Fabre d'Olivet, Antoine (1768-1825), a playwright whom success stubbornly eluded, diversified late into the study of the languages and cosmogonies of the ancient world. His unquestionable erudition was, however, undermined by his visionary temperament, exalted imagination, and his taste for the occult, which led him to propound fantastical hypotheses. Fabre deserves recognition, however (though in a smaller way than
[John Renwick]




