While the most obvious flaw of Devo's Duty Now For The Future is that the material simply isn't as good as on their debut, their second album also captures the group in the midst of a significant stylistic shift. On their first album, for all their herky-jerky rhythms and electronic accents, Devo were pretty much a standard guitars/bass/drums rock band, albeit one with more than their share of eccentricities. Duty Now For The Future found them bringing the keyboards that were used as punctuation on their earlier material into the forefront, adding a new level of irony to their "little minds through big technology" philosophy. While Devo would later learn to use electronics with confidence and wit, they were still learning how to integrate them into their sound on Duty Now, and the results lacked the strength and coherence of their debut. Of course, it also helped that the first album had better songs; the two instrumentals on side one are merely filler, "Pink Pussycat" and "Clockout" are jokes that just aren't funny, and "Triumph Of The Will" embraces fascism as a satirical target without bothering to make it sound as if they disapprove. But "Secret Agent Man" is a wittier devolved cover than "Satisfaction," the band rarely sounded as cheerfully creepy as on "The Day My Baby Gave Me A Surprize," and the side two rave up, "Smart Patrol/Mr. DNA" is superbly potent (for all their progressive trappings, Devo were formalists enough to know you make a big rock move near the end of side two.) Duty Now For The Future is hardly a bad album, but it isn't as strong as what Devo had already brought to the table -- or would offer later on. ~ Mark Deming, All Music Guide
Devo (Producer), Devo (Main Performer), Devo, Mark Mothersbaugh (Guitar), Mark Mothersbaugh (Arranger), Mark Mothersbaugh (Keyboards), Mark Mothersbaugh (Vocals), Ken Scott (Producer), Ken Scott (Engineer), Bob Casale (Guitar), Bob Casale (Keyboards), Bob Casale (Vocals), Gerald V. Casale (Keyboards), Gerald V. Casale (Vocals), Brian Eno (Producer), Bernie Grundman (Mastering), Phil Jost (Assistant Engineer), Phil Jost (Mastering Assistant), Bob Mothersbaugh (Guitar), Bob Mothersbaugh (Vocals), Alan Myers (Drums), Janet Perr (Artwork), Janet Perr (Cover Art), Chuck Statler (Producer), Brian Leshon (Mastering Assistant)
"Devo Corporate Anthem" music & video are clearly a reference to Rollerball, in which games are preceded by players and audience standing solemnly while listening
to a regional corporate anthem.
"Secret Agent Man" is a cover (with modified lyrics) of the song by P.F. Sloan and
Steve Barri.
"Secret Agent Man" video was featured in the film "The Truth about De-Evolution" as an early document that was originally
titled "The Beginning was the End" along with videos for "Jocko Homo" and other random Devo shorts and information.
The majority of the songs on the album had been performed in Devo's live set as early as 1976 or 1977.
Track listing
"Devo Corporate Anthem" – 1:16
"Clockout" – 2:48
"Timing X" – 1:13
"Wiggly World" – 2:45
"Blockhead" – 3:00
"Strange Pursuit" – 2:45
"S.I.B. (Swelling Itching Brain)" – 4:27
"Triumph of the Will" – 2:19
"The Day My Baby Gave Me a Surprize" – 2:42
"Pink Pussycat" – 3:12
"Secret Agent Man" – 3:37
"Smart Patrol/Mr. DNA" – 6:06
"Red Eye" – 2:50
In 1994, the Infinite Zero label reissued a remastered version of this album on CD with two bonus tracks: the single a-side
"Soo Bawlz" and the b-side of the UK "The Day My Baby Gave Me A Surprize" single, "Penetration In The Centrefold."
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