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Empire style

 

Style of furniture and interior decoration that flourished in France during the First Empire (1804 – 14). It corresponds to the Regency style in England. Responding to the desire of Napoleon for a style inspired by imperial Rome, the architects Charles Percier (1764 – 1838) and Pierre Fontaine (1762 – 1853) decorated his state rooms with Classical styles of furniture and ornamental motifs, supplemented by sphinxes and palm leaves to commemorate his Egyptian campaigns. The style influenced the arts (Jacques-Louis David in painting, Antonio Canova in sculpture, the Arc de Triomphe in architecture) and fashion and spread quickly throughout Europe.

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Art Encyclopedia: Empire Style
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Term used to describe a French style of artistic production that lasted from the mid-18th century until c. 1840. The name derives from the first French Empire under Napoleon I (see BONAPARTE, (1)). The dates defining the period of the Empire historically (1804-14) and the duration of the style itself are at variance: the early phase, referred to by contemporaries as 'le go?t antique', was a late form of Neo-classicism and became more developed as the chaos resulting from the French Revolution subsided c. 1796. The DIRECTOIRE STYLE and the CONSULATE STYLE

See the Abbreviations for further details.



Architecture: Empire style
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The elaborate neoclassic style of the French First Empire (1804–1815).


 
Columbia Encyclopedia: Empire style
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Empire style, manner of French interior decoration and costume which evolved from the Directoire style. Designated Empire because of its identification with the reign of Napoleon I, it was largely inspired by his architects Percier and Fontaine. Traditional classical motifs, already seen in the reign of Louis XVI, were supplemented by symbols of imperial grandeur-the emperor's monogram and his emblem, the bee; representations of military trophies; and after the successful campaigns in Egypt, Egyptian motifs. Furniture was characterized by clear-cut silhouettes and symmetry in decoration. Pedestal tables with claw feet and gondola, or sleigh, beds were in vogue. The staple wood was mahogany, solid or veneer; brass and ormolu mounts were the chief embellishments. Stucco decoration or painted classical motifs often enriched the walls; the ceilings were plain. The style continued in fashion until c.1830. A simplified form was adopted in England and the United States; a German bourgeois adaptation is known as Biedermeier. The empress Josephine introduced the high-waisted court dress with train, which shows Greek influence. Men began to wear full-length trousers and polished top hats. The style of the first Empire is to be distinguished from that of the second (1852-70), which was gaudy and ostentatious.

Bibliography

See S. Grandjean, Empire Furniture: 1800-1825 (1966) and P. E. W. Cunnington, Costumes of the Nineteenth Century (1971).


Wikipedia: Empire style
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The Arc de Triomphe du Carrousel, probably the most famous example of Empire architecture.

The Empire Style, sometimes considered the second phase of Neoclassicism, is an early-19th-century design movement in architecture, furniture, other decorative arts, and the visual arts. The style originated in and takes its name from the period when Napoleon I ruled France, known as the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain. An earlier phase of the style was called the Adam style in Great Britain and "Louis Seize" or Louis XVI, in France.

The Empire style was based on aspects of the Roman Empire and its many archaeological treasures which had been rediscovered starting in the 18th century. The preceding Louis XVI and Directoire styles employed straighter, simpler designs in comparison with the Rococo style of the 1700s. Empire designs heavily influenced the American Federal style (such as the United States Capitol building), and both were forms of propaganda through architecture. It was a style of the people, not ostentatious but sober and evenly balanced. The style was considered to have "liberated" and "enlightened" architecture just as Napoleon "liberated" the peoples of Europe with his Napoleonic Code.

The Empire period was popularized by the inventive designs of Percier and Fontaine, Napoleon's architects for Malmaison. The designs drew heavily for inspiration on symbols and ornaments borrowed from the glorious ancient Greek and Roman empires. Buildings typically had simple timber frames and box-like constructions, veneered in expensive mahogany imported from the colonies. Biedermeier furniture also made use of ebony details, originally due to financial constraints. Ormolu details (gilded bronze furniture mounts and embellishments) displayed a high level of craftsmanship.

Monument of Vittorio Emanuele II (1895–1911) – a neo-baroque reaction to the late-Empire style in Italy.

General Bernadotte, later to become King Karl Johan of Sweden and Norway, introduced the Napoleonic style to Sweden, where it became known under his own name. The Karl Johan style remained popular in Scandinavia even as the Empire style disappeared in other parts of Europe. France paid some of its debts to Sweden in ormolu bronzes instead of money, leading to a vogue for crystal chandeliers with bronze from France and crystal from Sweden.

After Napoleon lost power, the Empire style continued to be in favor for many decades, with minor adaptations. There was a revival of the style in the last half of the 19th century in France, again at the beginning of the 20th century, and again in the 1980s.

The most famous Empire-style structures in France are the grand neoclassical Arc de Triomphe du Carrousel, Vendome column, and La Madeleine, which were built in Paris to emulate the edifices of the Roman Empire. The style took particular root in Imperial Russia, where it was used to celebrate the victory over Napoleon in such memorial structures as the Russian Admiralty, Kazan Cathedral, Alexander Column, and Narva Triumphal Gate. Stalinist architecture is sometimes referred to as Stalin's Empire style.

The style survived in Italy longer than in most of Europe, partly because of its Imperial Roman associations, partly because it was revived as a national style of architecture following the unification of Italy in 1870. Mario Praz wrote about this style as the Italian Empire. In the United Kingdom, Germany, and the United States, the Empire style was adapted to local conditions and gradually acquired further expression as the Egyptian Revival, Greek Revival, Biedermeier style, Regency style, and late-Federal style.

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Architecture. McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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