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Ferdinando Bertoni

 
Music Encyclopedia: Ferdinando (Gasparo) Bertoni

(b Salo, 15 Aug 1725; d Desenzano, 1 Dec 1813). Italian composer. After studying in Bologna with G. B. Martini, he settled in Venice, and had immediate success with his first comic opera, La vedova accorta (1745), and three opere serie (1746). Some 40 more operas followed; many, including Le pesciatrici (1751), were given abroad. As first organist at St Mark's from 1752 and maestro di cappella from 1785, he wrote masses, psalms and other sacred works. Many of his c 40 Latin oratorios and over 80 solo motets were composed for the female voices and orchestra of the Mendicanti orphanage. He also wrote occasional works for Venice, including the cantata L′isola reggia di Calipso (1769), and remained popular as an opera composer, notably with Orfeo ed Euridice (1776), which uses the Calzabigi text earlier set by Gluck. In 1778-83 he directed performances of his operas in London. His last opera was given in Venice in 1791.



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Ferdinando Bertoni (15 August 1725 – 1 December 1813) was an Italian composer and organist.

He was born in Salò, and began his music studies in Brescia, not far from his birthplace. Around 1740 he went to Bologna, where he studied till 1745 with the famous music theorist Giovanni Battista Martini. Then he moved to Venice, where in 1752 he was appointed as first organist at San Marco. From 1755 to 1777 he was choirmaster at the Ospedale dei Mendicanti, also in Venice. In the period 1778–1783 he was in London, where he composed operas for the King's Theatre. Back to Venice in 1784, he succeeded Baldassare Galuppi in 1785 as Kapellmeister of San Marco and preserved this position until his retirement in 1808. He died in Desenzano del Garda.

A prolific writer of church music, Bertoni also composed 70 operas which fell into oblivion, except Orfeo (Venice, Teatro San Benedetto, 1776), based on the same libretto of Ranieri de' Calzabigi of the work of Christoph Willibald Gluck, Orfeo ed Euridice (Burgtheater, Vienna, 1762). Bertoni composed this work especially for his friend Gaetano Guadagni, a castrato, who would interpret the role of Orfeo (the same role he had interpreted in Gluck’s Orfeo ed Euridice). Bertoni generally ignored Gluck's reforms and composed the work in the old style of opera seria. Bertoni composed at least 200 sacred works (including about 50 oratorios) and cantatas, instrumental work and chamber music.

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