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Fanny Elssler

 

(born June 23, 1810, Vienna, Austria — died Nov. 27, 1884, Vienna) Austrian ballerina. She studied in Vienna and toured in Europe before making her Paris Opéra debut in 1834. Her warm, spirited style, contrasting with the cool, academic style of the then-reigning Marie Taglioni, made her an immediate success. She introduced theatricalized folk dance (character dance) into ballet. During 1840 – 42 Elssler toured the U.S., earning wild adulation. She returned to Europe and toured until her retirement to Vienna in 1851.

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Dictionary of Dance: Fanny Elssler
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Elssler, Fanny (orig. Franziska Elssler;b Gumpendorf, 23 June 1810, d Vienna, 27 Nov. 1884). Austrian dancer and choreographer who was considered to exemplify the sensual rather than ethereal side of Romantic ballet. She studied with her sister Therese E. (1808-78) at Horschelt's ballet school at the Theater an der Wien, possibly dancing with Horschelt's notorious Vienna Children's Ballet. In 1818 both sisters joined the Kärntnertor Theater where their older sister Anna E. (1804-63) was already performing. Here Fanny performed in ballets by F. Taglioni, A. Vestris, and others. Between 1825 and 1827 she danced in Naples, returning to Vienna (1827-30) then making her debut in Berlin (1830), London (1833), and Paris (1834). For this she was coached by A. Vestris and created the role of Alcine in Coralli's La Tempête. She remained at the Opera until 1840 where the dramatic intensity and sensuousness of her performances ensured that her popularity soon rivalled Taglioni's. The contrast between their styles was identified by Gautier as pagan and Christian respectively. Among her most successful created roles were Florinda in Coralli's Le Diable boîteux (1836) for which she choreographed her famously exotic solo, the cachucha; Sarah in Mazilier's La Gypsy (1839), and Lauretta in Coralli's La Tarentule (1839). In 1840 she went to America and toured as far south as Havana. Though she earned a fortune she had to pay Paris Opera a large sum for breach of contract by staying away so long. In 1842 she returned to Europe, dancing in Vienna, Berlin, Brussels, Dublin, and Hamburg, also dancing her first Giselle in London (1843) which was highly acclaimed, particularly the mad scene. In 1844 she danced at La Scala (where the political climate undermined her success), followed by triumphant performances in La Esmeralda in Budapest and London. She returned to Italy (1846-8) and in 1848 made her Russian debut in St Petersburg and in Moscow where she was received with tumultuous enthusiasm. One of her finest roles was Lise in Dauberval's La Fille mal gardée. In 1851 she gave twelve farewell performances at Vienna's Kärntnertor Theater, mostly in La Esmeralda, Catarina, and Faust. Her final appearance was on 21 June 1851. Her sister Therese, who had created much of the choreography for her early ballets, often appeared with her in en travestie roles, though in certain quarters she was mocked for her unusual height.

 
Columbia Encyclopedia: Fanny Elssler
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Elssler, Fanny ('nē ĕl'slər), 1810-84, Austrian dancer. The youngest daughter of Johann Elssler, copyist and valet of Haydn, she made her debut (1833) in London. She danced at the Paris Opéra (1834-39) and in London (1838-40). Her forte was folk dancing, especially of the cachucha, the cracovienne, and the tarantella. She toured (1840-42) the United States and after appearances throughout Europe retired in 1851. She was one of the most important ballerinas of the Romantic era; her dancing was sensuous, earthy, and fired by great energy. Her sister, Thérèse, often supported her as partner.
Wikipedia: Fanny Elssler
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Fanny Elssler
Fanny Elssler as Florinda in the dance La Cachucha from the 1836 Coralli/Gide ballet Le diable boiteux. Paris, 1836

Fanny Elssler (German: Fanny Elßler; 23 June 1810, Gumpendorf bei Vienna - 27 November 1884), born Franziska Elßler, was an Austrian ballerina.

Life

Daughter of Johann Florian Elssler, a second generation employee of Prince Esterhazy in Eisenstadt. Both Johann and his brother Josef were employed as copyists to the Prince's Kapellmeister, Joseph Haydn. Johann was to eventually become valet to Haydn and attended Haydn up to and was present at Haydn's death.

From her earliest years she was trained for the ballet, and made her appearance at the Kärntnertortheater in Vienna before she was 7. She almost invariably danced with her sister Theresa, who was 2 years her senior; the sisters studied dancing with Jean-Pierre Aumer and Freiedrich Horschelt beginning when Fanny was 9 years old, also traveling to Naples to study with the great Gaetano Gioja. After some years experience together in Vienna, the 2 went in 1827 to Naples.

Their success thereto, which Fanny contributed more largely than her sister, led to an engagement in Berlin in 1830. This was the beginning of a series of triumphs for Fanny's personal beauty and skill in dancing. After captivating all hearts in Berlin and Vienna, and inspiring the aged statesman Friedrich von Gentz with a remarkable passion, she paid a visit to London, where she received much kindness at the hands of Mr. and Mrs. Grote, who practically adopted the little girl who was born three months after the mother's arrival in England.

In September 1834 Elssler appeared with the Ballet du Théâtre de l'Académie Royale de Musique (today known as the Paris Opera Ballet), a step to which she looked forward with much misgiving on account of Marie Taglioni's supremacy on that stage. The result, however, was another triumph for her, and the temporary eclipse of Taglioni, who, although the finer artist of the two, could not for the moment compete with the newcomer's personal fascination. This earned Elssler a place among the most talented and notable ballerinas of the Romantic ballet period.

It was conspicuously in her performance of the Spanish La Cachucha that Elssler outshone all rivals. In 1840 she sailed with her sister for New York, and after two years unmixed success they returned to Europe. While in New York City, Fanny dined with and was escorted by John Van Buren, son of the President of the United States, Martin Van Buren. During the following five years Fanny appeared in Germany, Austria, France, England and Russia. In 1845, she refused to perform along with her rivals Marie Taglioni, Carlotta Grisi, Fanny Cerrito and Lucile Grahn in Jules Perrot's Pas de Quatre in London. In the same year, having amassed a fortune, she retired from the stage and settled near Hamburg. A few years later her sister Theresa contracted a morganatic marriage with Prince Adalbert of Prussia, and was ennobled under the title of Baroness von Barnim. Fanny Elssler died in Vienna on 27 November 1884. Theresa was left a widow in 1873, and died on 19 November 1878.

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Learn More
cachucha (dance)
Catarina, ou La Fille du bandit (ballet)
Friedrich Horschelt (person)

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Dictionary of Dance. The Oxford Dictionary of Dance. Copyright © 2000, 2004 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Fanny Elssler" Read more