Share on Facebook Share on Twitter Email
Answers.com

Flying Up Through the Sky

 
Album Review: Flying Up Through the Sky

  • Artist: The Oxfords
  • Rating: StarStarStarStar
  • Release Date: May 22, 2001
  • Type: Compilation (best of), Enhanced CD-ROM
  • Genre: Rock

Review

This compilation is a lovely surprise. The fourth installment in Gear Fab's Louisville music series is the absolute last word on the Oxfords. Starting off with all but one cut from the sole 1970 LP and filling out the story with the two pre-Jill DeMarco 45s, the band's one post-album single, and five previously unreleased cuts from its final incarnation, Flying Up Through the Sky constitutes the Oxfords' entire recorded legacy. The material from the original LP tends toward the lighter side of the '60s pop spectrum. The melodies are largely Technicolor bright and the sentiments have a paisley-eyed optimism that seems endemic to the late '60s alone. The harmonies of leader Jay Petach and DeMarco approach the sort of oxygenated buoyancy of the 5th Dimension or the Free Design, but with an earthier charm along the lines of Spanky & Our Gang. The music may strike some as a tad naïve, but it fits the insouciant mood of the period perfectly and 30 years after the fact still sounds fresh. At times ("Come on 'Round," the wah-wah laced "Young Girl's Lament") the band flashes more substantive hints, sounding something like the Jefferson Airplane's tough but yet deflowered younger sister, unsettled but still unspoiled. The rearrangement of the Quechua Indian song, "Sung at Harvest Time," is beautifully, eerily psychedelic, and the avant-orchestral experiment of "Two Poems by e.e. cummings," while not really successful as a pure listening experience, is bizarrely appealing. The tracks from the initial unit are much more derivative (specifically of the Beatles, Kinks, and Monkees) but they are a great window into Petach's developing sense of songcraft, especially the Bandstand-thumbed "Sun Flower Sun," which sounds terribly quaint but is still infectious. It is the last version of the band, circa 1972, that most impresses. The band had obviously found a quite exciting -- perhaps even forward-looking -- niche, very much enthralled with sophisticated jazz and blues. On songs like the whirlwind "Those Winds" and "Tornado Baby," it is consistently in the pocket, while "Sweet Lover Man" even predicts the loose, laid-back, and country-funky songs that Essra Mohawk sang for Bob Dorough's Schoolhouse Rock series several years later. The album includes CD-ROM content (additional band photos and lyrics, a song-by-song commentary from Petach himself) for the ultimate band package. Flying Up Through the Sky is a time capsule, to be sure, but it is a superb one that transcends its era on sheer exuberance alone. ~ Stanton Swihart, All Music Guide

Tracks

Track TitleComposersPerformersTime
My World Jay Petach, Jill DeMarco The Oxfords (3:18)
Lighter Than Air Jay Petach, Jill DeMarco The Oxfords (2:50)
Sung at Harvest Time The Oxfords (3:47)
Two Poems by E.E. Cummings Keith Spring, E.E. Cummings The Oxfords (4:37)
Flying Up Through the Sky Jay Petach, Jill DeMarco The Oxfords (3:00)
Come on 'Round Jay Petach, Jill DeMarco The Oxfords (5:00)
Young Girl's Lament Traditional The Oxfords (2:38)
Trix Rabbit Jay Petach The Oxfords (3:10)
(There's) Always Something There to Remind Me Burt Bacharach, Hal David The Oxfords (2:58)
Time and Place Jay Petach, Jim Guest, Bill Tullis The Oxfords (2:20)
Sun Flower Sun Jay Petach, Jim Guest, Jill DeMarco The Oxfords (2:08)
Chicago Woman Jay Petach, Jim Guest, Jill DeMarco The Oxfords (2:48)
Come on Back to Beer Jay Petach, Jill DeMarco The Oxfords (2:37)
Your Own Way S.T. Jones The Oxfords (2:43)
The City Jill DeMarco The Oxfords (2:45)
Flute Thing Jay Petach The Oxfords (2:08)
Cuttin' You Loose Tony Williamson The Oxfords (3:12)
Sweet Lover Man Jill DeMarco The Oxfords (2:38)
Those Winds Jill DeMarco The Oxfords (3:09)
Tornado Baby Jill DeMarco The Oxfords (5:59)

Credits

Buzz Cason (Vocals), Buzz Cason (Producer), Buzz Cason (Megaphone), Ray Barrickman (Bass), Ray Barrickman (Vocals), Quinten Sharpenstein (Bass), Keith Spring (Flute), Keith Spring (Percussion), Keith Spring (Piano), Keith Spring (Arranger), Keith Spring (Kalimba), Keith Spring (Orchestration), Tony Williamson (Guitar), Tony Williamson (Vocals), Bobby Lee Jones (Drums), Karen Albrecht (French Horn), Roger Maglio (Liner Notes), The Oxfords (Producer), The Oxfords (Main Performer), Ronnie Brooks (Bass), Ronnie Brooks (Guitar), Ronnie Brooks (Vocals)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more