josef Swickard - Duke Della Vamese; Lionel Braham - Duke Margoni; Phyllis Haver - Imperia; Hedda Hopper - Marquise Rinaldo; Nigel de Brulier - Marchese Rinaldo; Emily Fitzroy - The Dowager; Gibson Gowland - Gentlemen of Rome; Sheldon Lewis - Gentlemen of Rome; Dick Sutherland - Gentleman of Rome; Gustav von Seyffertitz - Neri, the Alchemist; Helen Lee Worthing - Eleanora; Helena D'Algy - Donna Elvira, Murderess of Jose

Credit

Ben Carre - Art Director, Alan Crosland - Director, Harold McCord - Editor, Dr. William Axt - Composer (Music Score), Byron Haskin - Cinematographer, Maude Fulton - Intertitle Writer, Walter Anthony - Intertitle Writer, Bess Meredyth - Screenwriter
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