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Elliott Smith

 
Album Review: Elliott Smith

  • Artist: Elliott Smith
  • Rating: StarStarStarStarHalf Star
  • Release Date: July 21, 1995
  • Total Time: 37:25
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

Elliott Smith's self-titled second album was his first for the Kill Rock Stars label and also his first major artistic statement. Its sound is fairly similar to that of Roman Candle -- it's mostly just Smith and his gently fingerpicked acoustic guitar, embellished a bit more often with drums, harmony vocals, and the odd additional instrument. The main difference here is that Smith's melodies and lyrics reveal their greater strength and substance with repeated listens. And make no mistake, the songs do require repeated listens -- not just because of Smith's often whispery, spiderweb-thin delivery, but also because of his deceptively angular melodies and chord progressions, which threaten to float away until the listener hears them enough to latch on and know where they're going. Smith is often compared to Paul Simon or the Beatles in their softer moments, but perhaps the best touchstone for this early sound is Nick Drake's even more minimalistic Pink Moon; while Smith's language is rawer and tougher than Drake's haunting poetics, his songs also deal with depression and loneliness, creating an almost uncomfortable intimacy with their bare-bones arrangements. The quiet prettiness of Smith's sound can make it easy to overlook the darker, edgier side of his songs -- many of Smith's embittered characters cope with their dysfunctional relationships or breakups through substance abuse, while some of the lyrics read more like angry, defiant punk rants when separated from the music. Smith would flesh out his sound with the albums to come, but Elliott Smith contains the blueprint for his later successes, and more importantly, it's a fully realized work itself. ~ Steve Huey, All Music Guide

Tracks

Track TitleComposersPerformersTime
Needle in the Hay (Lyrics) Elliott Smith Elliott Smith (4:16)
Christian Brothers (Lyrics) Elliott Smith Elliott Smith (4:30)
Clementine (Lyrics) Elliott Smith Elliott Smith (2:46)
Southern Belle (Lyrics) Elliott Smith Elliott Smith (3:06)
Single File (Lyrics) Elliott Smith Elliott Smith (2:26)
Coming Up Roses (Lyrics) Elliott Smith Elliott Smith (3:10)
Satellite (Lyrics) Elliott Smith Elliott Smith (2:25)
Alphabet Town (Lyrics) Elliott Smith Elliott Smith (4:11)
St. Ides Heaven (Lyrics) Elliott Smith Elliott Smith (3:00)
Good to Go (Lyrics) Elliott Smith Elliott Smith (2:24)
The White Lady Loves You More Elliott Smith Elliott Smith (2:24)
The Biggest Lie Elliott Smith Elliott Smith (2:39)

Credits

Neil Gust (Guitar (Electric)), Elliott Smith (Mixing), Tony Lugh (Mixing), Neil Gust (Insert Photography), Rebecca Gates (Vocal Harmony), J.J. Gusa (Photography), Neil Gust (Photography)
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Actor: Elliott Smith
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  • Born: Aug 06, 1969 in Omaha, Nebraska
  • Died: Oct 21, 2003 in Los Angeles, California
  • Occupation: Actor
  • Active: '90s-2000s
  • Major Genres: Comedy, Music
  • Career Highlights: Good Will Hunting, Saturday Night Live: Lucy Lawless
  • First Major Screen Credit: Good Will Hunting (1997)

Biography

Folk-punk singer/songwriter Elliott Smith rose from indie obscurity to mainstream success in 1997 on the strength of "Miss Misery," his Academy Award-nominated song from the film Good Will Hunting. A native of Portland, OR, Smith began writing and recording his first songs at age 14, later becoming a fixture of the city's thriving music scene. As a member of the band Heatmiser, he debuted in 1993 with the LP Dead Air, issuing his first solo effort, Roman Candle, on the tiny Cavity Search label a year later. For his 1995 self-titled album, Smith signed with the noted Kill Rock Stars label. Either/Or followed in 1997, around the same time that filmmaker and longtime fan Gus Van Sant requested permission to use the singer's music in his upcoming Good Will Hunting. Smith also composed a handful of new songs for the soundtrack, among them "Miss Misery," and when the Academy of Motion Picture Arts and Sciences announced its Oscar nominations the following February, the track was a surprise entry in the Best Original Song category. Although he did not win, Smith performed the song live at the televised Oscar broadcast, appearing on-stage alongside superstars Trisha Yearwood and eventual award-winner Celine Dion in one of the most notably surreal musical moments in recent memory; his Dreamworks label debut, XO, followed later in 1998, and Figure 8 arrived in early 2000. ~ All Movie Guide
Wikipedia: Elliott Smith (album)
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Elliott Smith
Studio album by Elliott Smith
Released July 21, 1995
Recorded September 1994, January–February 1995
Genre Indie rock
Length 37:23
Label Kill Rock Stars
KRS246
Producer Elliott Smith
Professional reviews
Elliott Smith chronology
Roman Candle
(1994)
Elliott Smith
(1995)
Either/Or
(1997)

Elliott Smith is the second album recorded by American singer-songwriter Elliott Smith. It was released by Kill Rock Stars on 21 July 1995 in CD and vinyl LP. It was Smith's first full-length release on the label.

The album is mostly acoustic, in contrast to Smith's later works which were often more instrumentally layered. Thematically, Smith said that he "personally can't get more dark" than his self-titled album.[1]

Contents

Musical style

The album is of a similar musical style to Roman Candle and Either/Or in its minimalist, acoustic sound. Smith mostly appears alone on his acoustic guitar, although he is occasionally backed up by the odd musical instrument, such as a harmonica and drums.[2] The lyrics are arguably Smith's darkest and most cutting, dealing with subjects like substance abuse ("St. Ides Heaven", "Needle in the Hay") and loss ("Good to Go"), although the album does also have a comforting, gentler sound.

Smith's gentle fingerpicking on the album has been noted by many critics, and the album has been described as a fusion of "the Beatles' pop sense with Neil Young's sense of doom".[3]

Track listing

All songs written by Elliott Smith.

  1. "Needle in the Hay" – 4:16
  2. "Christian Brothers" – 4:30
  3. "Clementine" – 2:46
  4. "Southern Belle" – 3:06
  5. "Single File" – 2:26
  6. "Coming Up Roses" – 3:10
  7. "Satellite" – 2:25
  8. "Alphabet Town" – 4:11
  9. "St. Ides Heaven" – 3:00
  10. "Good to Go" – 2:24
  11. "The White Lady Loves You More" – 2:24
  12. "The Biggest Lie" – 2:39

Outtakes

The following tracks were recorded during the same sessions as the album, but did not make the final cut.

Officially released

  • "Angel in the Snow" - Featured on the "Yeti Zine 1" compilation, later released on New Moon.
  • "Big Decision" - Featured on the Slice of Lemon compilation, later released on New Moon.
  • "Some Song" [Extended Intro] - Featured on the "Needle in the Hay" single.
  • "Some Song" - Featured on the Kill Rock Stars compilation Some Songs.

Posthumously released

  • "Riot Coming" - Featured on New Moon.
  • "Talking to Mary" - Featured on New Moon.
  • "Whatever (Folk Song in C)" - Featured on New Moon.

Unofficially released

  • "New Disaster" - alternate version (vocals used on New Moon version)
  • "Crazy Fucker"

Unreleased

  • "Needle in the Hay" ("Trumpet" mix)
  • "New Disaster" - instrumental version

References

  1. ^ "Elliott Smith: The Well Rounded Interview", Well Rounded Entertainment, David Peisner http://www.well-rounded.com/music/reviews/elliottsmith_intv.html
  2. ^ http://allmusic.com/cg/amg.dll?p=amg&sql=10:hcfqxqlhldke
  3. ^ http://www.amazon.com/Elliott-Smith/dp/B00000373G

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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