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Federico Mompou

 
Music Encyclopedia: Federico Mompou

(b Barcelona, 16 April 1893; d there, 30 June 1987). Spanish composer. He studied in Barcelona and with Motte-Lacroix and Samuel-Rousseau in Paris, where he remained until 1941 except for a return to Barcelona in 1914-21; he then settled in his native city. His output consists almost entirely of small-scale piano pieces and songs in a fresh, naive style indebted to Satie and Debussy; he aimed for maximum expressiveness through minimum means, often achieving a melancholy elegance.



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Artist: Federico Mompou
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Federico Mompou
  • Period: Modern (1910-1949)
  • Born: April 16, 1893 in Barcelona, Spain
  • Died: June 30, 1987 in Barcelona, Spain
  • Genres: Chamber Music, Choral Music, Keyboard Music

Biography

Mompou was a Catalan composer of lyric songs and piano miniatures whose music is characterized by Impressionist elegance, simple and direct melody, and the haunting, deep emotions of folk music.

Mompou studied piano at the Conservatorio del Liceo in Barcelona and gave his first concert at the age of 15. Three years later, with a letter of recommendation from composer Granados, he went to Paris to study piano and harmony. While there, he wrote his first piano pieces, the Impresiones intimas (1911-1914).

He became very taken with Debussy and the modern French composers, especially the spare melodiousness of Erik Satie. Mompou characterized this Satie quality in his music as "recomençament" (starting over at the beginning), a return to a kind of fundamental, basic state of realization. In emulation of Satie, Mompou adopted his method of scoring (in many of the piano works) by eliminating bar lines and key signatures, and (like Bartók and other composers) placing accidentals only before the notes to which they immediately apply. He also picked up the idea of inserting unusual and often illogically humorous comments, directions, and surreal images in the score, which actually serve to suggest the mood of a passage more adequately than the normal emotional and articulation markings -- some of Mompou's directions were "Chantez avec le fraîcheur de l'herbe humide" and "Donnez des excuses."

When World War I broke out, Mompou returned to Barcelona, where he continued composing from 1914-1921. His works at that time include the song L'hora grisa (1915) to words by Blancafort, and the piano sets Pessebres (1914-1917), Scènes d'enfants (1915-1918), Cants mágìcs (1917-1919), Fêtes lointaines (1920), and Charmes (1920-1921). Suburbis (1916-1917) contains musical portraits of people encountered during Mompou's long walks. They were richly orchestrated by Manuel Rosenthal in 1936. In El carrer, el guitarrista i el cavall (The road, the guitarist and the old horse) a trumpet tune suggests the slow progress of a cart loaded with stone drawn by a weary horse "with large, sad eyes." An old man grinds a (wonderfully imitated) barrel organ. Gitane I and Gitane II draw portraits of two female gypsy friends, La Fana and La Chatuncha, through teasing dance music. La cegueta expresses gentle empathy for "the little blind girl" whose slow, uncertain walk is expressed by mirrored patterns. In L'home de l'Aristó (The ariston player) we hear a jolly pieces played again by the wandering beggar musician.

In 1921 Mompou returned to Paris where he remained 20 years, and then returned permanently to Barcelona. He was made a Chevalier des Arts et des Lettres by the French government, and elected to the Royal Academy of San Jorge in Barcelona and of San Fernando in Madrid.

The creation of many piano sets extended over large time spans: the 12 Cançons i dansas (1921-1928, 1942-1962), the ten Préludes (1927-1930, 1943-1951), Variaciones sobre un tema di Chopin (1938-57), the brilliant and evocative Paisajes (1942-1960), and Música callada (1959-1967).

Several of his significant songs include the Comptines I-VI (1931, 1943), Combat del somni (1942-1948), and Llueve sobre el rio, Pastoral (1945). His works for chorus are the Cantar del alma (1951) with text from St. John of the Cross, and Improperios (1963) for chorus and orchestra. ~ "Blue" Gene Tyranny, All Music Guide

Discography

Mompou Plays Mompou

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Mompou Plays Mompou

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Mompou Plays Mompou: Música Callada

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Mompou Plays Mompou

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Mompou: Complete Piano Works (Box Set)

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Mompou: Música Callada

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Mompou: Impresiones intimas; Scènes d'enfants; Pessebres; Charmes; Suburbis; Fètes lointaines

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Mompou: Cançons i danses; Canción de cuna; Cants màgics; Paisajes

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Mompou: Préludes; Variations sur un thème de Chopin; Trois Variations; Dialogues; Souvenirs de l'Exposition

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Wikipedia: Federico Mompou
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Federico Mompou i Dencausse (Barcelona, 16 April 1893 – 30 June 1987) was a Spanish Catalan composer and pianist. He is best known for his solo piano music and his songs.

Contents

Life

Mompou was born in Barcelona to the lawyer Frederic Mompou and his wife Josefina Dencausse. His brother, Josep Mompou (1888-1968) became a painter. Mompou studied piano at the Conservatori Superior de Música del Liceu] before going to Paris to study with Ferdinand Motte-Lacroix in 1911. Being rather shy, he abandoned a solo career and chose to pursue composition instead. In 1914 he returned to Barcelona, fleeing the war.

His Scènes d'enfants (1915-18) inspired the French critic Émile Vuillermoz to proclaim Mompou the successor to Claude Debussy.

He returned to Paris in 1921, and remained there until 1941 when he once again departed for his native Catalunya, fleeing the German occupation of Paris. In 1957 he married the pianist Carmen Bravo; they had no children.

During his career Mompou received numerous awards, amongst them: Chevalier des arts et lettres (France), Premio Nacional de la Música (Spain), Doctor honoris causa, Universitat de Barcelona (1979); and Medalla d'Or de la Generalitat de Catalunya (1980).

An initial supporter of Franco's regime, in Barcelona he became a member of the Royal Academy of San Jorge, but otherwise lived quietly there until his death at the age of 94, from respiratory failure. He is buried in Montjuïc Cemetery, Barcelona.

Style

Mompou is best known as a miniaturist, writing short, relatively improvisatory music often described as "delicate" or "intimate." His principal influences were French impressionism and Erik Satie, resulting in a style in which musical development is minimized, and expression is concentrated into very small forms. He was fond of ostinato figures, bell imitations and a kind of incantatory, meditative sound, a most complete example of which can be found in his masterpiece "Musica Callada", or the "voice of silence" based on the mystic poetry of St. John of the Cross.

Selected works

Works for piano solo

  • Impresiones intimas (1911-1914) (Intimate impressions)
  • Scènes d’enfants (1915-1918; later orchestrated by Alexandre Tansman)
  • Suburbis (1916-1917) (Suburbs; later orchestrated by Manuel Rosenthal)
  • Charmes (1920-1921)
  • Cançons i danses (1921-1979) (Songs and dances)
  • Dialogues (1923)
  • Préludes (1927-1960)
  • Variations sur un thème de Chopin (1938-1957; based on Chopin's Prelude No. 7 in A major)
  • Paisajes (1942-1960) (Landscapes)
  • Canción de cuna (1951) (Lullaby)
  • Musica callada (Primer cuaderno - 1959, Segundo cuaderno - 1962, Tercer cuaderno - 1965, Cuarto cuaderno - 1967) (Silent music)

Works for voice and piano

  • L'hora grisa (1916) (The grey hour)
  • Cuatro melodías (1925) (Four melodies)
  • Comptines (1926-1943) (Nursery Rhymes)
  • Combat del somni (1942-1950) (Dream combat)
  • Cantar del alma (1951) (Soul song)
  • Canciones becquerianas (1971) (Songs after Bécquer)

Other works

  • Suite Compostelana for guitar (1962)
  • Los Improperios for chorus and orchestra (1964; written in memory of Francis Poulenc)
  • Cançó i dansa No. 13 (Cançó: El cant dels ocells; Dansa (El bon caçador)) for guitar (1972)
  • Canción y Danza No. 10 (Sobre dos Cantigas del Rei Alfonso X), originally for piano (1953), transcribed for guitar by the composer (undated manuscript).

References and further reading

External links


 
 

 

Copyrights:

Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Federico Mompou" Read more