Proliferating likes weeds across the center of the '90s, third wave ska bands sprouted forth by the cart-load. Quite a few were transplanted bandwagon jumpers, swiftly sowing their seeds in what they assumed to be a more fertile field. Others, like the Adjustments, who blossomed forth from the ashes of Janitors Against Apartheid, came from a more established line. What was so exciting about the time, though, was just how many different varieties bloomed, considering the bands all branched forth from the same tree. The Adjustments blended punky high-energy with a feverish mix of ska and reggae, then crossed it with jazz. Everybody Must Get Cloned was their first full-length, following quickly on the heels of their debut EP. Unfortunately, it was picked before the band were quite ripe, as their ample musicianship still far outshines their arrangements. The snappy punk-ska numbers work best, as the group exuberantly ride across a catchy melody and shout-along chorus, but the slower numbers unfortunately showcase their flaws. It was an all too typical problem for third wavers, as their punk rhythm sections tried to come to grips with not just a syncopated beat, but a genre that was built around a striking bassline and complex drum patterns. The Adjustments haven't quite mastered it yet, although their two instrumentals, "Revolution," which boasts some sparkling guitar work, and the excellent sax led and organ drenched "John Holmes" are exceptions, and throughout the brass section are superb. Add vocals, though, and the band begins to falter. Not a bad record, by any means, but the Adjustments are in need of some fine-tuning. ~ Jo-Ann Greene, All Music Guide
Brian Worster (Keyboards), Brian Worster (Sax (Tenor)), Brian Worster (Screams), The Adjustments (Producer), The Adjustments (Main Performer), Tom Z. (?)
