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Five Came Back

 
Movies:

Five Came Back

  • Director: John Farrow
  • AMG Rating: starstar
  • Genre: Adventure
  • Main Cast: Chester Morris, Lucille Ball, Wendy Barrie, John Carradine, Allen Jenkins
  • Release Year: 1939
  • Country: US
  • Run Time: 93 minutes

Plot

Often cited as a "model" B picture, Five Came Back is set in motion when the twelve-seat passenger plane "Southern Star" crashes into a treacherous South American jungle. With a hostile tribe of headhunters drawing ever closer, pilots Bill (Chester Morris) and Joe (Kent Taylor) race against time to repair the crippled plane and rescue themselves and the nine other survivors. It soon becomes tragically apparent that the damaged aircraft will be able to carry only five of the marooned party. It now comes down to a question of who will survive, or who deserves to: Spineless socialite Judson Ellis (Patric Knowles), his embittered wife Alice (Wendy Barrie), elderly scientist Spengler (C. Aubrey Smith), Spengler's devoted spouse Martha (Elizabeth Risdon), trollop Peggy (Lucille Ball), condemned anarchist Vasquez (Joseph Calleia), Vasquez' detective-captor Crimp (John Carradine), likeable mob henchman Pete (Allen Jenkins), or gangster's son Tommy (Casey Johnson)? Suffice to say that the ending is determined by random acts of courage, cowardice, and unexpected self-sacrifice. Scripted by Nathaniel West and Dalton Trumbo and brilliantly directed by John Farrow, Five Came Back was a major critical and financial success for the beleagured RKO. Director Farrow remade the film in 1956 as Back From Eternity. ~ Hal Erickson, All Movie Guide

Review

The premise of Five Came Back is one that audiences have seen countless variations on in the decades since the film was released -- and indeed, it probably wasn't totally fresh in 1939. This familiarity works against Five, but if a viewer can overlook the predictability factor, he is very likely to find himself hooked and enjoying it, even as he tells himself that he shouldn't. That's because the trio of screenwriters have done their work well; Five sets up the plot and works it through to its logical conclusion in a tight, professional manner. If it leaves little room for character development and falls back on stereotypes, it still works, thanks to John Farrow's excellent direction. Lean and focused, Farrow's work is all about propulsion, making an asset of the film's short running time to create tension and atmosphere. He is aided by a fine cast that works together like a well oiled machine. Special mention must be made of Lucille Ball, if only because the performance is a departure for those who know her mostly from her television work. Five gets a little rushed toward the end, and its "B" movie origins are obvious in its artificial jungle sets, but overall it's a tidy and engrossing thriller. ~ Craig Butler, All Movie Guide

Cast

Joseph Calleia - Vasquez; C. Aubrey Smith - Prof. Henry Spengler; Kent Taylor - Joe Brooks; Patric Knowles - Judson Ellis; Elizabeth Risdon - Martha Spengler; Casey Johnson - Tommy Mulvaney; Dick Hogan - Larry; Frank Faylen - Press Photographer

Credit

Albert S. D'Agostino - Art Director, Van Nest Polglase - Art Director, Edward Stevenson - Costume Designer, John Farrow - Director, Harry Marker - Editor, Roy Webb - Composer (Music Score), Nick Musuraca - Cinematographer, Robert Sisk - Producer, Vernon Walker - Special Effects, Richard Carroll - Screen Story, Jerry Cady - Screenwriter, Dalton Trumbo - Screenwriter, Nathanael West - Screenwriter
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Wikipedia: Five Came Back
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Five Came Back
Directed by John Farrow
Produced by Robert Sisk
Written by Richard Carroll (story)
Jerry Cady
Dalton Trumbo
Nathanael West
Starring Chester Morris
Lucille Ball
Music by Roy Webb
Cinematography Nicholas Musuraca
Editing by Harry Marker
Distributed by RKO Radio Pictures
Release date(s) June 23, 1939
Running time 73 minutes
Country  United States
Language English
Budget $225,000

Five Came Back is a 1939 melodrama and a precursor of the disaster film genre. A B movie with an A-level cast and crew, the film boasts direction by John Farrow, photography by renowned film noir cinematographer Nicholas Musuraca, and a screenplay by Jerry Cady, Dalton Trumbo and Nathanael West.

In 1956, producer-director Farrow remade the film as Back from Eternity starring Robert Ryan and Anita Ekberg. However, despite a larger budget, most critics considered it inferior to this version.

Contents

Plot

Nine passengers board a commercial flight to Panama City:

The pilot, Bill Brooks (Chester Morris), co-pilot Joe (Kent Taylor) and Larry the steward comprise the crew.

A fierce storm buffets their airplane. A gas cylinder gets loose and is thrown against the door, forcing it open; Larry falls out to his death. The plane is blown far south of where rescuers would search and crash-lands in the dense Amazonian jungle.

As weeks go by, Bill and Joe struggle to repair the engines, while the others clear a runway. The experience changes everyone. The Spenglers rediscover their love for each other. Bill warms to an appreciative Peggy, though she tells him about her past. Alice toughens up, but Judson goes to pieces, staying drunk much of the time. The biggest change is in Vasquez. Seeing how well most of the group have coped with their situation, he reconsiders his radical beliefs.

On the twenty-third day, Crimp disappears. It is Tommy who eventually discovers him. When Peggy and Pete go looking for the boy, he leads them to the body; they realize he has been killed by a poison dart. Pete orders Peggy to take Tommy to safety while he covers their retreat. He is also killed by the unseen natives.

The rest board the now-repaired plane, but an oil leak develops. They patch it, but realize that it will fail some time after takeoff, leaving only one working engine. As a result, the plane can only carry four adults and Tommy. Vasquez suddenly grabs Bill's gun and announces that, since he is doomed no matter what, he will decide who goes and who stays. The Spenglers volunteer to remain behind. Judson tries to bribe Vasquez, but when that fails, he attacks and is shot dead.

After the plane takes off, Professor Spengler quietly informs Vasquez that if they are taken alive, they will be tortured. Vasquez lies to him, telling him that there are three bullets left when there are only two. He kills the couple, then awaits his grisly fate.

Cast

Production

Almost a character in its own right, the airplane used in Five Came Back is the Capelis XC-12, built in 1933 by Capelis Safety Airplane Corporation of California. The plane is described at an American aviation history reference and research Web site, Aerofiles:

XC-12 1933 = 12-place low-wing cabin monoplane with two 525hp Wright Cyclones; span: 55'0" length: 42'0" load: 3000# v: 220/190/65. Designer: Dr John E Younger. Population: 1 [X12762]. All-metal; triple biplane tail; partly-retracting gear, which extended automatically when the throttle was closed.
Funded by local Greek restaurateurs as a promotional aircraft, and constructed with help from University of California students. US patent #1,745,600 issued to Socrates H Capelis of El Cerrito in 1930 (a modified application for patent of the design with a half-span dorsal wing and two more engines appears in 1932). The main wing spar was bolted together, and much of the skin attached with P-K screws rather than rivets. These tended to vibrate loose, requiring tightening or replacing every few flights. Promotional tours were soon abandoned, and its career ended as a movie prop, appearing in ground roles in several motion pictures (Five Came Back 1939, Flying Tigers 1942, others) before reportedly being scrapped c.1943. Flying shots in films were of a model; the plane itself was grounded by the studio's insurance company.[1]

Reception

In his July 5, 1939 New York Times review, Frank Nugent praised it as "a rousing salute to melodrama, suspenseful as a slow-burning fuse, exciting as a pinwheel, spectacularly explosive as an aerial bomb."[2]

"In 1939, John Farrow directed one of the most exciting 'B' films in company history," wrote Richard B. Jewell in The RKO Story. "Since the title indicated how many would make it out alive, audience members were kept on the edge of their seats," according to Jewell, Professor of American Film at the University of Southern California. Jewell describes the film as "one of the very best programme melodramas in RKO history. ...

Five Came Back, which cost $225,000 to make, eventually earned $262,000 in profits and collected substantial critical praise."[3]

Trivia

External links

References


 
 

 

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