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Flags of Our Fathers

 
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Flags of Our Fathers

  • Director: Clint Eastwood
  • AMG Rating: starstarstarstar
  • Genre: War
  • Movie Type: War Drama
  • Themes: Home From the War, Great Battles
  • Main Cast: Ryan Phillippe, Jesse Bradford, Adam Beach, John Benjamin Hickey, John Slattery
  • Release Year: 2006
  • Country: US
  • Run Time: 132 minutes
  • MPAA Rating: R

Plot

Clint Eastwood's adaptation of the non-fiction book Flags of Our Fathers concerns the lives of the men in the famous picture of soldiers raising the American flag over Iwo Jima during that historic WWII battle. Battle scenes are intercut with footage of three of the soldiers - played by Ryan Phillipe, Jesse Bradford, and Adam Beach -- who survived the battle going on a goodwill tour of the United States in order to sell war bonds. Many evening they are forced to reenact their famous pose, something each of them finds more and more difficult to do as they suffer from survivor's guilt. Eastwood frames the story by having one of the men's grown son (Tom McCarthy) interview his father's old comrades in order to find out more about what happened to his father. Eastwood followed this film with Letters from Iwo Jima, a second film about the battle of Iwo Jima, but told from the Japanese perspective. Flags of Our Fathers was produced by Eastwood and {$Steven Spielberg. ~ Perry Seibert, All Movie Guide

Review

Clint Eastwood's Flags of Our Fathers uses a true story about World War II in order to make timely reminders about sacrifices in wartime. Jesse Bradford, Ryan Philippe, and Adam Beach play three soldiers who appeared in the famous photograph of American troops planting the flag on Iwo Jima. Eastwood economically establishes how this photo affected the mood of the country, but since his tone for the film is not particularly rah-rah, he never indulges in the feelings of patriotism this famous image evokes -- the characters feel it, but the audience does not. Instead Eastwood plunges the viewer into the harsh reality of the invasion. The war footage in Flags of Our Fathers brings to mind the opening passage in Steven Spielberg's Saving Private Ryan, offering a grunt's eye view of the brutal human cost of war. The carnage becomes so commonplace that viewer must accept this new reality, just as the characters must. These brutal action sequences are intercut with the three soldiers on a homefront tour designed to help sell war bonds. The way the media and the government help shape public sentiment around them recalls certain sequences in The Right Stuff, but where Philip Kaufman's film about the early days of the space program plays those absurdities for comedy, Eastwood's downbeat tone plays those same ironies for tragedy. The audience learns that veterans generally didn't talk about what they saw and what they did, but these three young men are forced to relive their experiences every night before adoring crowds. The survivor's guilt affects each of them differently, most notably Adam Beach as a young man so overcome that he begins drinking himself into oblivion. Beach carries the emotional weight of the film, and Eastwood's measured pacing gives him nowhere to hide. His is a difficult performance that earns much audience sympathy, even though he never once asks for it in the performance. These thematic elements are presented so well that the film suffers when Eastwood gets around to tying up the story's framing device concerning one of the soldier's sons. The interaction between father and son never achieves the depth of the earlier sequences in large part because the audience never sees the veterans raising their kids. The screenwriters miscalculate the audience's interest, leaving a half hour of screentime after an emotional scene involving Beach provides the dramatic climax of the story.

The fact that Spielberg also serves as a producer on the film, alongside Eastwood, forces one to consider how Flags of Our Fathers compares to Saving Private Ryan in more ways than just the reality of the battle sequences. Ryan, released in 1998, was directed by a baby-boomer shaping a love letter to his father. Part of a wave of WWII veterans veneration that includes Tom Brokaw's The Greatest Generation and the miniseries Band of Brothers, many of these projects felt like boomers attempting to close the generation gap now that they themselves were facing mortality. Flags of Our Fathers, although covering much the same ground thematically, improves upon Ryan for two major reasons. First, Eastwood is old enough to be a World War II veteran himself. He feels no need to sentimentalize these young soldiers, or their reasons for fighting. Secondly, this is a post 9/11 movie, and the culture has been saturated with nearly nonstop reminders that war is hell. Eastwood is reminding audiences that the men on the ground are not thinking about anything other than themselves and their fellow soldiers. Flags of Our Fathers is a sobering reminder that the lessons and experiences of WWII soldiers do not belong only to history, but offer valuable insights for any country that finds itself in a time of war. ~ Perry Seibert, All Movie Guide

Cast

Barry Pepper - Mike Strank; Jamie Bell - Ralph 'Iggy' Ignatowski; Paul Walker - Hank Hansen; Robert Patrick - Colonel Chandler Johnson; Neal McDonough - Captain Severance; Melanie Lynskey - Pauline Harnois; Tom McCarthy - James Bradley; Christopher Bauer - Commandant Vandegrift; Judith Ivey - Belle Block; Myra Turley - Madeline Evelley; Joseph Cross - Franklin Sousley; Benjamin Walker - Harlon Block; Alessandro Mastrobuono - Lindberg; Scott Reeves - Lundsford; Stark Sands - Gust; George Grizzard - John Bradley; Harve Presnell - Dave Severance; George Hearn - Walter Gust; Len Cariou - Mr. Beech; Christopher Curry - Ed Block; Bubba Lewis - Belle's Young Son; Beth Grant - Mother Gagnon; Connie Ray - Mrs. Sousley; Ann Dowd - Mrs. Strank; Mary Beth Peil - Mrs. Bradley; David Patrick Kelly - President Truman; Jon Polito - Borough President; Ned Eisenberg - Joe Rosenthal; Gordon Clapp - General 'Howlin Mad' Smith; Michael Cumpsty - Secretary Forrestal; V.J. Foster - Major on Plane; Kirk B.R. Woller - Bill Genaust; Tom Verica - Lieutenant Pennel; Jason Gray-Stanford - Lieutenant Schrier; Matt Huffman - Lieutenant Bell; David Hornsby - Louis Lowery; Brian Kimmet - Sergeant Boots Thomas; David Rasche - Senator; Tom Mason - John Tennack; Patrick Dollaghan - Businessman; James Newman - Local Politician; Steven M. Porter - Tourist; Dale Waddington Horowitz - Tourist's Wife; Lennie Loftin - Justice of the Peace; David Clennon - White House Official; Mark Thomason - Military Censor; Oliver Davis - Young James Bradley; Sean Moran - Waiter; Lisa Dodson - Iggy's Mother; John Nielsen - Senator Boyd; Jon Kellam - Senator Haddigan; Ron Fassler - Senator Robson; Denise Bella - Luncheon Singer; Vlasis-Gascon - Luncheon Singer; Jenifer Menedis - Luncheon Singer; Joie Shettler - Luncheon Singer; Vivien Lesiak - Luncheon Singer; John Henry Canavan - Jailer; Donn Emerson - Navy Lieutenant on Plane; Jayma Mays - Nurse in Hawaii; Yukari Black - Tokyo Rose; John Hoogenakker - Funeral Home Employee; Barry Sigismonde - Police Sergeant; William Charlton - Bartender; Beth Tapper - Bar Car Beauty; Shannon Gayle - Bar Car Beauty; Jim Cantafio - Reporter in L.A.; Mark Colson - Reporter in L.A.; Danny McCarthy - Reporter in Chicago; Patrick New - Reporter in Chicago; James Horan - Reporter in NYC; Michael Canavan - Reporter at Hansen's; Erica Grant - Secretary; Silas Weir Mitchell - Lab Tech; George Cambio - Lab Tech; David S. Brooks - Sergeant A. Company; Johann Johannson - Sergeant on Beach; Martin Delaney - Marine at Cave; Daniel Forcey - Marine on Beach; Bjorgvin Franz Gislason - Impaled Marine; Darrin Ingolfsson - Wounded Marine; Hilmar Gudjonsson - Wounded Marine 4; Jeremy Merrill - Marine in Shellhole; Jeremiah Bitsui - Young Indian

Credit

Adrian H. Gorton - Art Director, Jack G. Taylor Jr. - Art Director, Digital Domain - Animator, Jane Alderman - Casting, Phyllis Huffman - Casting, Lennie Niehaus - Conductor, Tim Moore - Co-producer, Deborah Hopper - Costume Designer, Donald Murphy - First Assistant Director, Clint Eastwood - Director, Michael Owens - Second Unit Director, Joel Cox - Editor, Janice Alexander - Hair Styles, Terry Baliel - Hair Styles, Kimberly Spiteri - Hair Styles, Mark Mamalakis - Location Manager, J. Chan Claggett - Location Manager, Ami Pall Hansson - Location Manager, Clint Eastwood - Composer (Music Score), Eryn Krueger - Makeup, Jay Wejebe - Makeup, Gabriel De Cunto - Makeup, Zoe Hay - Makeup, Petra Dis Magnúsdottir - Makeup, Aslaug Cookie Sigurdardóttir - Makeup, Christien Tinsley - Makeup Special Effects, Stefan Jorgen Argustsson - Makeup Special Effects, Leo Napolitano - Camera Operator, Stephen Campanelli - Camera Operator, Paul Varrieur - Camera Operator, Ottar Gudnason - Camera Operator, Steven R. Wojcik - Camera Operator, Henry Bumstead - Production Designer, Tom Stern - Cinematographer, Leifur Dagfinnsson - Production Manager, Clint Eastwood - Producer, Steven Spielberg - Producer, Robert Lorenz - Producer, Adrian H. Gorton - Set Designer, Joseph G. Pacelli Jr. - Set Designer, Gary A. Lee - Set Designer, Matthew Butler - Special Effects, Walt Martin - Sound Mixer, Steven Ticknor - Sound/Sound Designer, Buddy Van Horn - Stunts Coordinator, Steve Riley - Special Effects Supervisor, Sgt. Maj. James D. Dever - Technical Advisor, Tim Moore - Unit Production Manager, William Broyles - Screenwriter, Paul Haggis - Screenwriter, Richard Bowen - Second Unit Camera, Michael Owens - Visual Effects Supervisor, Margaret J. Orlando - Production Coordinator, Helga Margret Reykdal - Production Coordinator, Alyssa L. Wittenberg - Production Coordinator, Mike Sexton - Properties Master, Gregg Rudloff - Re-Recording Mixer, John Reitz - Re-Recording Mixer, Steve Pederson - Re-Recording Mixer, Dave Campbell - Re-Recording Mixer, Mable Lawson McCrary - Script Supervisor, Katie Carroll - Second Assistant Director, Stephen Campanelli - Steadicam Operator, Bub Asman - Supervising Sound Editor, Alan Robert Murray - Supervising Sound Editor, Ross Dunkerley - Chief Lighting Technician, John Slove - Construction Coordinator, Michael M. Muscarella - Construction Coordinator, Jennifer Jobst - Costumes Supervisor, Nancy McArdle - Costumes Supervisor, Helga I. Stefansdottir - Costumes Supervisor, Mitchell Kenney - Costumes Supervisor, Jason S. Gondek - Production Accountant, David Bernstein - Second Second Assistant Director, Karen Shaw - Supervising Production Coordinator, Digital Domain - Visual Effects, Bryan Grill - Visual Effects, Richard C. Goddard - Set Decorator, Alan Hicks - Set Decorator, James Bradley - Book Author, Ron Powers - Book Author, Pacific Title - Title Design, Carol O'Connell - Department Head Hair, Tania McComas - Department Head Makeup

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Coming Home; Saving Private Ryan; Windtalkers; The Big Red One; The Best Years of Our Lives
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Wikipedia: Flags of Our Fathers (film)
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Flags of Our Fathers
Directed by Clint Eastwood
Produced by Clint Eastwood
Robert Lorenz
Steven Spielberg
Written by James Bradley
Ron Powers
(book)
William Broyles, Jr.
Paul Haggis (screenplay)
Starring Ryan Phillippe
Adam Beach
Jesse Bradford
Neal McDonough
Barry Pepper
Robert Patrick
Paul Walker
Jamie Bell
John Benjamin Hickey
John Slattery
Music by Clint Eastwood
Cinematography Tom Stern
Editing by Joel Cox
Studio Malpaso Productions
Amblin Entertainment
Distributed by DreamWorks/Paramount (USA)
Warner Bros. (Non-USA)
Release date(s) United States October 20, 2006
Running time 127 min.
Country United States United States
Language English
Budget $90,000,000[1]
Gross revenue $65,900,249 (worldwide)[1]
Followed by Letters from Iwo Jima

Flags of Our Fathers is a 2006 American war film directed, co-produced and scored by Clint Eastwood and written by William Broyles, Jr. and Paul Haggis. It is based on the book of the same name written by James Bradley and Ron Powers about the Battle of Iwo Jima, the seven men who were involved in raising the flag on Iwo Jima, and the aftereffects of that event on their lives.

Instead of a linear storyline like the book, the film is told in media res, with events of the Battle shown through a series of flashbacks. Eastwood also directed a complementary film on the battle from the Japanese viewpoint entitled Letters from Iwo Jima. It was released in Japan on December 9, 2006 and in the United States on December 20, 2006, two months after the release of Flags of Our Fathers on October 20, 2006. The film is produced by Eastwood and Steven Spielberg.

Contents

Plot

The story focuses on seven US Marines of the 28th Marine Regiment, 5th Marine Division, Sgt. Mike Strank, Pfc. Rene Gagnon, Pfc. Ira Hayes, Cpl. Harlon Block, Pfc. Franklin Sousley, Sgt. Hank Hansen, and Pfc. Ralph Ignatowski, as well as their Navy Corpsman, PhM2. John "Doc" Bradley.

In December 1944, U.S. Marines train at Camp Tarawa, Hawaii. They train by climbing a large mountain and getting in Higgins boats. The Marines then set sail across the Pacific, and it is revealed that they are headed to the small island of Iwo Jima, located less than 700 miles from the Japanese mainland. As Captain Severance puts it, they will be fighting on Japanese soil, and will expect tough resistance. A few days later, the armada arrives off the coast of Iwo Jima and the ships of the US Navy open fire on suspected Japanese positions. On the night before the landings, Mike is put in charge of second platoon.

The next day, February 19, 1945, the Marines hit the beach in landing craft and meet no resistance. Ralph, aka "Iggy", suspects that the Navy killed all the Japanese defenders, as do most of the Marines. After several tense minutes the Marines advance forward and the Japanese open fire. The battle is extremely intense, and the Marines take heavy casualties. Japanese heavy artillery opens fire upon the Marines on shore, as well as the Navy ships. After several attempts, Second Platoon takes out a Japanese pillbox which was pinning them down. They advance forward, as do many other Marines. The battle begins to calm down and the beachheads are secure. Two days later the Marines attack Mount Suribachi under a rain of Japanese artillery and machine gun fire, as the Navy bombards the mountain. It is here that Doc saves the lives of several Marines under fire which later earns him the Navy Cross. Finally, the mountain is secure. For the next four nights, the Marines take cover in foxholes as Japanese soldiers charge through the mist.

On February 23, the platoon under Hank's command is ordered to climb Mount Suribachi. They reach the top and hoist the American flag atop the mountain. For the first time in 1,000 years an enemy flag is raised on Japanese soil. Suddenly the platoon is attacked by Japanese sharp shooters, but the Marines kill them without losing anyone. When Secretary of the Navy James Forrestal arrives on Iwo Jima, he requests to have the flag atop Suribachi. Colonel Johnson is furious, but ultimately gives in, telling Captain Severance to bring the flag down and replace it with another one. Severance sends Rene, who is a runner, to go with Second Platoon to the top of the mountain and switch flags. When Second Platoon reaches the top, they take down the first flag. Mike, Harlon, Doc, Ira, Rene and Franklin then raise the second flag. The event is seemingly insignificant but it is captured by combat photographer Joe Rosenthal, and the image lives forever in the public consciousness.

On March 1, Second Platoon is on patrol when they are ambushed by a Japanese machine gun team. Mike orders Harlon to have his parateam take out the machine gun nest. The gunner is killed. Mike goes up to examine a dead Marine. He turns around and orders the unit to move up. Almost immediately afterward, a Navy shell lands right behind him knocking him down. In the smoke and confusion a Japanese soldier remans the machine gun and opens fire, killing the lieutenant. The machine gunner is quickly killed but Mike is critically wounded. Doc does everything he can but Mike dies within minutes of getting hit. Mike's death hits the squad hard, as they all idolized him. Things only get worse from then on. Later that day Hank is shot in the chest and dies almost instantly. Harlon is killed by machine gun fire hours later. Two nights later while Doc is helping a wounded Marine, Iggy is abducted by Japanese troops and dragged in a tunnel. His mangled and tortured body is found a few days later by Doc. On March 21, as the battle is winding down Franklin is killed by machine gun fire and dies in Ira's arms. Of the eight men in the squad only three are left: Doc, Ira and Rene. A few days after Franklin's death Doc is wounded by artillery fire while trying to save a fellow corpsman. He survives and is sent back home. On March 26 the battle ends, and the U.S. Marines are victorious.

After the battle the press gets hold of the photograph of the second flag raising. It is a huge morale booster, and papers all over the country ask for prints. When Rene is asked who is in the photo, he gives five names, including his own, saying that the other four are, Mike, Doc, Franklin, but says that Hank was in the photograph (Rene thought that Hank was at the base of the flag. In reality it was Harlon). He then tells Ira he is the sixth man. Ira corrects him, saying that it was Harlon, and fiercely denies being in the photo, going as far to threaten Rene with a bayonet to his throat. Even though Rene tells him they'll be sent home, Ira won't give in. However, when Rene is threatened with being sent back to the fighting, he tells their bond tour guide Sgt. Keyes Beech that Ira was the sixth man, though not telling him that Harlon was in the photo, not Hank.

Doc, who was in the hospital, is sent stateside with Ira and Rene as part of the seventh bond tour drive to raise money for the war effort. When they go to Washington, they meet Bud Gerber of the Treasury Department, who will be their other guide. Doc notices that Hank's mother is on the list of mothers of the dead flag raisers. Ira gets mad and calls the whole thing a farce. An annoyed Bud then confesses that the country is bankrupt and that if the bond drive fails the war will be lost. The three give in and decide not to tell anyone that Harlon Block was actually in the photograph.

The bond drive begins, and the three flag raisers are sent around the United States to raise money and make speeches. Ira gets drunk frequently, often breaking down from the memories that haunt him. The night the three men raise a fake flag at Soldier Field, Ira gets drunk and throws up in front of General Alexander Vandergrift, commandant of the Marine Corps. Vandergrift is furious at Bud and Keyes, telling them to send Ira back to his unit. When Keyes tells Ira he's going back, Ira confesses that he can't stand being called a hero, and that Mike was a true hero. Ira says goodbye to Doc and Rene and goes back to the Pacific. The bond drive continues.

In September the war ends and Doc, Rene and Ira go home. Ira tries to move on but is never able to escape his unwanted fame. One day in 1952 after being released from jail, he hitchhikes over 1,300 miles to Texas to see Harlon Block's family. He tells Ed Block, Harlon's father that Harlon was indeed at the base of the flag in the famous photograph. In 1954, the USMC War Memorial is dedicated and the three flag raisers see each one last time. In 1955 Ira dies of exposure after a night of drinking. That same year Doc drove to a town where Iggy's mom lived and told her how Iggy died, though it is implied that he lied. Rene has little success as the business offers he received on the bond drive are no longer offered to him. He spends the rest of his life as a high school janitor, dying in 1979. Doc is the only successful one. He buys the funeral home he worked at before the war and runs it for the rest of his life. In 1995, as he is on his death bed, he tells his son James how after the flag raising Captain Severance took the men swimming. He then dies peacefully. In a final flashback to 1945, the men swim in the ocean after raising the flags.

Cast

Actor Real Life Role
Ryan Phillippe PhM2. John "Doc" Bradley
Jesse Bradford Pfc. Rene Gagnon
Adam Beach Pfc. Ira Hayes
John Benjamin Hickey Keyes Beech
John Slattery Bud Gerber
Barry Pepper Sgt. Michael Strank
Jamie Bell Pfc. Ralph "Iggy" Ignatowski
Paul Walker Sgt. Hank Hansen
Robert Patrick Col. Chandler Johnson
Neal McDonough Capt. Dave Severance
Melanie Lynskey Pauline Harnois/Gagnon
Thomas McCarthy James Bradley
Chris Bauer Commandant Alexander Vandegrift
Judith Ivey Belle Block
Myra Turley Madeline Evelley
Joseph Cross Pfc. Franklin Sousley
Benjamin Walker Cpl. Harlon Block
Alessandro Mastrobuono Cpl. Charles W. Lindberg
Scott Eastwood Lundsford
Stark Sands Walter Gust
George Grizzard Older John Bradley
Harve Presnell Older Dave Severance

Critical reception and box office

The film received positive reviews with the review tallying website Rotten Tomatoes reporting that 134 out of the 184 reviews they tallied were positive for a score of 73% and a certification of "fresh."[2]

The film made the top ten list of the National Board of Review. Eastwood also earned a Golden Globe nomination for directing. The film was nominated for two Academy Awards — for Best Sound and Sound Editing. Film critic Richard Roeper said "Clint Eastwood's Flags of Our Fathers stands with the Oscar-winning Unforgiven and Million Dollar Baby as an American masterpiece. It is a searing and powerful work from a seventy-six-year-old artist who remains at the top of his game." and "Flags of Our Fathers is a patriotic film in that it honors those who fought in the Pacific, but it is also patriotic because it questions the official version of the truth, and reminds us that superheroes exist only in comic books and cartoon movies."[3]

Despite critical acclaim, the movie underperformed at the box office, earning just $65,900,249 worldwide on an estimated $90,000,000 production budget.

Spike Lee controversy

At the 2008 Cannes Film Festival, director Spike Lee, who was making Miracle at St. Anna, about an all-black U.S. division fighting in Italy during World War II, criticized director Clint Eastwood for not depicting black Marines in Flags of Our Fathers. Citing historical accuracy, Eastwood responded that his film was specifically about the Marines who raised the flag on Mount Suribachi at Iwo Jima, pointing out that while black soldiers did fight at Iwo Jima, the U.S. military was segregated during WWII, and none of the men who raised the flag were black. Eastwood angrily said that Lee should "shut his face". Lee responded that Eastwood was acting like an "angry old man", and argued that despite making two Iwo Jima films back to back, Letters from Iwo Jima and Flags of Our Fathers, "there was not one black Marine in both of those films".[4][5][6] In fact, black Marines (including an all-black unit) are seen in scenes during which the mission is outlined, as well as during the initial landings, when a wounded black Marine is carried away. During the end credits, historical photographs taken during the Battle of Iwo Jima show black Marines. Although black Marines fought in the battle, they were restricted to auxiliary roles, such as ammunition supply, and were not involved in the battle's major assaults, but took part in defensive actions.[7]

DVD release

The DVD was released in the US by DreamWorks Home Entertainment on February 6, 2007. It is devoid of any special features.[8]

A Two-Disc Special Collector's Edition DVD (with special features) was released on May 22, 2007.[9] It was also released on HD DVD and Blu-ray formats.[10]

The Two-Disc Special Collector's Edition DVD is also available in a five-disc commemorative set that also includes the Two-Disc Special Collector's Edition of Letters from Iwo Jima and a bonus fifth disc containing History Channel's Heroes of Iwo Jima documentary and To the Shores of Iwo Jima, a documentary produced by the United States Navy and the United States Marine Corps.[11]

References

External links


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