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Elias Nikolaus Ammerbach

  • Born 1530 in Naumberg
  • Died January 29, 1597 in Leipzig
  • Period: Renaissance (1450-1599)
  • Country: Germany

Biography

Many musical reference books describe Ammerbach as an arranger rather than a composer of music. That is a fair assessment of his work, since much of his writing was purely transcriptive and none of it was entirely original. Among his most important contributions was his introduction of a new tablature for organ music, which when published in 1571 represented the first organ or other keyboard music printed in Germany.

Ammerbach was born sometime around 1530 in Naumburg, Germany. Like so many Renaissance-era figures, he led a life that was only sparsely documented, leaving many biographical voids. Yet from surviving accounts, it's known that he was a modest man of easygoing temperament, apparently unconcerned with ambition. He himself revealed that he had a love of music from his earliest childhood days. It is likely his first serious exposure to music came a boy chorister in a church choir, though he may also have taken lessons from a local organist, since he seems to have developed strong keyboard skills at least by his mid-teens. He enrolled at the University of Leipzig in 1548, but remained there for only half a year. From 1549 until 1561, he probably served as an organist in Naumburg or Leipzig and may also have privately continued studies. There is also some likelihood that he traveled abroad during this span.

In 1561 he was appointed organist at the Thomas Kirche in Leipzig, a post he held for the unusually long period of 34 years. It was during this lengthy tenure that Ammerbach created the two large collections of keyboard arrangements for which he is primarily known, the 1571 Orgel oder Instrument Tabulatur and the 1575 Ein new Tabulaturbuch. His expansion and revision of the first publication in 1583 is so significant as to almost represent a third complete set of arrangements. Since the 1571 version contained works by a number and variety of then-prominent composers, he may well have traveled to Italy, France, the Netherlands, or elsewhere in Europe during the 1560s. If he did, such action might help account for his financial problems which, according to local records in Leipzig, plagued him throughout much of his life. Ammerbach seemed to have been a somewhat luckless fellow, but he endured his hardships and tragedies with an almost unflappable manner. His first two wives died, though his third outlived him, as did five of his children. Ammerbach died during the last week of January 1597, his burial taking place on the 29th of that month. ~ Robert Cummings, All Music Guide

 
 
Music Encyclopedia: Elias Nikolaus Ammerbach

(b Naumburg, c1530; d Leipzig, bur. 29 Jan 1597). German organist and arranger. He studied at the Leipzig University (1548-9) and probably abroad, and was organist at the Thomaskirche, Leipzig, 1561-95. His Orgel oder Instrument Tabulatur (1571), the first printed German organ tablature, introduced ‘new German’ notation in which pitches are expressed by letters with rhythm-signs above. It contains arrangements for organ or other keyboard instrument of vocal works and dances; some are lavishly decorated, as are the arrangements in his Ein new künstlich Tabulaturbuch (1575).



 
Wikipedia: Elias Ammerbach

Elias Nikolaus Ammerbach (c.1530January 29, 1597) was a German organist and arranger of organ music of the Renaissance. He published the earliest printed book of organ music in Germany.

He was born in Naumburg, educated at the University of Leipzig (1548-1549), and was afterwards employed as organist at the Thomaskirche in Leipzig, probably for the rest of his life. He was married three times (his first two wives died). According to the preface of his 1571 publication of organ tablature he traveled to foreign lands to study, but he gave no specifics.

Ammerbach developed a method of music notation for keyboard playing, known as tablature, which was specifically adapted for organ. His method became known as the "new German organ tablature" and involved letter notation for the pitches with rhythmic symbols placed above.

It is not known if Ammerbach was himself a composer; if he was, he did not sign his music. His publications of music in tablature include arrangements of numerous composers popular in the mid 16th century, including Ludwig Senfl, Heinrich Isaac, Josquin Desprez, Clemens non Papa, Orlande de Lassus, and others; Lassus is particularly well represented, as can be expected both because of his extraordinary fame and his presence in Germany (he was in Munich between 1563 and 1594). Most of the secular music in Ammerbach's collections is printed with German titles, while sacred music retains Latin. In his last publication (1583) he includes a considerable quantity of Italian madrigals arranged for keyboard.

References and further reading


 
 

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Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Elias Ammerbach" Read more

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