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Dr. Atl

 

(b Guadalajara, 3 Oct 1875; d Mexico City, 14 Aug 1964). Mexican painter, printmaker, writer, theorist, vulcanologist and politician. Better known by his pseudonym, which signifies 'Doctor Water' in N?huatl and which he adopted in 1902, Murillo first studied art in Guadalajara and from 1890 to 1896 at the Academia de San Carlos in Mexico City, where his vocation became clear. In 1899 he travelled to Europe and settled in Rome, where the work of Michelangelo had a profound impact on him. He travelled to other countries to study and to learn about avant-garde painting. He went back to Mexico in 1904 and seven years later returned to Europe, only to rush back when the Revolution broke out in Mexico. He joined the revolutionary movement, taking an active role in its various activities, including the muralist movement, through which he was associated with Diego Rivera, Jos? Clemente Orozco and David Alfaro Siqueiros. Although he practised portrait painting, his passion was for landscape in a variety of techniques and materials, some of them invented by him; for example, he used 'atlcolours', which were simply crayons made of wax, resins and pigment with which he could obtain textures not obtainable with oil paint. His favoured supports were rigid surfaces such as wood or hardboard.

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Wikipedia: Dr. Atl
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Tenochtitlán, looking east. From the mural painting at the National Museum of Anthropology, Mexico City. Painted in 1930 by Dr. Atl.

Gerald Murillo (October 3, 1875August 15, 1964) was a Mexican painter and writer who signed his works "Dr. Atl". He was born in Guadalajara, Jalisco, where he began the study of painting at an early age, under Felipe Castro. At the age of 21, Murillo entered the Academy of San Carlos in Mexico City to further his studies.

After showing his abilities, Murillo was granted a pension by President Porfirio Díaz to study painting in Europe. There he broadened his scope of learning, with study of philosophy and law at the University of Rome, and many trips to Paris to listen to lectures about art given by Henri Bergson. His strong interest in politics led him to collaborate with the Socialist Party in Italy and work in the Avanti newspaper. It was at this time that he was baptized "Dr. Atl" (the Nahuatl word for "water") by Leopoldo Lugones.

Dr. Atl became very active in Mexico when he returned. He led art exhibitions sponsoring such artists as Diego Rivera, Francisco de la Torre, and Rafael Ponce de Leon.

Dr. Atl then returned to Paris, where he analyzed the political aspects of Mexico. He founded a journal and wrote about the social and political issues of Mexico, and criticized Victoriano Huerta. Dr. Atl supported constitutionalists, leaning towards biblical socialism and promoting the growth of art, literature, and science.

Dr. Atl's love of the outdoors and his active nature are easily seen in his many paintings which portray the landscapes of his era. Among his interests was the study of volcanoes, and he spent much time climbing both Popocatépetl and Iztaccíhuatl. A book he wrote in 1950, Cómo nace y crece un volcán, el Paricutín ("How a Volcano is Born and Grows – Paricutín"), told of his experience of witnessing the eruption of Paricutín in 1943. His time spent with volcanoes was the cause of a disease which led to the amputation of one of his legs.

His literary writings including Cuentos de todos los colores ("Stories of All Colors"), which focuses on the themes of the Mexican Revolution and has been hailed as one of the best narrations of that historical period. His book La Perla ("The Pearl") inspired the writing of the novella, much the same, by John Steinbeck.

Dr. Atl received numerous awards for his literature and art, including the National Arts Award in 1958 and the Belisario Domínguez Medal of Honor. He died in Mexico City in 1964.

He gave the Nahuatl name "Nahui Olin" (a symbol of Aztec renewal meaning "four movement," the symbol of earthquakes) to Carmen Mondragón (1893-1978), a Mexican poet and painter with whom he established a very intense love relationship which ended in hate. And blood.

Bibliography

  • Bordan, Iain and Jane Rendell, eds. (2000). Intersections: Architectural Histories and Critical Theories. London: Routledge.
  • Calderazzo, John (2004). "Rising fire : volcanoes and our inner lives". Guilford, CT: Lyons Press. p61 ff
  • Cumberland, Charles (1957). "Dr. Atl and Venustiano Carranza." The Americas. 13.
  • Espejo, Beatriz (1994). "Gerardo Murillo: El paisaje como pasion". Coyoacán, Mexico: Fondo Editorial de la Plastica Mexica.
  • (1964). "Gerardo Murillo, Mexican Artist, 89." New York Times. August 16.
  • Helm, Mckinley (1989). Modern Mexican Painters. New York: Harper Brothers.
  • Patterson, Robert (1964). "An Art in Revolution: Antecedents of Mexican Mural Painting, 1900-1920." Journal of Inter-American Studies. 6.
  • Pilcher, Jeffrey (2003). The Human Tradition in Mexico. Wilmington: Scholarly Resources.

External links

Preceded by
Esteban Baca Calderón
Belisario Domínguez Medal of Honor
1956
Succeeded by
Roque Estrada Reynoso

 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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