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For·mi·ca (fôr-mī'kə) ![]() |
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| Modern Design Dictionary: Formica |
Formica, a laminated plastic material, was filed for a patent in the United States in 1913, and the company started in the same year. However, its early applications were quite different from the durable laminated sheets with decorative surfaces associated with wipe-clean restaurant tabletops and interior decoration. Tough yet lightweight, at the beginning Formica proved to be a commercially attractive insulating material, well suited to applications in the rapidly growing electricity industry. A dramatic boost was given to the company in 1917 when the USA entered the First World War, with orders for radio insulators being placed by the Navy and the Signal Corps, in addition to demands for lightweight pulleys in Formica by aircraft manufacturers. In the early 1920s the company expanded and commenced production of automotive timing gears, selling significant quantities to Chevrolet, Studebaker, Buick, Pontiac, and others by the early 1930s.
The company had commenced production of laminates that imitated various veneers and these were first used on radio sets. However, with the advent of more efficient means of rotagravure printing processes initiated in 1927 Formica was able to produce a richer, more convincing series of wood-grain or marble effect sheets that could be used to decorative effect on furniture and interior furnishings. The enormous range of potential applications for this decorative material was evident and a sales force was established to capture the interest of architects, furniture manufacturers, and designers. One of the most prestigious projects with which Formica was associated was in decorative wall surfaces in decorative wall surfaces in Cunard's Queen Mary ocean liner in 1937. It had earlier been widely used in Radio City Music Hall in the Rockefeller Center, New York. During the 1930s a range of technical improvements were made, increasing the range of available colours and designs, perhaps the most important being the introduction of the melamine resin in 1938.
With American involvement in the Second World War the company benefited from defence contracts, developing new insulating materials and alternative materials for the fabrication of aircraft propellers (Pregwood). In the post-war period the company focused on potential markets for the decorative laminates in both the public and private sectors. In the seven years after the war, 6 million houses were built in the USA with 2 million having Formica countertops in their kitchens. The material was also increasingly widely adopted in bathrooms. In 1957 the Formica company was purchased by the industrially powerful American Cynamid Company, and in 1960 the plastics giant De La Rue and Cynamid formed the new Formica International Limited, significant developments that facilitated the proliferation of decorative laminates around the world. The company made great efforts to promote its potential for architecture and design, as in its Formica House seen at the 1964 New York World's Fair. Ten years later the company established a Design Advisory Board and in 1980 the company launched its Design Collection laminates, no longer seen as substitutes for other materials but as aesthetic ends in themselves. Important was the development of ColorCore, a new laminate in which the surface colour permeated right through the material, extending its potential uses for design, particularly furniture. Two prestigious and critically successful ColorCore design competitions were launched in the 1980s, the first of which, Surface and Ornament (1983), was open to designers, architects, and jewellers and subsequently toured the world. Designers involved included Robert Venturi, Stanley Tigerman, Arata Isozaki, and Frank Gehry. The second, Material Evidence, was a furniture competition involving designers used to working in wood and opened at the Renwick Gallery, Washington, prior to touring the United States. In the late 1980s further materials innovations were launched, including the 2000X solid surfaced countertop range. This was promoted through a design competition for architects and designers entitled From Table to Landscape. Following other innovations and updating of existing ranges, in 1996 the company launched Formica Flooring, a laminated product that proved extremely popular. In the same year 1,200 Authorized Formica Design Centres were opened in kitchen and bathroom retail outlets as a means of persuading consumers of the potential impact of Formica products.
| Architecture: Formica |
A proprietary name for a durable sheet of tough laminated plastic.
| Wikipedia: Formica |
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Formica rufa collecting
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Formica aquilonia |
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This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2008) |
Formica is a genus of ants. It is the type genus of the family Formicidae and the subfamily Formicinae, and in turn Formica's own type species is the European red wood ant Formica rufa. Common names for this group are wood ant, mound ant, and field ant. Many of the better known forest species have common names that include the words "wood ant", although F.rufa is also known as the "horse ant". (However in German, the equivalent term Rossameise refers to the carpenter ants of the genus Camponotus.)
As the name wood ant implies, many Formica species live in wooded areas where there exists no shortage of material with which they can thatch their mounds. The most shade tolerant species are F. lugubris in Eurasia and F. subaenescens (fusca) in North America. However, sunlight is important to most Formica species, and colonies rarely survive for any considerable period in deeply shaded, dense woodland. The majority of species, especially outside the rufa species group, are inhabitants of more open woodlands or treeless grassland or shrubland. In North America, at least, these habitats had a long history of frequent landscape-scale fires that kept them open before European settlement. Conversion to agriculture and fire suppression have reduced the abundance of most American Formica, while the cessation of traditional haycutting seems to have had the same effect in Europe. However, at least a few Formica species may be found in a wide range of habitats from cities to seasides to grasslands to swamps to forests of the temperate Northern Hemisphere.
Mound building, forest dwelling Formica like F. rufa often have a considerable effect on their environment. They maintain large populations of aphids on whose secretions they feed, and the ants defend them from other predators. They also prey on other insects. In fact in many countries they are introduced in forests to control tree pests, such as swains jack pine sawfly and eastern tent caterpillars in North America. The effects of mound-building grassland species such as F. montana are not well-studied but their local abundance, conspicuous mound-building and very frequent association with aphids and membracids points to a comparable important ecological role.
Formica nests are of many different types from simple shaft-and-chamber excavations in soil with a small crater or turret of soil above to large mounds, under stones or logs, or in stumps. None are arboreal. The genus is abundant in both the Nearctic and Palearctic Regions. Due to their relatively large size and diurnal activity, they are among the more commonly seen ants in northern North America.
There are many species of Formica (ITIS records nearly 200). Some species, including Formica rufa, which is common in Southern England, make large visible nests of dry plant stems, leaves, or conifer needles, usually based around a rotting stump. Wood ants typically secrete formic acid; F. rufa can squirt the acid from its acidopore several feet if alarmed, a habit which may have given rise to the archaic term for ant pismire, and by analogy its American equivalent piss-ant. They can be relatively large: F. rufa workers can reach a maximum length of around 10 mm. The eastern US species F. dolosa and the western F. ravida (=haemorrhoidalis) may reach slightly greater lengths.
Formica are notable for their parasitic and slave making behaviors. There are three categories.
In the exsecta and rufa-microgyna groups, virgin queens cannot start colonies on their own, but invade colonies of other groups and by various processes eventually oust the host queen and have the host workers help them raise their own brood. Eventually the colony consists of only the invading queen's offspring. This is called temporary social parasitism.
In the sanguinea group, colonies are started as above, but then in some species of the group workers go out and raid colonies of other groups for new workers to act as a work force, so-called slaves (but this is a poor analogy). Some species of this group need to do this to survive, for others it is optional.
The pallidefulva, neogagates, and fusca groups are those most often parasitized by the above groups. They are also enslaved by ants of the genus Polyergus. The evolution of this behavior is believed ultimately to have been derived from the common habit of many Formica species of adopting recently mated queens into established colonies. Indeed, in many of the parasitic species outside the "slave-makers", this "secondary polygyny" is common.
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| Translations: Formica |
Dansk (Danish)
n. - Formica, laminatplade
Français (French)
n. - Formica
Deutsch (German)
n. - Resopal (Plastikstoff)
Ελληνική (Greek)
n. - φορμάικα
Português (Portuguese)
n. - fórmica (f)
Русский (Russian)
формайка, жаростойкий пластик
Español (Spanish)
n. - fórmica
Svenska (Swedish)
n. - Formica (slags plastlaminat)
中文(简体)(Chinese (Simplified))
加热硬化性合成树脂用作桌面和水槽
中文(繁體)(Chinese (Traditional))
n. - 加熱硬化性合成樹脂用作桌面和水槽
한국어 (Korean)
n. - (내열성 합성수지 상표명) 포마이커
العربيه (Arabic)
(الاسم) الفورمايكا, نوع من المواد البلاستيكيه
עברית (Hebrew)
n. - פורמאיקה
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | Modern Design Dictionary. A Dictionary of Modern Design. Copyright © 2004, 2005 by Oxford University Press. All rights reserved. Read more | |
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