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Excellent Sides of Swamp Dogg, Vol. 4

 
Album Review: Excellent Sides of Swamp Dogg, Vol. 4

  • Artist: Swamp Dogg
  • Rating: StarStarStarHalf Star
  • Release Date: November 13, 2007
  • Total Time: 73:28
  • Type: Compilation (best of), Contains explicit content
  • Genre: Rhythm & Blues

Review

Jerry Williams reissues two long out-of-print albums from the back catalog of his not-so-secret identity Swamp Dogg in the fourth volume of the Excellent Sides of Swamp Dogg series. This set manages a .500 batting average, pairing one fine album with another that's one of Swamp Dogg's least interesting efforts. Swamp Dogg's Greatest Hits? was a 1976 release so obscure it doesn't even appear in many of Williams' discographies, in which he re-recorded a handful of obscure Swamp Dogg tunes, none of which were hits in this or any alternate universe. They may not have sold, but tunes like "I've Never Been to Africa," "Buzzard Luck," and "Call Me Nigger" capture the eccentric fervor of Williams' philosophical style as well as anything he's ever recorded, and "Or Forever Hold Your Peace," "I'm Still In Love with You," and "Don't You Try to Be My Man" are fine examples of his own distinct brand of Southern soul. 1977's Finally Caught Up with Myself, however, is nothing much to write home about; the backing band, credited as "Riders of the New Funk," sounds meek and anemic where Swamp Dogg's sessions are usually cooking with potent funk, and with a few exceptions Williams wasn't faring much better as a songwriter. There are a few bright spots, but outside of "If You Gotta Do Wrong (Do It Right)," "Trash," and "Understanding California Women," this is Swamp Dogg's most disposable album of the '70s. It doesn't help that on this reissue, Finally Caught Up with Myself sounds harsh and murky, and while the tracks from Greatest Hits? feature much better audio quality, "Ebony & Jet" has a very noticeable speed fault that wasn't corrected in mastering. Given how hard to find both of these albums are, Swamp Dogg fans aren't likely to complain about the flaws of this disc, but it's too bad the prime craziness of Greatest Hits? couldn't have been paired up with something more interesting. ~ Mark Deming, All Music Guide

Tracks

Track TitleComposersPerformersTime
Buzzard Luck Swamp Dogg (3:44)
Or Forever Hold Your Peace Swamp Dogg (2:25)
I Can't Stand to Hear Her Say Please Swamp Dogg (3:16)
Call Me Nigger Swamp Dogg (7:14)
Ebony & Jet Swamp Dogg (2:44)
Don't You Try to Be My Man Swamp Dogg (2:53)
Paradoxical (No Bugles) Swamp Dogg (2:20)
I'm Still in Love with You Swamp Dogg (3:30)
I've Never Been to Africa Swamp Dogg (3:20)
Eat the Goose Before the Goose Eats You Swamp Dogg (2:51)
If You Gotta Do Wrong (Do It Right) Swamp Dogg (5:07)
Trash Swamp Dogg (4:08)
Communication #2 Swamp Dogg (:28)
New Orleans My Home Swamp Dogg (3:03)
Understanding California Women Swamp Dogg (4:03)
Silly Silly Silly Silly Me Swamp Dogg (2:45)
Walking on Eggs Swamp Dogg (3:05)
All Around Friend Swamp Dogg (2:07)
Communication #1 Swamp Dogg (:32)
My Heart Just Can't Stop Dancing Swamp Dogg (3:45)
Embryo S.O.S Swamp Dogg (5:28)
Slow Slow Disco Swamp Dogg (4:40)

Credits

Oliver Sain (Dance (Tap)), Jerry Williams (Keyboards), 9th Street Recreational Center, Bippy City, Oklahoma (Strings), Clayton Ivey (Organ), Oliver Sain (Sax (Alto)), Bob Wray (Guitar (Bass)), Ricky "Bongo" Starr (Percussion), Maurice "Poochie" Cotton (Guitar (Bass)), Court Pickett (Guitar (Bass)), Jerry Williams (Synthesizer), Oswald Peters (Guitar), Swamp Dogg (Tambourine), Rual Yarbrough (Banjo), Jimmy "Be Bop" Evans (Drums), Ricky "Bongo" Starr (Percussion), Bob Wray (Bass), Oliver Sain (Fender Rhodes), Joe McEwen (Inspiration), Oliver Sain (Trombone), Ronnie Eades (Horn), Ronnie Eades (Sax (Baritone)), Audie "Ed" Watkins (Percussion), Jerry Williams (Vocals (Background)), Swamp Dogg (Piano), Donnie Fritts (Inspiration), Oliver Sain (Audio Production), Oliver Sain (Sax (Soprano)), Rual Yarbrough (Banjo), Swamp Dogg (Organ), Jerry Williams (Piano), Swamp Dogg (Vocals (Background)), Swamp Dogg (Piano (Grand)), Ernie Freeman (Vocals (Background)), Travis Wammack (Guitar), Jerry Williams (Fender Rhodes), George Soulé (Drums), Phyllis White (Inspiration), Sammy Harris (Drums), Mike Stough (Trumpet), Jerry Williams (Moog Synthesizer), Oliver Sain (Sax (Tenor)), Jerry Williams (Audio Production), Swamp Dogg (Fender Rhodes), Sonny Royal (Horn), Oliver Sain (Flute), Swamp Dogg (Mellotron), Howard Roberts (Inspiration), Leroy Stubblefield (Vocals (Background)), Maurice "Poochie" Cotton (Bass), Jerry Williams (Piano (Grand)), Jerry Williams (Producer), Jerry Williams (Mellotron), David "Bat" Johnson (Engineer), Toni Stubblefield (Vocals (Background)), Oliver Sain (Trumpet), Randy McCormick (Organ), Mary Ellen Mason (Inspiration), Charles Rose (Horn), Jerry Williams (Arp), Oliver Sain (Audio Engineer), Mike Stough (Horn), Oliver Sain (Engineer), Swamp Dogg (Synthesizer), Court Pickett (Bass), Johnny Jenkins (Inspiration), Swamp Dogg (Keyboards), Swamp Dogg (Vocals), Swamp Dogg (Arp), Stacy Goss (Trumpet), Harvey Thompson (Sax (Tenor)), Jerry Williams (Arp Strings), Charlie Whitehead (Inspiration), Charles Rose (Trombone), Linda White (Vocals (Background)), Harold Carter (Inspiration), Stave Goss (Horn), Sammy Harris (Drums), Stacy Goss (Horn), Johnny Carson (Inspiration), David "Bat" Johnson (Audio Engineer), Oliver Sain (Sax (Baritone)), Harvey Thompson (Horn), Jerry Williams (Tambourine), Audie "Ed" Watkins (Conga), Swamp Dogg (Moog Synthesizer), Jerry Williams (Organ), Oliver Sain (Producer), Claudette Balle (Vocals (Background)), Matt Parsons (Inspiration), Jerry Williams (Arranger)
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