Abraham, F[ahrid] Murray (b.1939), character actor. The craggy‐looking performer was born in Pittsburgh and raised in El Paso, Texas, where he attended the University of Texas. He studied with Uta Hagen at the Berghof Studio before making his New York debut in 1966 as a replacement in The Fantasticks. Abraham later shone in several supporting roles onstage, usually playing villains or broad farcical characters. After finding fame in Hollywood, he returned to Manhattan and played leading roles in classic works, such as Bottom in A Midsummer Night's Dream and King Lear, and in modern plays, memorably Pozzo in the 1988 revival of Waiting for Godot.
Career Highlights: Amadeus, Nostradamus, The Name of the Rose
First Major Screen Credit: The Ritz (1976)
Biography
Of Italian/Syrian heritage, Pittsburgh native F. Murray Abraham attended the University of Texas, then studied acting under Uta Hagen in New York. The peripatetic Abraham made his stage debut in a Los Angeles production of Ray Bradbury's The Wonderful Ice Cream Suit, and, shortly before reaching the age of 29, made his New York bow in The Fantasticks. An archetypal example of the "working actor," Abraham managed for more than ten years to make a good living at his craft without ever truly achieving fame. Appearing on television in everything from All in the Family to Kojak, he was seen on several commercials, including a now-famous spot for Fruit of the Loom underwear. His big-screen roles include 1975's The Sunshine Boys (a garage mechanic); 1976's All the President's Men (one of the arresting officers at the Watergate Hotel); 1976's The Ritz (a gay bathhouse patron); and 1978's The Big Fix (a fugitive '60s activist). Abraham's "overnight" stardom came about in 1984, when he was cast as the covetous Antonio Salieri in Amadeus, and his brilliant, bravura performance won him an Oscar. Abraham remained busy throughout the 1980s and '90s, appearing in such efforts as The Name of the Rose (1986), in which he playing a 14th century monk deliberately made up to look like a "living gargoyle," and the otherwise awful Bonfire of the Vanities (1990), in an uncredited, albeit pivotal, role of a prosecuting attorney. One of the most versatile actors in the business, Abraham has nonetheless never quite escaped the long shadow cast by his unforgettable portrayal of Salieri. Indeed, in Arnold Schwarzenegger's genre spoof The Last Action Hero, Abraham was pinpointed as the mystery murderer because he looked just like "the guy that killed Mozart." Onece again hamming it up in that same year's National Lampoon's Loaded Weapon 1, Abraham freaquently alternated big-budget Hollywood fare and more low-key, performance driven dramas and comedies through the remainder of the decade. While apprearances in such films as Mimic (1997) and Star Trek: Insurrection (1998) kept Abraham a familiar face to a new generation of moviegoers, roles in such small screen efforts as Dead Man's Walk (1996) and the following year's The Color of Justice allowed him a venue to display his true skills. In 1995 Abraham portrayed famed gangster Al Capone in not one but two films; Dillinger and Capone and Baby Face Nelson. Heading into the new millennium with roles in Finding Forrester and 13 Ghosts, Abraham appeared alongside an impressive cast in The Bridge of San Luis Rey. ~ Hal Erickson, All Movie Guide
Fahrid Murray Abraham (in Arabic فريد مراد ابراهيم الاحمد Farīd Murād Ibrāhīm Al-Aḥmad;[1] born October 24, 1939) is an Americanactor. He became known during the 1980s, after winning the Oscar for Best Actor for his role in Amadeus, and has since appeared in many roles, both leading and supporting, in films, television, and mainly on stage.
Abraham made his screen debut as a cabbie in Neil Simon's The Prisoner of Second Avenue.Abraham can be seen as one of the undercover cops along with Al Pacino in Sidney Lumet's Serpico (1973). He also appears very early in All the President's Men as one of the police officers who arrests the Watergate burglars in the offices of the Democratic National Headquarters.
Abraham's relatively low-profile film career subsequent to his Academy Award has been held by many as an example of the so-called Oscar jinx. So linked is Abraham with the phenomenon of winning an Oscar and yet failing to maintain the trajectory toward a high-level film career that, according to film critic Leonard Maltin, it is referred to in Hollywood circles as the F. Murray Abraham syndrome.[1] Abraham himself rejects this notion. He once told an interviewer:
The Oscar is the single most important event of my career. I have dined with kings, shared equal billing with my idols, lectured at Harvard and Columbia. If this is a jinx, I'll take two.
In the same interview, Abraham said:
Even though I won the Oscar, I can still take the subway, in New York, and nobody recognizes me. Some actors might find that disconcerting, but I find it refreshing.
Abraham most recently made a guest appearance on the popular television series Saving Grace, on which he played an angel, Matthew.
Personal life
Abraham has been married to Kate Hannan since 1962; they have two children.[4] He taught Theater at Brooklyn College.