Representative Albums: "Fiddler on the Rock," "Keep on Driving," "Sugar Cane's Got the Blues"
Biography
Beginning his career as the guitar playing half of the 1950s rock duo, Don & Dewey, Don "Sugarcane" Harris, put down the guitar and picked up the violin after the lack of success for Don & Dewey (oddly enough the group's songs became hits for other artists such as the Righteous Brothers and the Premiers). Classically trained as a violinist, Harris' skill at improvisation began attracting attention from the rock world and soon he was appearing on records by John Lee Hooker, Frank Zappa and Johnny Otis. In 1970 Harris joined forces with British blues musician John Mayall when the latter was forming his first all American backing band. In addition to joining the backing bands of Mayall, Zappa and others, Harris also recorded a series of albums for labels such as Epic and Polydor. After a lengthy battle with pulmonary disease, on December 1, 1999 he was found dead in his Los Angeles apartment at the age of 61. ~ Steve Kurutz, All Music Guide
Don "Sugarcane" Harris (born Don Francis Bowman Harris, June 18, 1938[1] - November 30 (or December 1), 1999) was an American rock & roll violinist and guitarist. Harris was born and raised in Pasadena, California, and started an act called Don and Dewey with his childhood friend Dewey Terry in the mid 1950s. Although they were recorded by Art Rupe on his Specialty label, mostly utilizing the services of legendary drummer Earl Palmer, Don and Dewey didn't have any hits. However, Harris and Terry co-authored such early rock and roll classics as "Farmer John", "Justine", "Leavin' It All Up to you", and "Big Boy Pete," all of which became hits for other artists.
At some point in his career, Harris was given the nickname "Sugarcane" by LA bandleader Johnny Otis and it was to remain with him throughout his life.
After separating from Dewey Terry in the 1960s Harris moved almost exclusively over to the electric violin. He was to reappear as a sideman with John Mayall & the Bluesbreakers and Frank Zappa, most recognized for his appearances on Hot Rats, and on the Mothers of Invention albums Burnt Weeny Sandwich and Weasels Ripped My Flesh. His lead vocal and blues violin solo on a cover of Little Richard's "Directly From My Heart to You" on Weasels, and his extended solo on the lengthy "Little House I Used To Live In" on Weeny are considered highlights of those albums.
Harris's struggles with substance abuse were to lead to his becoming erratic, not so much as a performer while on stage, but as a person whom it became increasing difficult to get on stage.