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For Alto

 
Album Review: For Alto

Review

After issuing Anthony Braxton's Three Compositions of New Jazz in 1968, Chicago's Delmark Records took an enormous chance by issuing the first lengthy solo saxophone improvisation record in 1969 -- and as a double LP no less! And while it's true that hindsight is 20/20, For Alto is still, over 30 years later, a record that is ahead of its time. There is nothing tame or nostalgic about these blasts of jazz futurism from the young Braxton, who sounds here like he's trying to blow his way out of Chicago. Most of the pieces on this set are over nine minutes, and all are dedicated to various influences and friends in the saxophonist's circle. Perhaps the most frightening -- and enlightening -- improvisation here is "To Composer John Cage." Braxton attempts to literally change the entire tonal terrain on which the saxophone plays solo. His skittering skeins of cascading runs are interspersed with huge shouts and screeches all played at lightning speed with a deftness and angularity of approach that is far superior to most of his peers at the time, Messrs. Mitchell and Jarman included. Braxton was introducing tonal possibilities and deconstructions on this record; a solid listen to "Dedicated to Multi-Instrumentalist Leroy Jenkins," with its deep color palette and textural shifts and shapes, is enough to disorient one still. Also, the use of trills as interval markers in "To Artist Murray De Pillars" is remarkable -- especially now, as no one would follow this logic for such an extended period anymore. The reinvention of blues theory on this piece that becomes a kind of muted expressionism is truly remarkable. Many of the recordings from the magical period of the '60s and early-'70s creative movement sound dated now, quaint and diffuse from their original power. For Alto is not one of those records; it still has the literacy and vision to teach us about concentration, vision, emotional aesthetics, and even spiritual possibilities in the world of sound and how that world, that universe, interacts and dovetails with our lives. For Alto is one of the greatest solo saxophone records ever made, and maybe one of the greatest recordings ever issued, period. ~ Thom Jurek, All Music Guide

Tracks

Track TitleComposersPerformersTime
Dedicated to Multi-Instrumentalist Jack Gell Anthony Braxton Anthony Braxton (0:42)
To Composer John Cage Anthony Braxton Anthony Braxton (9:30)
To Artist Murray de Pillars Anthony Braxton Anthony Braxton (4:17)
To Pianist Cecil Taylor Anthony Braxton Anthony Braxton (5:18)
Dedicated to Ann and Peter Allen Anthony Braxton Anthony Braxton (12:54)
Dedicated to Susan Axelrod Anthony Braxton Anthony Braxton (10:24)
To My Friend Kenny McKenny Anthony Braxton Anthony Braxton (10:06)
Dedicated to Multi-Instrumentalist Leroy Jenkins Anthony Braxton Anthony Braxton (19:47)

Credits

Anthony Braxton (Sax (Alto)), Anthony Braxton (Engineer), Anthony Braxton (Main Performer), Anthony Braxton (Supervisor), Peter Blue (Cover Photo), Robert G. Koester (Producer), Chuck Nessa (Digital Producer), Terry Martin (Photography), Zbigniew Jastrzebski (Cover Design)
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Wikipedia: For Alto
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For Alto
Studio album by Anthony Braxton
Released 1969
Genre Jazz
Length 72:58
Label Delmark Records
Professional reviews
Anthony Braxton chronology
Three Compositions of New Jazz
(1968)
For Alto
(1969)
Anthony Braxton
(1969)

For Alto is a jazz double-LP by composer/multi-reedist Anthony Braxton. Delmark Records released the double-album in 1969. The tracks on this album are performed by Braxton on alto saxophone, with no additional instrumentation or musicians and no overdubbing.

The Penguin Guide to Jazz gives For Alto a four-star rating (of a possible four) along with its "crown" token of merit, and describes it as "one of the genuinely important American recordings. While some landmark performances retain only a mystical aura of their original significance, [For Alto] remains powerfully listenable and endlessly fascinating."[1]

Track listing

  1. "Dedicated to Multi-Instrumentalist Jack Gell"  – 0:42
  2. "To Composer John Cage"  – 9:30
  3. "To Artist Murray dePillars"  – 4:17
  4. "To Pianist Cecil Taylor"  – 5:18
  5. "Dedicated to Ann and Peter Allen"  – 12:54
  6. "Dedicated to Susan Axelrod"  – 10:24
  7. "To My Friend Kenny McKenny"  – 10:06
  8. "Dedicated to Multi-Instrumentalist Leroy Jenkins"  – 19:47

References

  1. ^ Cook, Richard; Brian Morton (2006) [1992]. "Anthony Braxton" (in English). The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (8th ed. ed.). New York: Penguin. p. 150. ISBN 0-141-02327-9. 



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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "For Alto" Read more