Etemenanki

Coordinates: 32°32′11″N 44°25′15″E / 32.53639°N 44.42083°E / 32.53639; 44.42083

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Etemenanki (Sumerian É.TEMEN.AN.KI 𒂍𒋼𒀭𒆠 "temple of the foundation of heaven and earth") was the name of a ziggurat dedicated to Marduk in the city of Babylon of the 6th century BCE Neo-Babylonian dynasty. Originally seven stories in height, little remains of it now save ruins. According to modern scholars such as Stephen L. Harris, the biblical story of the Tower of Babel was likely influenced by Etemenanki during the Babylonian captivity of the Hebrews.

Construction

It is unclear exactly when Etemenanki was first built, but it was probably in existence before the reign of Hammurabi (1792–1750 BCE middle chronology).^{[citation needed]} It is thought that the Babylonian creation poem Enûma Elish was written during or shortly after Hammurabi's reign; since the poem mentions Esagila, the Temple of Marduk, being created immediately after the creation of the world, and implies the existence of the Etemenanki, both structures are presumed to have existed for long enough by the time the poem was written, for the authors of the poem to have been unaware of when they were actually built.

The city of Babylon had been destroyed in 689 BCE by Sennacherib, who claims to have destroyed the Etemenanki. The city was restored by Nabopolassar and his son Nebuchadnezzar II. It took 88 years to rebuild the city; its central feature was the temple of Marduk (Esagila), to which the Etemenanki ziggurat was associated. The ziggurat was rebuilt by Nebuchadnezzar II. The seven stories of the ziggurat reached a height of 91 meters, according to a tablet from Uruk (see below), and contained a temple shrine at the top.

In Nebuchadnezzar's own words:

A former king built the Temple of the Seven Lights of the Earth, but he did not complete its head. Since a remote time, people had abandoned it, without order expressing their words. Since that time earthquakes and lightning had dispersed its sun-dried clay; the bricks of the casing had split, and the earth of the interior had been scattered in heaps. Marduk, the great lord, excited my mind to repair this building. I did not change the site, nor did I take away the foundation stone as it had been in former times. So I founded it, I made it; as it had been in ancient days, I so exalted the summit.

^{[citation needed]}

Descriptions

Reconstruction of Etemenanki, based on Schmid

A Neo-Babylonian royal inscription of Nebuchadrezzar II on a stele from Babylon, claimed to have been found in the 1917 excavation by Robert Koldewey,^[1] and of uncertain authenticity, reads: "Etemenanki^[2] Zikkurat Babibli [Ziggurat of Babylon] I made it, the wonder of the people of the world, I raised its top to heaven, made doors for the gates, and I covered it with bitumen and bricks." The Etemenanki is depicted in shallow relief, showing its high first stages with paired flights of steps, five further stepped stages and the temple that surmounted the structure. A floor plan is also shown, depicting the buttressed outer walls and the inner chambers surrounding the central cella.

The Etemenanki is described in a cuneiform tablet from Uruk from 229 BCE, a copy of an older text (now in the Louvre in Paris). It gives the height of the tower as seven stocks (91 meters) with a square base of 91 meters on each side. This mud brick structure was confirmed by excavations conducted by Robert Koldewey after 1913. Large stairs were discovered at the south side of the building, where a triple gate connected it with the Esagila. A larger gate to the east connected the Etemenanki with the sacred procession road (now reconstructed in the Pergamon Museum in Berlin).

In 440 BCE, Herodotus wrote:

Babylon's outer wall is the main defence of the city. There is, however, a second inner wall, of less thickness than the first, but very little inferior to it in strength. The center of each division of the town was occupied by a fortress. In the one stood the palace of the kings, surrounded by a wall of great strength and size: in the other was the sacred precinct of Jupiter [Zeus] Belus, a square enclosure two furlongs [402 m] each way, with gates of solid brass; which was also remaining in my time. In the middle of the precinct there was a tower of solid masonry, a furlong [201 m] in length and breadth, upon which was raised a second tower, and on that a third, and so on up to eight. The ascent to the top is on the outside, by a path which winds round all the towers. When one is about half-way up, one finds a resting-place and seats, where persons are wont to sit some time on their way to the summit. On the topmost tower there is a spacious temple, and inside the temple stands a couch of unusual size, richly adorned, with a golden table by its side. There is no statue of any kind set up in the place, nor is the chamber occupied of nights by any one but a single native woman, who, as the Chaldeans, the priests of this god, affirm, is chosen for himself by the deity out of all the women of the land.

This Tower of Jupiter Belus is believed to refer to the Akkadian god Bel, whose name has been Hellenised by Herodotus to Zeus Belus. It is likely that it corresponds to Etemenanki.

Final demolition

In 331 BCE, Alexander the Great captured Babylon and ordered repairs to the Etemenanki; when he returned to the ancient city in 323 BCE, he noted that no progress had been made, and ordered his army to demolish the entire building, to prepare a final rebuilding.^[3] His death, however, prevented the reconstruction.^[4] The Babylonian Chronicles and Astronomical Diaries record several attempts to rebuild the Etemenanki, which were always preceded by removing the last debris of the original ziggurat. The Ruin of Esagila Chronicle mentions that the Seleucid crown prince Antiochus I decided to finally rebuild it, sacrificed, stumbled and fell, and angrily ordered his elephant drivers to destroy the last remains. There are no later references to the Etemenanki.

Notes