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Donnie Darko

 
Album Review: Donnie Darko [Score]

  • Artist: Michael Andrews
  • Rating: StarStarStarHalf Star
  • Release Date: April 02, 2002
  • Type: Soundtrack
  • Genre: Soundtrack

Review

The most remarkable thing about Richard Kelly's directorial debut, Donnie Darko, is its sheer tenacity. After suffering the fatal blow of a post-September 11 release date, the ominous film, which features the destruction of a sleepy suburban household by a falling jet engine, was pulled from theaters. Its subsequent release on video garnered a rabid fan base that elevated the movie to cult status, spawning hundreds of websites devoted to untangling its spidery threads of time-travel logic and spiritual chicanery. Rookie composer Michael Andrews, whose only previous work was for television's Freaks and Geeks, captures the underlying dread and unsettling beauty of the film by remaining reverent to it. Clocking in at just over 30 minutes, the heart of the piece is a pulsing, hypnotic waltz that transports you to the alternate-reality Middlesex, VA where the film takes place. His use of period (1980s) synths and a voxophone, tastefully punctuated by sparse choral arrangements, evoke a Danny Elfman score leached of bombast and quivering in its naked form. Like Air's soundtrack to The Virgin Suicides, Andrews' songs create such a specific sense of place that an entirely different film would emerge in their absence, robbing the consumer of its dizzying afterglow -- the soft, walking pianos on "The Artifact and Living" and "Rosie Darko" tiptoe through your subconscious for weeks. Due to the sparse, six-million-dollar budget of the movie, the producers had to decide whether or not to include celluloid-only tracks like "Killing Moon" by Echo & the Bunnymen and "Under the Milky Way" by the Church or pay for the special effects. They wisely opted for the latter, threw in an extra quarter and allowed Andrews and singer-songwriter Gary Jules to construct the heartbreaking re-working of Tears for Fears' 1983 hit "Mad World," that delivers the last play on Donnie Darko's haunting, apocalyptic jukebox. [In 2004, Sanctuary released a comprehensive two-dsic version in the U.K. that featured all of the songs used in the film, including tracks by Tears For Fears, the Church, Echo & the Bunnymen, INXS, Joy Division, Duran Duran and others.] ~ James Christopher Monger, All Music Guide

Tracks

Track TitleComposersPerformersTime
Carpathian Ridge Michael Andrews Michael Andrews (1:35)
The Tangent Universe Michael Andrews Michael Andrews (1:50)
The Artifact and Living Michael Andrews Michael Andrews (2:30)
Middlesex Times Michael Andrews Michael Andrews (1:41)
Manipulated Living Michael Andrews Michael Andrews (2:08)
Philosophy of Time Travel Michael Andrews Michael Andrews (2:02)
Liquid Spear Waltz Michael Andrews Michael Andrews (1:32)
Gretchen Ross Michael Andrews Michael Andrews (0:51)
Burn It to the Ground Michael Andrews Michael Andrews (1:58)
Slipping Away Michael Andrews Michael Andrews (1:17)
Rosie Darko Michael Andrews Michael Andrews (1:25)
Cellar Door Michael Andrews Michael Andrews (1:03)
Ensurance Trap Michael Andrews Michael Andrews (3:11)
Waltz in the 4th Dimension Michael Andrews Michael Andrews (2:46)
Time Travel Michael Andrews Michael Andrews (3:01)
Did You Know Him? Michael Andrews Michael Andrews (1:46)
Mad World [*] Roland Orzabal Michael Andrews, Gary Jules (3:07)
Mad World [Alternate Version] Roland Orzabal Michael Andrews, Gary Jules (3:37)

Credits

Michael Andrews (Performer), Richard Kelly (Liner Notes), Roger Seibel (Mastering), Todd Burke (Engineer), Todd Burke (Mixing), Mike King (Package Design), Gary Jules (Vocals), Sam Shelton (Vocals (Background)), Shannon Erbe (Music Editor)
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Wikipedia: Donnie Darko (soundtrack)
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Donnie Darko
Soundtrack by Michael Andrews
Released April 2, 2002
Recorded October–December 2000
Length 60:53
Language English
Label Enjoy/Everloving
Professional reviews

The Donnie Darko soundtrack was created by Michael Andrews and released in 2002. It consisted of 16 instrumental tracks and two covers of "Mad World" by Tears for Fears.

Contents

Production

Richard Kelly commissioned Michael Andrews, a San Diego musician and television and film composer who had worked as a member of a range of bands, including The Origin with Gary Jules, whose two solo albums he had produced, and The Greyboy Allstars. Kelly said that he was confident that Michael Andrews could do the job: "I met with Michael and I just knew right away that he was really, really talented and that he could come up with a really original score. He would allow me to be in there and be really kind of editorial with how I wanted the score to be." [1]

Michael Andrews relocated to Los Angeles to work on the film between October and December 2000. As Michael Andrews states, the low budget for the project encouraged him to play a diverse range of instruments for the soundtrack:

"The film was pretty low budget so my portion of the money was pretty thin. I couldn't hire anyone, it was just me. I played everything; piano, mellotron, mini marimba, xylophone, ukulele, organ. I also brought in two female vocalists Sam Shelton and Tori Haberman. But no guitar because Richard said no guitar or drums; he just wasn't into it. I was down with that - I've played guitar my whole life."[2]

Like many of his role models for soundtrack composing such as John Barry and Ennio Morricone, Michael Andrews wanted to put a song on his otherwise instrumental score. He eventually chose "Mad World" (1982) by Tears for Fears, who were one of his and childhood friend Gary Jules' favourite bands while growing up. Andrews enlisted Jules to sing the song, while Andrews himself played the piano. Other songs from the film include "The Killing Moon" by Echo & the Bunnymen (another of Andrews' and Jules' favourite bands), Joy Division's "Love Will Tear Us Apart", The Church's shimmering "Under the Milky Way" in the cathartic party scene, and "Proud to Be Loud" by the '80s incarnation of the metal band Pantera.

Michael Andrews's derivative style of composing owes much to the ground-breaking Symphony No. 3 (Górecki) (Symphony of Sorrowful Songs) by Henryk Górecki , to which Cherita mimes on stage. An excerpt of For Whom the Bell Tolls as composed by Steve Baker and Carmen Daye starts the credit sequence at the end of the film. This music was however not included in the album-version of the soundtrack.

In the subsequent director's cut, a number of musical choices are changed. In the film's opening, "The Killing Moon" by Echo & the Bunnymen is replaced by "Never Tear Us Apart" by INXS. "The Killing Moon" later replaces "Under The Milky Way" by The Church during the party scene. "Under The Milky Way" can be heard in the car scene with Donnie and his father, played on the radio. Many of these tracks were originally meant to be on the soundtrack, but could not be obtained for licencing reasons.

Release

The score was not put on a soundtrack album until Andy Factor, a friend of Michael Andrews, released it on his Everloving Records independent label in 2002. As Donnie Darko was not a hit at first, there was little interest in the soundtrack in the United States. However, the film enjoyed more popularity in Europe especially in the UK where its total box office was greater than for the whole of the U.S., and so the Donnie Darko soundtrack album was released.

This sparked interest in the soundtrack and in the song "Mad World," taken from the original soundtrack, which was a 2003 Christmas Number One in the UK singles chart. It has also made the charts in a number of other countries including Ireland, Denmark, the Netherlands and Australia in 2003 and 2004.

Singer Madonna sampled the song "Manipulated Living" for the video introduction on her 2008/2009 Sticky & Sweet Tour.

Track listing

All songs were written and performed by Michael Andrews except "Mad World" (written by Roland Orzabal; performed by Gary Jules and Michael Andrews).

  1. "Carpathian Ridge" – 1:35
  2. "The Tangent Universe" – 1:50
  3. "The Artifact and Living" – 2:30
  4. "Middlesex Times" – 1:41
  5. "Manipulated Living" – 2:08
  6. "Philosophy of Time Travel" – 2:02
  7. "Liquid Spear Waltz" – 1:32
  8. "Gretchen Ross" – 0:51
  9. "Burn It to the Ground" – 1:58
  10. "Slipping Away" – 1:17
  11. "Rosie Darko" – 1:25
  12. "Cellar Door" – 1:03
  13. "Ensurance Trap" – 3:11
  14. "Waltz in the 4th Dimension" – 2:46
  15. "Time Travel" – 3:01
  16. "Did You Know Him?" – 1:46
  17. "Mad World" – 3:07
  18. "Mad World" (Alternate Mix) – 3:37

[Soundtrack & Score] 2004 British re-release

Coinciding with the release of the film's director's cut, an expanded two-disc edition of the album was released in the United Kingdom in 2004. This edition included the 1980s pop and alternative rock songs from the theatrical edition and the director's cut.

  1. "Never Tear Us Apart" by INXS – 3:04
  2. "Head Over Heels" by Tears for Fears – 4:16
  3. "Under the Milky Way" by The Church – 4:58
  4. "Lucid Memory" by Sam Bauer and Gerard Bauer – 0:46
  5. "Lucid Assembly" by Gerard Bauer and Mike Bauer – 0:52
  6. "Ave Maria" by Vladimir Vavilov and Paul Pritchard – 2:57
  7. "For Whom the Bell Tolls" by Steve Baker and Carmen Daye – 3:12
  8. "Show Me (Part 1)" by Quito Colayco and Tony Hertz – 2:05
  9. "Notorious" by Duran Duran – 4:00
  10. "Stay" by Oingo Boingo – 3:38
  11. "Love Will Tear Us Apart" by Joy Division – 3:23
  12. "The Killing Moon" by Echo & the Bunnymen – 5:55

Disc two

The second disc is devoted to a remastered version of composer Michael Andrews.

Personnel

  • Michael Andrews – performer
  • Todd Burke – engineer, mixing
  • Shannon Erbe – music editor
  • Gary Jules – vocals
  • Richard Kelly – liner notes
  • Mike King – package design
  • Roger Seibel – mastering
  • Sam Shelton – backing vocals

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Donnie Darko (soundtrack)" Read more

 

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