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Clyde Fitch

 
American Theater Guide: [William] Clyde Fitch

Fitch, [William] Clyde (1865–1909), playwright. He was born in Elmira, New York, the son of a Union army officer and a Maryland belle. Fitch's “sissy” manners made him a loner at school, but the same effeminacy won him major women's roles in the dramatic club at Amherst College. Arriving in New York to seek a career as an architect and interior decorator, he wrote a number of stories and short plays, which were afterwards successfully performed at the Boston Museum. He also made a number of important theatrical friends, including the Times critic Edward A. Dithmar, who, along with William Winter, urged him to write Beau Brumell (1890) for the celebrated actor Richard Mansfield. The play was an immediate hit and launched Fitch's career. During the next nineteen years he wrote nearly sixty plays, thirty‐three of them original, and the remainder translations of foreign plays or adaptations of novels. Among his more important works were Nathan Hale (1898), The Moth and the Flame (1898), The Cowboy and the Lady (1899), Barbara Frietchie (1899), The Climbers (1901), Captain Jinks of the Horse Marines (1901), The Girl with the Green Eyes (1902), The Truth (1907), and The City (1909). Fitch is considered the finest American playwright at the turn of the 20th century. His range and variety are startling, as is his prolificacy. Some works are domestic melodramas, others social critiques, still others historical romances. Quite probably his most glaring fault by modern standards was his contrived happy endings. Thus, the jealous woman in The Girl with the Green Eyes is thwarted in her suicide attempt, and the lying girl in The Truth is ultimately brought to her senses. These conclusions were not the result of haste on Fitch's part, but of his need to please contemporary audiences and thereby provide him with the income required for his notoriously luxurious way of life. Arthur Hobson Quinn has pointed to Fitch's three salient virtues as “the ability to visualize any place or period in terms of its social values, the power to incarnate virtues and vices in characters who are essentially dramatic, and the gift of writing clever dialogue.” Walter Prichard Eaton added to this list Fitch's dramatized observations of small details such as the thumping of steampipes in one play and the sound of an object falling down an airshaft in another. He concluded, “If we took Fitch's worlds and correctly illustrated them, they would give to future generations a better idea of American life from 1890 to 1910 than newspapers or historical records.” Certainly Fitch's best plays, whatever their flaws, remain gripping reading and are probably exceptionally playable even today. Biography: Clyde Fitch and His Letters, Montrose J. Moses and Virginia Gerson, 1924.

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Columbia Encyclopedia: Clyde Fitch
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Fitch, Clyde (William Clyde Fitch), 1865-1909, American dramatist, b. Elmira, N.Y. An extremely prolific and versatile playwright, he wrote over 36 original plays, including melodramas, farces, social comedies, and historical dramas. Much of his best work reflects American social life of the period. Among his most notable plays are Nathan Hale (1898), The Climbers (1901), The Girl with the Green Eyes (1902), The Truth (1907), and The City (1909). His works were popular both in the United States and in Europe.
Works: Works by Clyde Fitch
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(1865-1909)

1890Beau Brummell. The prolific playwright's first major work is this Regency-era drama that becomes a star vehicle for actor Richard Mansfield (1854-1907); he would perform the title role for the rest of his life.
1899Barbara Frietchie. The playwright transforms the elderly heroine of Whittier's patriotic poem into a young woman, adding a romantic component to this melodrama to cater to his audience's desire for more romance than realism. Fitch's tampering with the image of gray-headed Frietchie proves a mistake, and the play manages only a short initial run, though it would be successfully revived several times.
1901The Climbers. Fitch's drama details the corrosive impact of status seeking on a family. The play appears on Broadway simultaneously with three of Fitch's other plays, including Captain Jinks of the Horse Marines, which marks the stage debut of Ethel Barrymore.
1902The Girl with the Green Eyes. The first of Fitch's dramatic character studies examines the corrosive effects of jealousy. The play's tragic momentum, however, is abruptly halted by the unrealistic happy ending, which mars the drama.
1907The Truth. Fitch's play is a psychological portrait of a pathological liar. Unappreciated in the United States, the drama is enthusiastically received in Europe, where it is compared with the works of Ibsen.
1909The City: A Modern Play of American Life. Produced after his death, Fitch's final play is about the contrast between small-town virtue and corrupting city life. He considered it his masterpiece. On opening night, the climactic line "You're a God damn liar!" creates a sensation as the first utterance of the phrase "God damn" on the New York stage.

Wikipedia: Clyde Fitch
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Clyde Fitch

Clyde Fitch (May 2, 1865September 4, 1909) was an American dramatist.

Born William Clyde Fitch at Elmira, New York, he wrote over 60 plays, 36 of them original, which varied from social comedies and farces to melodrama and historical dramas.

As the only child to live to adulthood, his father, Captain William G. Fitch, a graduate of West Point and a Union officer in the Civil War, encouraged him to become an architect or to engage in a career of business, but his mother, Alice Clark, in whose eyes he could do no wrong, always believed in his talent. She would hire the architectural firm of Hunt & Hunt to design the sarcophagus set inside an open Tuscan temple for his final resting place at Woodlawn Cemetery in Bronx, New York. Fitch graduated from Amherst College in 1886, where he was a member of Chi Psi Fraternity.

He was the first American playwright to publish his plays. His first work of note was Beau Brummell (1890) a major work set in the English Regency, which became a showcase for actor Richard Mansfield (1854-1907), who would play the title role for the rest of his life. His 1892 play Masked Ball (an adaption from Alexandre Bisson's Le Veglione) would be the first time that Charles Frohman put Maude Adams opposite John Drew Jr. which led to many future successes. In 1900 Captain Jinks of the Horse Marines, made a star of Ethel Barrymore.

He is remembered particularly for his works such as Nathan Hale (1898), The Climbers (1901), The Girl with the Green Eyes (which ran 108 performances at the Savoy Theatre in 1902, and starred Robert Drouet as John Austin), The Woman In the Case, (which also starred Drouet and ran 89 performances at the Herald Square Theatre in 1905),The Truth (1907) and The City (1909). His works were popular on both sides of the Atlantic. His play based on the heroine of John Greenleaf Whittier's poem Barbara Frietchie met with mixed reviews in 1899 because of the romance he added to the tale, but it would be successfully revived a number of times. In 1896 he wrote the lyrics to a popular song Love Makes The World Go 'Round, with the arrangement by William Furst.

Poster for Clyde Fitch's comedy Girls, 1910

His career spanned a brief two decades, but he earned upwards of $250,000 from his plays at a time when a dollar a day was the working wage. He directed a few of his plays and was closely involved in the production of them all. Working with Edith Wharton he wrote and directed the stage adaptation of The House of Mirth in 1906. He was the first American playwright to be taken seriously and at one time managed to have five plays running simultaneously on Broadway.

A generous host with an engaging personality he was renowned as a raconteur. His invitations to "Quiet Corner" in Greenwich, Connecticut were sought after. A close friend of Elsie de Wolfe, she would help him find many of the furnishings for this house as well as others. At one point she said "he knows more about women, than most women know about themselves." A dandy by his early teens, he knew that in school he was seen as a sissy, but he said, "I would rather be misunderstood than lose my independence."

Correspondence of the time point to a likely relationship, however brief, with Oscar Wilde. He suffered from attacks of appendicitis, but refused his American doctor's recommendation of surgery, instead trusting the specialists in Europe who assured him that they could effect a cure over time without surgery.

The gravesite of Clyde Fitch

While staying at the Hotel de la Haute Mère de Dieu in Châlons-sur-Marne (Châlons-en-Champagne)

Hôtel de voyageurs dit hôtel de la Haute-Mère-Dieu, actuellement galerie marchande et immeuble dit La Haute-Mère-Dieu à Châlons-en-Champagne (51) at www.patrimoine-de-france.org at Châlons-sur-Marne, France, he suffered what would be a fatal attack. He underwent surgery by a local doctor, rather than travel to Paris, and died from blood poisoning. His body was returned from France where it was entombed for a time in the Swan Callendar Mausoleum at Woodlawn Cemetery which belonged to a friend.

In 1910 the body was removed and taken to New Jersey for cremation and the ashes were returned to the Swan Callendar Mausoleum until the Hunt & Hunt monument was finished. His ashes were then placed in the sarcophagus where his parents' ashes would later join his own.

Since his death, some of Fitches works have been revisited in repertoire theater and more recently have been made into motion pictures and television dramas.

Miscellany

  • Barbara Stanwyck took her name from a combination of the name of his play Barbara Frietchie and its star, British actress, Joan Stanwyck.
  • His name comes up in All About Eve. 'Margo Channing' states that Fitch was "well before [her] time."

Publications

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Learn More
The Climbers (1919 Drama Film)
Girl with the Green Eyes (1916 Film)
Her Own Way (1915 Film)

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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
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