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Fishscale

 
Album Review: Fishscale

  • Artist: Ghostface Killah
  • Rating: StarStarStarStarHalf Star
  • Release Date: March 28, 2006
  • Type: Contains explicit content
  • Genre: Rap

Review

Whenever a veteran artist professes disinterest in modern music, a safe retreat into the past -- a tired attempt at recapturing the magic of classic material -- tends to follow. Since Ghostface Killah towed that line after the two least-thrilling albums of his career, Fishscale seemed destined to be just another part of his discography; if his fans were lucky, they'd get a couple flashes of his mad maverick genius and nothing as clumsily foul as "Tush." Fishscale is much more generous than that. It's evident that Ghost knows where he's at in his career, and it's directly acknowledged by the Mickey Goldmill-like boxing coach during "The Champ": "You ain't been hungry...since Supreme Clientele!" Ghost responds by pouring all that he has, both lyrically and vocally, into every track on the album. The scenarios he recounts are as detailed and off-the-wall as ever, elaborate screenplays laid out with a vocal style that's ceaselessly fluid and never abrasive. This is especially remarkable since each one of Ghost's lines, when transcribed, require one-to-five exclamation points, and every frantic scene's details -- from the onions on the steak, to the show on the television, to the socks sticking out of the "big Frankenstein hole" in a shoe worn by an accomplice -- are itemized without derailing the events. Since no active MC sounds better over obscure '70s soul samples, Ghost was wise to select productions that are best suited for him, no matter how bizarre or un-pop. Just Blaze, Lewis Parker, MoSS, Crack Val, Pete Rock, Doom, the late J Dilla, and several others supply Ghost with a tremendous round of productions. "Underwater" is the loopiest of all, even by Doom standards; its balmy Bobbi Humphrey flute and slippery beat, aided by burbling water effects, backs a hallucinatory journey in which Ghost swims with butterflies, casts his gaze on numerous riches (rubies, the Heart of the Ocean, "Gucci belts that they rocked for no reason from A Different World") and bumps into a Bentley-driving, Isley Brothers-listening, girlfriend-smacking SpongeBob Squarepants before hitting spiritual paydirt. "Back Like That," featuring Ne-Yo, is the lone apparent crossover attempt, and it hardly compromises Ghost's character the way "Tush" did in 2004 ("In the summertime, I broke his jaw -- had to do it to him quick, old fashion, in the back of the mall"). Another completely unique track is "Whip You with a Strap," where Ghost recalls the pain of being whipped by his mom with more than a hint of misty-eyed wistfulness. How many other MCs are capable of making you feel nostalgic about leaking welts you never had? More importantly, how many MCs entering their late-thirties have made an album as vital as any other in his or her career? ~ Andy Kellman, All Music Guide

Tracks

Track TitleComposersPerformersTime
The Return of Clyde Smith (Skit) Ghostface Killah (1:04)
Shakey Dog (Lyrics) L. Parker Ghostface Killah (3:44)
Kilo C. Woods Raekwon, Ghostface Killah (4:00)
The Champ Ghostface Killah (4:09)
Major Operation (Skit) (:06)
9 Milli Bros C. Woods, E. Turner, J.K. Hunter Wu-Tang Clan, Ghostface Killah (4:14)
Beauty Jackson (Lyrics) Ghostface Killah (1:32)
Heart Street Directions (Skit) Ghostface Killah (:54)
Columbus Exchange (Skit)/Crack Spot Ghostface Killah (2:21)
R.A.G.U. C. Woods, P. "Peter Rock" Phillips Raekwon, Ghostface Killah (2:39)
Bad Mouth Kid (Skit) Ghostface Killah (1:10)
Whip You with a Strap (Lyrics) R. Stewart Ghostface Killah (2:51)
Back Like That (Lyrics) V. Brown Ghostface Killah, Ne-Yo (4:02)
Be Easy (Lyrics) P. "Peter Rock" Phillips Ghostface Killah (3:19)
Clipse of Doom T. Bailey Ghostface Killah (3:09)
Jellyfish (Lyrics) T. Bailey Ghostface Killah, Theodore Unit, Shawn Wigs (3:50)
Dogs of War T. Bailey, S. Stewart, C. Woods, P. "Peter Rock" Phillips Raekwon, Sun God, Ghostface Killah, Theodore Unit (4:04)
Barbershop Ghostface Killah (1:56)
Ms. Sweetwater (Skit) (:14)
Big Girl Ghostface Killah (3:35)
Underwater (Lyrics) Ghostface Killah (2:03)
The Ironman Takeover (Skit) (:05)
Momma (Lyrics) David Axelrod Ghostface Killah, Megan Rochell (4:49)
Three Bricks [*] Sean "Puffy" Combs, Dennis Coles, Carlos "6 July" Broady, Christopher Wallace, Corey Woods The Notorious B.I.G., Raekwon, Ghostface Killah (4:58)

Credits

P. "Peter Rock" Phillips (Producer), Shawn Wigs (Performer), Andrew Wright (Engineer), David Brown (Engineer), Lewis Parker (Producer), L.V. (Producer), Ken Lewis (Producer), Mario "Big O" Caruso (Executive Producer), Ashaunna Ayars (Marketing), David Brown (Mixing Assistant), Mario "Big O" Caruso (Producer), Ken Lewis (Multi Instruments), Ghostface Killah (Director), Ryan West (Engineer), J Dilla (Producer), Just Blaze (Engineer), Tony Dawsey (Mastering), Tom Timko (Sax (Alto)), Metal Fingerz DOOM (Producer), Tai Linzie (Art Coordinator), Just Blaze (Producer), Big O (Vocals), Nikos Teneketzis (Mixing), Patrick "Plain Pat" Reynolds (A&R), Christos Tsantilis (Engineer), Lyani Powers (Set Design), X-Treme (Producer), Alli Truch (Creative Director), Jason Goldstein (Mixing), Dawud West (Logo), Rob Mathes (Horn Arrangements), Ghostface Killah (Executive Producer), Christos Tsantilis (Editing), Birch Johnson (Trombone), Jonathan Doyle (Vocals), Tai Linzie (Photography), Stephen Glicken (Engineer), Scutch Robinson (Executive Producer), Ryan West (Mixing), Candice Wilson (Vocals (Background)), Crack Val (Producer), Jeff Kievit (Trumpet), Rob Mathes (Bass), Rob Mathes (Guitar), Morgan Garcia (Engineer), Sean C. (Producer), Dawud West (Design), Megan Rochell (Performer), Gimel Keaton (Mixing), Ghostface Killah (Producer), Terese Joseph (A&R), Mike Tocci (Engineer), Mario "Big O" Caruso (Management), Pete Rock (Producer), F. Scott Schafer (Photography)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more

 

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