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For as Many as Will

 
Album Review: For as Many as Will
 

Review

Originally released in 1978, For As Many As Will was the last recorded collaboration between Shirley Collins and her sister Dolly, who died in 1999. And, rightly, it was a very personal affair, covering far more than the traditional folk music that had been their trademark. The pair do ample justice to Richard Thompson's sad "Never Again" -- the first modern song they'd recorded -- before launching into "Beggar's Opera Medley," with songs from John Gay's seminal English opera. It's not what most fans would have expected, but it's right. Even the sound of Dolly using a modern instrument -- a synthesizer -- though it might have been shocking, suited the music perfectly. For the final "Harvest Home Medley," a selection of songs from the Goby gypsy family, the mood reverts to the medieval, Collins' voice backed simply by flute organ and recorder. On "German Tune," the ensemble offers exactly that -- a 14th century German Christmas carol, quite possibly the first recorded Collins tune to venture outside the British Isles. Of course, Collins doesn't completely neglect her beloved traditional music, with favorites like "The Blacksmith Courted Me," "Gilderoy," and "Lord Allenwater" to round out the set. ~ Chris Nickson, All Music Guide

Tracks

Track TitleComposersPerformersTime
Lancashire Lass Traditional Shirley Collins, Dolly Collins, Philip Pickett (3:01)
Never Again Richard Thompson Shirley Collins, Dolly Collins (2:08)
Lord Allenwater Traditional Shirley Collins, Dolly Collins, Philip Pickett, Greg S. (5:35)
The Blacksmith Courted Me Tom Willet Shirley Collins, Dolly Collins (10:47)
Beggar's Opera Medley/Can Love Be Control'd by Advice/O Polly You ... John Gay Shirley Collins, Dolly Collins, Barry Dransfield, Paul Nieman, Philip Pickett, Greg S. (3:13)
Gilderoy Traditional Shirley Collins, Dolly Collins, Philip Pickett (4:50)
Rockley Firs/Sweet Jenny Jones Traditional Shirley Collins, Barry Dransfield, Tony Engle, Philip Pickett, Greg S. (3:15)
German Tune Traditional Shirley Collins, Barry Dransfield, Philip Pickett (2:13)
The Moon Shines Bright Traditional Shirley Collins, Dolly Collins, Philip Pickett (2:10)
Harvest Home Medley/Peas, Beans, Oats and Barley/The Mistress's Health Traditional Shirley Collins, Dolly Collins, Barry Dransfield, Paul Nieman, Philip Pickett, Greg S. (6:52)

Credits

Shirley Collins (Banjo), Shirley Collins (Guitar), Shirley Collins (Arranger), Shirley Collins (Vocals), Shirley Collins (Main Performer), Richard Thompson (Arranger), John Gill (Engineer), Dolly Collins (Organ), Dolly Collins (Synthesizer), Dolly Collins (Flute), Dolly Collins (Piano), Dolly Collins (Arranger), Dolly Collins (Vocals), Dolly Collins (Performer), Barry Dransfield (Fiddle), Barry Dransfield (Violin), Barry Dransfield (Cello), Barry Dransfield (Vocals), Tony Engle (Concertina), Tony Engle (Producer), Tony Engle (Engineer), Tony Engle (?), Tony Engle (Artwork), Keith Morris (Photography), Keith Morris (Sleeve Photo), Paul Nieman (Euphonium), Paul Nieman (Horn), Philip Pickett (Cornet), Philip Pickett (Recorder), Philip Pickett (Wind), Philip Pickett (Engineer), Philip Pickett (Curtal), Philip Pickett (Shawm), Philip Pickett (Gittern), Philip Pickett (Tenor Curtal), David Suff (Liner Notes), Michael Gregory (Percussion)
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more