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Eveline (Themes)

 
Notes on Short Stories: Eveline (Themes)

Contents:

Introduction
Author Biography
Plot Summary
Characters
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Themes

Paralysis

Critics have long noted that one of the most important themes in Dubliners is the tendency for its characters to be frozen in a state of psychological and spiritual arrest, or "paralysis." As it is portrayed in the collection, Dublin suffers from harsh social conditions, the lack of moral hope, and spiritual emptiness, which combine to erode the impetus to positive change in many of its characters. And there is perhaps no example of this paralysis so bleak as that of the seemingly doomed and completely immobile Eveline at the end of her story.

Eveline is unable to escape the paralyzed existence of the "duties" and inhibitions of home, living under her father's abusive control. Her mother's death, emblematized by the mysterious (but most likely morbid and fatalistic) Irish phrase "Derevaun Seraun," inspires Eveline's desperate and terrified desire to escape. But it also reminds her of her promises to stay at home, and Eveline's chance to flee to the freedom and motion of a new life across the sea fails, leaving her locked into the paralyzed role of housewife to an abusive father, poised for a nervous breakdown of her own. As Brewster Ghiselin notes in Accent, in Dubliners "the soul's true satisfaction cannot be exhibited in the experience of those who remain in Ireland"; distant countries and the sea to the east represent "the aspect of a new life" and the possibility of spiritual regeneration. Eveline is denied this possibility precisely because she is paralyzed, clinging to the iron railing at the harbor passively, "like a helpless animal" unable to move or even think of her own volition.

Joyce is careful to develop the complexity of Eveline's situation; the association of Buenos Aires with prostitution is an example of the implication that her fears of being drowned in the sea of her new life are justified. Also, Eveline might not even be in love with Frank; she says he would "perhaps" give her love, and her description of his character, which concentrates on the stories and adventures he tells her, may imply that she is more interested in the exotic new places Frank can bring her than in his true personality. This point is also important because it marks Eveline's conscious desire to leave her paralyzed state.

Ultimately, however, Eveline cannot enter the perilous sea. Ghiselin writes that she is paralyzed because she fails "in the cardinal virtue of fortitude," fourth in what he considers Joyce's systematic approach to the degeneration of the soul that is developed throughout Dubliners. Whatever the reason, Eveline is paralyzed into an enclosed island of suffering from which, Joyce implies, she is unable to escape.

Freudian Psychology

Eveline's central conflict is directly connected with the theories of Sigmund Freud, the father of psychoanalysis. Exhibiting the major symptoms of Freud's theory of the "Oedipal complex" (or Electra complex, the Oedipal complex occurring in women), Eveline is a classic example of a patient trying to escape from an attachment to her tyrannical father. Freud believed that children inevitably form an attraction to the parent of the opposite sex and a rivalry with the parent of the same sex, that can lead to a profoundly troubled adult sexuality. In her desire to stay with her father in her mother's role, Eveline is displaying what Freud would likely consider an "Oedipal complex," or an inability to break from the attraction to the father and pursue other lovers. The fact that she considers Frank a protector and father figure who, she repeats, would "save her," underscores the Oedipal drama in the story, since Freud thought girls only emerged from the crisis by finding lovers similar to their fathers.

The breakthroughs in psychology that Freudian theory allowed for modernist artists were particularly important to groundbreaking writers like Joyce. Joyce's portrayal of Eveline's psychology, developed with a minimum of elaboration, acquires a new dimension by employing Freud's insights into the workings of consciousness. Applying Freudian theory to "Eveline" reveals some of Joyce's ambitions with the story, such as underscoring the psychological paralysis (discussed above) of its main character. It also implies the sexual tyranny of her father, who is subconsciously involved in the violent struggle to maintain control over his daughter's body and mind, and allows the reader a clue as to the true nature of Eveline's choice to remain behind. Although Frank's intentions are possibly dubious and although Eveline does not even seem to love him, he is her one chance, in Freudian terms, to escape the Oedipal complex. The fact that she is unable to leave with him implies that she is in a state of a nearly inescapable psychological trauma.

Irish Politics

Although its treatment is often beneath the surface, "Eveline" attacks some of the most pressing issues in the Irish political climate of the time. By depicting the oppressed condition of Dublin Catholics and connecting the idea of staying in Ireland with devastating abuse and hardship, Joyce is editorializing on the condition of his country that would continue until well after the volume was published. It took Joyce nine years to publish Dubliners in no small part because of his frank treatment in stories such as "Eveline" of the dynamics of both political and domestic oppression.

Topics for Further Study

  • Many critics and readers wonder what would have happened had Eveline left Dublin with her lover. What is the significance of the destination of Buenos Aires in the story? Research the history of Argentina to discover what life might have been like in Buenos Aires for an Irish immigrant sailor and his wife. Were the economic and social conditions for Catholics better than they were in Dublin?
  • Read Virginia Woolf's The Voyage Out (1920). How do you think Woolf's vision of a young woman's awakening differs from that of Joyce? Do you think Eveline would have undergone a similar fate to Rachel had she left with Frank for South America? Woolf and Joyce are both considered major modernist writers; what do their debut works have in common?
  • Most critics now consider Dubliners a unified work of fiction. Read the other stories in the volume. How does "Eveline" fit into Joyce's greater scheme? Does it express or develop a certain theme common to the surrounding stories? Is it an extreme story, or does it fit subtly into the whole? Read a variety of critical essays proposing theories about Dubliners in order to formulate your answer.
  • Research Irish history by examining books such as R. F. Foster's Modern Ireland: 1600 – 1972. What position does Joyce's text seem to take on the turbulent politics of the time? What kind of Dubliners would have read and enjoyed "Eveline?"
  • What do you think is the key to Joyce's status as perhaps the chief writer in changing literary style during the modernist era? Start by examining some basic techniques, like symbolism. Joyce was extremely well versed in both Christianity and mythology, and there are symbols from both of these in "Eveline." Explore the symbolism in the story and discuss how it relates to the meaning.

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