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Exit to Eden

 
Wikipedia: Exit to Eden
Exit to Eden  
E2e-paperback-bookcover.jpg
Dell Publishing paperback cover
Author Anne Rampling
Country United States
Language English
Genre(s) Erotica, Romance
Publisher Arbor House Pub
Publication date May 1985
Media type Print (Hardback & Paperback)
Pages 336 pp
ISBN ISBN 0-87795-609-X (first edition, hardback)
OCLC Number 11159573
Dewey Decimal 813/.54 19
LC Classification PS3568.I265 E9 1985

Exit to Eden is a novel by Anne Rice, initially published in 1985 under the pen name Anne Rampling, but subsequently under Rice's name.

The novel explores the subject of BDSM in romance novel form. The novel also brought attention to Rice's published works that differed from the type of writing she was better known for (e.g. Interview with the Vampire), such as her Sleeping Beauty series under yet another pen name. Additionally, a film adaptation in 1994 differed greatly from the book, with a new major story line and several new characters added.

Each chapter in the novel is narrated in the first-person by either Lisa or Elliot; the narrator is announced at the head of each chapter.

Plot summary

Lisa Kelly manages an isolated BDSM resort called The Club that offers its high-end clients an exclusive setting in which they can experience the life of a Master or Mistress. Prospective sex slaves, paid at the end of their term at Eden (which varies from six months to two years), are presented at auctions by the most respected Trainers from across the world. As Head Female Trainer and co-founder Kelly gets first pick of the new slaves, and chooses Elliot Slater — with whom she shares an immediate and undeniable chemistry that intensifies throughout their time together, eventually resulting in love.

Release details

Film adaptation

A film version, Exit To Eden was produced by Savoy Pictures in 1994 starring Dana Delany and Paul Mercurio in the roles of Elliot and Lisa, but was heavily rewritten by the studio as a buddy-cop comedy, using new characters played by Dan Aykroyd and Rosie O'Donnell. The film was almost universally panned by critics and Rice publicly disassociated herself from the production.


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