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Filippo della Valle

 
Art Encyclopedia: Filippo della Valle

(b Florence, 26 Dec 1698; d Rome, 29 April 1768). Italian sculptor. He was trained by his uncle Giovanni Battista Foggini, from whom he first learnt the style of late Baroque Florentine sculpture, best exemplified in Foggini's reliefs for the Corsini Chapel in S Maria del Carmine, Florence. On Foggini's death in 1725, della Valle went to Rome and worked for several years in the studio of Camillo Rusconi. He shared with Pietro Bracci first prize for sculpture at the Accademia di S Luca in 1725. After Rusconi's death in 1728, della Valle established his own studio near the church of S Nicol? da Tolentino. He was elected to the Accademia di S Luca in 1730.

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Trevi Fountain: Health and Abundance by Filippo della Valle flank Neptune by Bracci

Filippo della Valle (1698–1768) was an Italian late-Baroque or early Neoclassic sculptor, active mostly in Rome.

Biography

Della Valle was born in Florence.

Initially apprenticed with Giovanni Battista Foggini in Florence alongside Battista Maini, then he and later Maini moved to Rome to work with Rusconi. In 1725, della Valle won a contest of the Academy of St Luke together with Pietro Bracci, and was later to become the director or Principe of that group. In Rome, he worked with Bracci on Salvi's Trevi Fountain, where he completed the allegorical statues of Health and Abundance.

Della Valle is known for his Annunciation relief (1750) in Sant'Ignazio, a much more restrained and flatter relief than that of Bernardino Cametti's elaborate 1729 treatment of the same theme now at La Superga. He also completed the statue of Temperance (1734) in Corsini Chapel at San Giovanni in Laterano. The statue recalls Francois Duquesnoy's pioneering early baroque, yet soberly classic, Santa Susanna. In this chapel, della Valle, working with Maini, shows the influence of the Florentine Massimiliano Soldani Benzi. In style della Valle was allied to the rising group of French sculptors including Michelangelo Slodtz. He also completed the monument for Innocent XII (1746) and a Santa Teresa of Avila (1754) for St Peter's Basilica.

He died in Rome and was buried at Santa Susanna.

Sources

  • Bruce Boucher (1998). Thames & Hudson, World of Art. ed. Italian Baroque Sculpture. pp. 169, 208–209,. 
  • Web Gallery of Art

 
 

 

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