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Focusing screen

 
Photography Encyclopedia: focusing screen

Focusing screen, a screen of translucent diffusing material positioned in the focal plane of a camera lens to check the accuracy of focus and depth of field. It is traditionally made of acid-etched glass, which gives a fine grain structure, but there is a trade-off between fineness of grain and image brightness towards the corners of the field. ‘Directed’ diffusing screens using diffraction principles, and made holographically or by electron beam etching, are becoming increasingly common. Single- and twin-lens reflex cameras usually employ Fresnel screens to brighten the peripheral image, with a central clear area including an optical focusing aid such as crossed prisms or a microprism array. Professional cameras usually allow a range of screens to be used for different kinds of work.

— Graham Saxby

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Wikipedia: Focusing screen
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Location of focusing screen (5) in an SLR camera

A focusing screen is a flat translucent material, usually ground glass, found in a system camera that allows the user of the camera to preview the framed image in a viewfinder. Often, a focusing screen has etched markings that differ from model to model. Nikon makes focusing screens of different types that are categorized using letters of the alphabet and denote etchings of different designs. For instance, the Nikon D Screen has no markings and is referred to as an "overall matte" focusing screen. It is popular choice for astrophotography and other low-light situations.

The history of the focusing screen is almost as long as the history of the camera. One could say that primitive cameras consisted of a box with a board holding the lens in the front and a focusing screen in the back that was replaced by the imaging medium (plate, film holder) before taking the picture.

The most common type of focusing screen in non-autofocus 35 mm SLR cameras is the split screen and microprism ring variation that aids focusing and became standard in the 1980s. The microprism ring blurs the image unless the lens setting is in focus, the split screen shows part of the image split in two pieces. When both pieces are aligned the setting is in focus. The drawback is that the prisms have considerable light loss, making low-light focusing almost impossible.

Professional cameras give the photographer a choice of screens that are, depending on the camera model, more or less easy to replace. For low light situations the screen of choice is plain, for architectural images and very wide angle lenses the choice is one with a grid etched on it to control the perspective distortion, for fast focusing the split screen is the screen of choice and so on.

Cameras with interchangeable film formats (view cameras, field cameras and some medium format cameras) may have etchings on the focusing screen to show the limits of the films. Most of these cameras have either plain or grid screens because due to the size of the focusing screen the only focusing aid really needed is a magnifying glass.

Autofocus SLR cameras, both digital and film, usually have a plain screen. Some models have markings etched in them to denote the areas on which the camera focuses or calculates the exposure from.


 
 

 

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Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Focusing screen" Read more