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Félix Fénéon

 

Fénéon, Félix (1861-1944). The most important French art critic of the late 19th c., Fénéon defined the theoretical and formal basis of Neo-Impressionism in his 1886 brochure, Les Impressionnistes en 1886. As an editor of avant-garde literary journals he played an important part in the Symbolist movement and was one of the group of 30 tried in 1894 for anarchist sympathies.

[James Kearns]

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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, by Paul Signac (1890). 73.5 × 92.5 cm.

Félix Fénéon (22 June 1861, Turin, Italy – 29 February 1944, Châtenay-Malabry) was a Parisian anarchist and art critic during the late 1800s. He coined the term "Neo-impressionism" in 1886 to identify a group of artists led by Georges Seurat, and ardently promoted them.

The Fénéon Prize was established in 1949 by his wife based on proceeds from the sale of his art collection.

Works

  • Les Impressionnistes en 1886
  • Œuvres; preface by Jean Paulhan, Paris, Gallimard, 1948
  • Œuvres plus que complètes, 1970
  • Nouvelles en trois lignes, translated and published as Novels in Three Lines with introduction by Luc Sante, 2007 ISBN 978-1-59017-230-8
  • Correspondance de Fanny & Félix Fénéon avec Maximilien Luce, 2001
  • Petit supplément aux œuvres plus que complètes, 2 volumes
  • Le Procès des Trente, 2004
  • Correspondance de Stéphane Mallarmé et Félix Fénéon. Maurice Imbert, editor; 2007

External links


 
 
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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Félix Fénéon" Read more