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euphuism

 
Dictionary: eu·phu·ism   ('fyū-ĭz'əm) pronunciation
n.
  1. An affectedly elegant literary style of the late 16th and early 17th centuries, characterized by elaborate alliteration, antitheses, and similes.
  2. Affected elegance of language.

[After Euphues, a character in Euphues, the Anatomy of Wit and Euphues and his England by John Lyly, from Greek euphuēs, shapely : eu-, eu- + phuein, to grow, bring forth.]

euphuist eu'phu·ist n.
euphuistic eu'phu·is'tic or eu'phu·is'ti·cal adj.
euphuistically eu'phu·is'ti·cal·ly adv.

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Literary Dictionary: euphuism
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euphuism [yoo‐few‐izm], an elaborately ornate prose style richly decorated with rhetorical figures. The term comes from the popularity of two prose romances by John Lyly: Euphues: The Anatomy of Wit (1578), and its sequel Euphues and His England (1580). Lyly's style, later parodied by Shakespeare among others, is marked by the repeated use of antitheses reinforced by alliteration, along with rhetorical questions and various figures of repetition. It is also notable for its frequent use of sententiae and elaborate similes drawn from real and fabulous birds and beasts. This example comes from a soliloquy spoken by the character Euphues:

Ah Euphues, into what misfortune art thou brought! In what sudden misery art thou wrapped! It is like to fare with thee as with the eagle, which dieth neither for age nor with sickness but with famine, for although thy stomach hunger, thy heart will not suffer thee to eat. And why shouldst thou torment thyself for one in whom is neither faith not fervency? Oh the counterfeit love of women! Oh inconstant sex! I have lost Philautus. I have lost Lucilla. I have lost that which I shall hardly find again: a faithful friend. Ah, foolish Euphues! Why didst thou leave Athens, the nurse of wisdom, to inhabit Naples, the nourisher of wantonness? Had it not been better for thee to have eaten salt with the philosophers in Greece than sugar with the courtiers in Italy?

adjective: euphuistic.

 
Columbia Encyclopedia: euphuism
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euphuism ('fyūĭzəm), in English literature, a highly elaborate and artificial style that derived from the Euphues (1578) of John Lyly and that flourished in England in the 1580s. It was characterized by extensive use of simile and illustration, balanced construction, alliteration, and antithesis. Euphuism played an important role in English literary history by demonstrating the capabilities of English prose. The term has come to mean an artificial, precious, high-flown style of writing.


Obscure Words: euphuism
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artificial elegance of language
Poetry Glossary: Euphuism
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An ornate Elizabethan style of writing marked by the excessive use of alliteration, antithesis and mythological similes. The term derives from the elaborate and affected style of John Lyly's 16th century romance, Euphues.

Word Tutor: euphuism
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pronunciation

IN BRIEF: n. - Any artificially elegant style of language.

Tutor's tip: The queen spoke with royal "euphuism" (an affected, artificial elegance) but used a "euphemism" (an agreeable word or phrase used in place of one considered offensive or distasteful) to describe her predicament.

Wikipedia: Euphuism
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Euphuism is a mannered style of English prose, taking its name from works by John Lyly who, however, did not invent the term. It took the form of a preciously ornate and sophisticated style that employed a wide range of literary devices such as antitheses, alliterations, repetitions, rhetorical questions and others. Classical learning and remote knowledge of all kinds were displayed. Euphuism was fashionable in the 1580s, but never previously or subsequently.

Contents

Euphues (1580)

"Euphues" is Greek and means "graceful, witty". John Lyly published the works Euphues: The Anatomy of Wyt (1578) and Euphues and his England (1580). Both works illustrated the intellectual fashions and favourite themes of Renaissance society — in a highly artificial and mannered style. Its essential features had already appeared in such works as George Pettie's "A Petite Pallace of Pettie his pleasure" (1576), in sermon literature, and Latin tracts. It was Lyly who perfected the distinctive rhetorical devices on which the style was based.

The euphuistic sentence followed principles of balance and antithesis. John Lyly set up three basic structural principles:

  1. phrases of equal length that appear in succession;
  2. the balance of key verbal elements in successive sentences;
  3. the correspondence of sounds and syllables, especially between words that are already balanced against each other.

Lyly's style influenced Shakespeare (Polonius in Hamlet; Moth in Love's Labour's Lost; Beatrice and Benedict in Much Ado About Nothing). Many critics thought that Lyly overused comparisons as well as alliterations; Philip Sidney and Gabriel Harvey castigated his style. Euphuism was, however, taken up by the Elizabethan writers Robert Greene, Thomas Lodge and Barnabe Rich.

Contemporary equivalents in other languages

Euphuism was not particular to Britain, a manifestation of some social structure and artistic opportunity unique to that country. There were equivalents in other major European languages, each of which was called by a different name: Culteranismo in Spain, Marinismo in Italy, and Préciosité in France, for example.

Quotation

It is virtue, yea virtue, gentlemen, that maketh gentlemen; that maketh the poor rich, the base-born noble, the subject a sovereign, the deformed beautiful, the sick whole, the weak strong, the most miserable most happy. There are two principal and peculiar gifts in the nature of man, knowledge and reason; the one commandeth, and the other obeyeth: these things neither the whirling wheel of fortune can change, neither the deceitful cavillings of worldlings separate, neither sickness abate, neither age abolish.
--- Euphues, the Anatomy of Wit

See also


 
 
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euphuistic
euphuistic
Giambattista Marino (Italian poet)

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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
Literary Dictionary. The Concise Oxford Dictionary of Literary Terms. Copyright © Chris Baldick 2001, 2004. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Obscure Words. © 2008 by Michael A. Fischer http://home.comcast.net/~wwftd Read more
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