Contents: IntroductionPlot Summary Characters Themes Style Critical Overview Criticism For Further Study |
Sources
Kenneth Bernard, "Imagery and Symbolism in 'Ethan Frome,"' in College English, Vol. 23, No. 3, December, 1961, pp. 182-84.
Marius Bewley, "Mrs. Wharton's Mask," in the New York Review of Books, Vol. 3, No. 3, September 24, 1964, pp. 7-9.
David Eggenschwiler, "The Ordered Disorder of 'Ethan Frome,"' in Studies in the Novel, Vol. 9, No. 3, Fall, 1977, pp. 237-45.
K. R. Srinivisa Iyengar, "A Note on 'Ethan Frome," in Literary Criterion, Vol. 5, No. 3, Winter, 1962, pp. 168-78.
Margaret B. McDowell, in Edith Wharton, Twayne Publishers, 1976, pp. 67-9.
The Nation, Vol. 93, No. 2147, October 26, 1911, pp. 67-9.
Blake Nevius, "'Ethan Frome' and the Themes of Edith Warton's Fiction," in The New England Quarterly, Vol. 24, No. 2, June, 1951, pp. 197-207.
"Three Lives in Supreme Torture," in New York Times Book Review, Vol. 16, No. 40, October 8, 1911, p. 603.
The Saturday Review, Vol. 112, No. 2925, November 18, 1911, p. 650.
R. Baird Shuman, "The Continued Popularity of 'Ethan Frome,"' in Revue des langues vivantes, Vol. 37, No. 3, 1971, pp. 257-63.
Allen F. Stein, "Edith Wharton: The Marriage of Entrapment," in After the Vows Were Spoken: Marriage in American Literary Realism, Ohio State University Press, 1984, pp. 209-30.
J. D. Thomas, "Marginalia or 'Ethan Frome,"' in American Literature, Vol. 27, No. 3, November, 1955, pp. 405-09.
Lionel Trilling, "The Morality of Inertia," in A Gathering of Fugitives, Harcourt Brace Jovanovich, 1977, pp. 34-44.
Geoffrey Walton, in Edith Wharton: A Critical Interpretation, Farleigh Dickinson University Press, 1971, pp. 78-83.
Edith Wharton, in A Backward Glance, D. Appleton-Century, 1934, pp. 295-96.
Edith Wharton, in Ethan Frome, Penguin, 1987, p. xviii.
Cynthia Griffin Wolff, in A Feast of Words: The Triumph of Edith Wharton, Oxford University Press, 1977, pp. 183-84.




