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Doon de Mayence

 

Chanson de geste surviving only in an undistinguished 13th-c. redaction, but of which an earlier version probably existed in the 12th c.; its protagonist is cited by Bertrand de Bar-sur-Aube in the prologue to his Girart de Vienne as the progenitor of the lineage of traitors. The term ‘Cycle of Doon de Mayence’ is used to refer, rather improperly, to chansons de geste on the theme of barons in revolt.

[Sarah Kay]

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Doon de Mayence was a fictional hero of the Old French chansons de geste, who gives his name to the third cycle of the Charlemagne romances, those dealing with the feudal revolts.

There is no real unity in the geste of Doon de Mayence. The rebellious barons are connected by the poets with Doon by imaginary genealogical ties, and all are represented as in opposition to Charlemagne, though their adventures, insofar as they possess a historical basis, must generally be referred to earlier or later periods than the reign of the great emperor.

The general insolence of their attitude to the sovereign suggests that Charlemagne is here only a name for his weaker successors. The tradition of a traitorous family of Mayence (Mainz), which was developed in Italy into a series of stories of criminals, appeared later than the Carolingian cycle, for an interpolator in the Chronicle of Fredegar states (iv. 87) that the army of Sigebert was betrayed from within its own ranks by men of Mayence in a battle fought with Radulf on the banks of the Unstrut in Thuringia.

The chief heroes of the poems which make up the geste of Doon de Mayence are Ogier the Dane, the four sons of Aymon, and Huon of Bordeaux. It is probable that Doon himself was one of the last personages to be clearly defined, and that the chanson de geste relating his exploits was drawn up partly with the view of supplying a suitable ancestor for the other heroes. The latter half of the poem, the story of Doon’s wars in Saxony, is perhaps based on historical events, but the earlier half, which is really a separate romance dealing with his romantic childhood, is obviously pure fiction and dates from the thirteenth century. Doon had twelve sons, of whom the most noteworthy are:

  • Gaufrey de Danemarche, the father of Ogier the Dane;
  • Doon de Nanteuil, whose son Gamier married the beautiful Aye d’Avignon;
  • Griffon d’Hauteville, father of the arch-traitor Ganelon;
  • Aymon de Dordone or Dourdan, whose four sons, including Renaud de Montauban, were so relentlessly pursued by Charles;
  • Beuves d’Aigremont, whose sons were the enchanter Maugris and Vivien de Monbranc;
  • Sevin or Seguin, the father of Huon of Bordeaux;
  • Girart de Roussillon, hero, married to Bertha, opponent of Charles;
  • and others less known.

The history of these personages is given in Doon de Mayence, Gaufrey, the romances relating to Ogier, Aye d’Avignon, the fragmentary Doon de Nanteuil, Gui de Nanteuil, Tristan de Nanteuil, Parise la Duchesse, Maugis d’Aigremont, Vivien l’amachour de Monbranc, Renaus de Montauban or Les Quatre Fits Aymon, and Huon de Bordeaux.

References

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.


 
 

 

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
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