Share on Facebook Share on Twitter Email
Answers.com

Everything Goes Numb

 
Album Review: Everything Goes Numb

  • Artist: Streetlight Manifesto
  • Rating: StarStarStarHalf Star
  • Release Date: August 26, 2003
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

Streetlight Manifesto's competent, lively ska-punk debut sets jittery, usually very rapid tunes to singer/guitarist Tomas Kalnoky's ultra-fast vocals. (Kalnoky also wrote all of the material and produced the record.) It's much like hearing a hardcore punk singer supported by much cheerier melodies and varied rhythms than most hardcore punk bands could muster. The lyrics, too, aren't too far afield from hardcore, with their breathless narrative thrust and pumped-up vibes of prickly despair, uncertainty, assertion of individual identity against the odds, and fleeting images of violence. In truth, the actual lyrics Kalnoky's singing are, for the above reasons, often no easier to decipher than those heard on many hardcore punk records, though they're much less grating on the ear. And though they're helpfully printed in the sleeve, he's prone to jamming many words into very little time, so that some of them have to be reproduced in such small print that they're difficult to read. The band does prove itself able to concoct a variety of rhythms and arrangements within the ska-punk format, the accelerations and decelerations adding some drama, the horns adding some spy movie-like creepiness at times, and the frequent use of minor keys distinguishing Streetlight Manifesto melodically from some of the group's competition. ~ Richie Unterberger, All Music Guide

Tracks

Track TitleComposersPerformersTime
Everything Went Numb Streetlight Manifesto (3:29)
That'll Be the Day Buddy Holly, Jerry Allison, Norman Petty Streetlight Manifesto (4:42)
Point/Counterpoint Streetlight Manifesto (5:27)
If and When We Rise Again Streetlight Manifesto (4:19)
A Better Place, A Better Time Streetlight Manifesto (6:28)
We Are the Few Streetlight Manifesto (4:56)
Failing, Flailing Streetlight Manifesto (5:28)
Here's to Life Streetlight Manifesto (4:41)
A Moment of Silence Streetlight Manifesto (5:13)
A Moment of Violence Streetlight Manifesto (2:00)
The Saddest Song Streetlight Manifesto (3:18)
The Big Sleep Streetlight Manifesto (5:02)

Credits

James Egan (Tuba), Josh Ansley (Guitar (Bass)), Jim Conti (Sax (Alto)), Dan Ross (Sax (Baritone)), Paul Lowndes (Group Member), James Egan (Trumpet), Tomas Kalnoky (Guitar), Natalia Ushak (Model), Dominick Maita (Mastering), Dan Ross (Group Member), James Egan (Group Member), Tomas Kalnoky (Engineer), Paul Lowndes (Drums), James Egan (Trombone), Paul Lowndes (Tracking), Tomas Kalnoky (Vocals), Streetlight Manifesto (Vocals), Thomas Kalnoky (Producer), Lico (Vocals), Dan Ross (Sax (Alto)), Tomas Kalnoky (Layout Design), Shane Thompson (Percussion), Jason Kanter (Mixing), Jessica Davidson (Vocals), Jim Conti (Sax (Tenor)), Chris Bailey (Percussion), Tomas Kalnoky (Producer), Tomas Kalnoky (Photography), Tomas Kalnoky (Group Member), Steve Ho (Vocals), Jim Conti (Group Member), Jim Conti (Clarinet), Josh Ansley (Group Member), Robbie Krieger (Cello)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Everything Goes Numb
Top
Everything Goes Numb
Studio album by Streetlight Manifesto
Released August 26, 2003
Recorded Unknown
Genre Ska-punk
Third Wave Ska
Length 55:12
Label The RISC Group & Victory Records
Producer Tomas Kalnoky
Professional reviews
Streetlight Manifesto chronology
Streetlight Manifesto Demo
(2002)
Everything Goes Numb
(2003)
Keasbey Nights
(2006)
Tomas Kalnoky chronology
Streetlight Manifesto Demo
(2002)
Everything Goes Numb
(2003)
Keasbey Nights
(2006)

Everything Goes Numb is the first full length album by musical group Streetlight Manifesto. It is seen as a natural progression from Catch 22's Keasbey Nights (1998), as Tomas Kalnoky, the lead singer, guitarist and songwriter, performed the same duties in Catch 22 before leaving after Keasbey Nights to concentrate on his college education. The lyrics of the album deal with subjects like suicide, robbery, existentialism, and social outcasts. It is also the second chapter in the Keasbey Nights Trilogy, once referred to as The Keasbey Diaries in the A Call to Arms (2001) booklet.

Contents

Track listing

All songs written by Tomas Kalnoky, although "If and When We Rise Again" contains a horn line taken from Johannes Brahms' "Hungarian Dance No. 5" (which can be listened to under the title "Hungarian Dance in G minor" in the media section of the Brahms article).

  1. "Everything Went Numb" – 3:29
  2. "That'll Be the Day" – 4:42
  3. "Point/Counterpoint" – 5:27
  4. "If and When We Rise Again" – 4:19
  5. "A Better Place, a Better Time" – 6:28
  6. "We Are the Few" – 4:56
  7. "Failing, Flailing" – 5:28
  8. "Here’s to Life" – 4:41
  9. "A Moment of Silence" – 5:13
  10. "A Moment of Violence" – 2:00
  11. "The Saddest Song" – 3:18
  12. "The Big Sleep" – 5:02

Song notes

The first track, "Everything Went Numb," tells a story about a poor protagonist who attempts a robbery but was unfortunately caught, causing panicky, internal bickering within himself. As stated in the "Songwriting Notes" section of the demo, the song was first created in 1998. Circumstances led to its temporary dismissal until Tomas Kalnoky, the guitarist, singer and lyricist (amongst many other things), stumbled upon "the tales of sin city (sic)" (whether this means the Frank Miller comic series or Las Vegas is unknown). The influence led Kalnoky "head first into old territory...smoky bars, trench coats, busted mugs, stuff like that"; such shadiness was a major theme of his work on Catch 22's Keasbey Nights.

Similarites to Keasbey Nights

Played in order, two of the songs from Everything Goes Numb bear a resemblance to their counterparts from Keasbey Nights. For example, "Everything Went Numb" has some of the same mariachi influence as Dear Sergio, and "Point/Counterpoint" shares its lyrical style with Keasbey Nights.

Keasbey Nights is also played in the middle of Point/Counterpoint at live shows, and Failing, Flailing is sometimes played with 9mm and a Three-Piece Suit, though the latter two songs have different track numbers on their respective CDs.

Miscellanea

  • "If and When we Rise Again" is credited as "Color-Coded Quotes" on some pressings, and contains the album title in the lyrics
  • "A Better Place, A Better Time" is referred to as "Annie" by the band, and is usually written on setlists under that name.
  • The song "Here's to Life..."
    • Is a remake of the Bandits of the Acoustic Revolution (Kalnoky's interclary band in between Catch 22 and Streetlight Manifesto) track on A Call to Arms (2001)
    • Is credited as "Here's to Life (Reprise)" inside the CD booklet
    • Contains references to suicidal artists including:
    • Mentions Albert Camus jokingly, not only because of his thoughts on Absurdism, which defines the act of life as a foolish struggle to find meaning in a world without one, which leads to three conclusions, the first being suicide, but also because he ironically died in a car accident with having previously said that it was the most absurd way to die.
    • Mentions J. D. Salinger and his character Holden Caulfield
    • J.D. Salinger's seclusion from society is mentioned in the line:

      and it's been years since you passed away / but i see no plaque, and i see no grave / and I can't help believing that you wanted it that way

    • Holden Caulfield is also mentioned personally as "a friend of mine (Tomas')"; the same Holden Caulfield that is the protagonist in the novel Catcher in the Rye, by J. D. Salinger.
    • More information on the theme of the song can be found in the songwriting notes section of the A Call to Arms article.
  • "The Big Sleep" is credited as "The Big Sleep (You're Impossible)" in the lyrics section of the official Streetlight Manifesto site
  • In the intro to "If And When We Rise Again" you can hear Tomas Kalnoky say "Moderate Rock", a reference to a Nirvana song (tourette's) where Kurt Cobain says the same thing in the intro.
  • The song "The Big Sleep" makes a reference to Bob Dylan in the lyrics, as "Mr. Dylan."

Song samples

Personnel

Additional personnel

  • Chris Bailey - Auxiliary Percussion
  • Jeff Davidson - Gang Vocals
  • Steve Ho - Gang Vocals
  • Jason Kanter - Mixing
  • Robbie Krieger - Cello (Track 12 only)
  • Lico - Gang Vocals
  • Dominick Maita - Mastering
  • Shane Thompson - Auxiliary Percussion
  • Natalia Ushak - Cover Model

External links



 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Everything Goes Numb" Read more