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Frances the Mute

 
Album Review: Frances the Mute

  • Artist: The Mars Volta
  • Rating: StarStarStarStarHalf Star
  • Release Date: March 01, 2005
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

The Mars Volta's 2003 debut was a dense, experimental run-on sentence of science fiction and musical exploration. But though it ultimately rewarded patience with stretches of unbuckled rock & roll genius, De-Loused in the Comatorium was also a maze-like and obtuse migraine dealer that made people frustrated and crazy. For 2005's Frances the Mute, Omar Rodriguez-Lopez and Cedric Bixler-Zavala worked principally with their touring band, but "joining the band for selected moments" are strings, horns, electronic programming, pals Flea and John Frusciante, and the coqui frogs of Puerto Rico. There are no song breaks, making the track listing more of an outline. But Mute's printed lyrics are a helpful guide, a map of Mars that's meant to both direct and fascinate. "She was a mink handjob in sarcophagus heels"; "Don't be afraid when all the worms come crawlin out of your head"; "they were scaling through an ice pick of abscess reckoning and when Miranda sang everyone turned away...." -- perhaps the only match for the cerebral weirdness and eventual beauty of Mars Volta's lyrics is their music itself. The roar of Rodriguez-Lopez and Bixler-Zavala's post-hardcore past is fully locked away, replaced by an equally powerful flair for expressive percussion, intricate vocal harmonies, and extended solos for electric guitar (as on the initial part of "Cygnus...Vismund Cygnus"). Sure, there are moments on Mute that reach the grandiose heights of heavy music -- "L'Via l'Viaquez"'s ear-splitting changes will blow back your hair. But the same song is sung half in Spanish, half in English, and its flashes of heaviness fall between stretches of Afro-Cuban rhythm. Other portions of Frances the Mute are murky and distant, like field recordings from the ocean floor, while still others shift drastically between brittle acoustics and a stuttering, guitar-led volatility that threatens to crack open the earth. Its constant shifts mean the record is claustrophobic and even dizzying; it demands perseverance. But it's great when a blast of a trumpet cuts through a gloomy moment, and Bixler-Zavala's vocals are a thread to reality. For example, while his lyrics for "Miranda That Ghost Just Isn't Holy Anymore" and "Widow" are mysterious poems, he sings them with a fervor that's immediately identifiable. That passion is evident throughout Frances the Mute; it's the organic fever that was buried on Comatorium. ~ Johnny Loftus, All Music Guide

Tracks

Track TitleComposersPerformersTime
Cygnus...Vismund Cygnus: Sarcophagi/Umbilical Syllables/Facilis ... Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (13:02)
The Widow Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (4:45)
L' Via l'Viaquez Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (6:40)
Miranda That Ghost Just Isn't Holy Anymore: Vade Mecum Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (2:55)
Miranda That Ghost Just Isn't Holy Anymore: Pour Another Icepick Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (7:41)
Miranda That Ghost Just Isn't Holy Anymore: Pisacis (Phra-Men-Ma) Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (4:59)
Miranda That Ghost Just Isn't Holy Anymore: Con Safo Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (3:48)
Cassandra Geminni: Tarantism Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (:46)
Cassandra Geminni: Plant a Nail in the Navel Stream Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (:53)
Cassandra Geminni: Faminepulse Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (3:48)
Cassandra Geminni: Multiple Spouse Wounds Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (:46)
Cassandra Geminni: Sarcophagi Omar Rodriguez-Lopez, Cedric Bixler-Zavala The Mars Volta (:53)

Credits

Adrian Terrazas (Sax (Tenor)), John Frusciante (Soloist), David Campbell (Horn Arrangements), Omar Rodriguez-Lopez (Producer), Claudius Mittendorfer (Assistant), Omar Rodriguez-Lopez (Audio Production), Josephina Vergara (Violin), Larry Harlow (Clavinet), Larry Harlow (Piano), Mario Diaz de Leon (Violin), Randy Jones (Tuba), Larry Corbett (Cello), Cedric Bixler-Zavala (Group Member), Omar Rodriguez-Lopez (Group Member), Flea (Soloist), John Frusciante (Guitar), Jon DeBaun (Engineer), Darrell Lance Abbott (Cover Art), Juan Alderete de la Peña (Group Member), Adrian Terrazas (Flute), Ernesto Molina (Violin), Bill Thorgerson (Cover Art), Howie Weinberg (Mastering), David Campbell (Conductor), Suzie Katayama (Cello), Joel Derouin (Violin), Fernando Moreno (Violin), David Campbell (String Arrangements), Roberto Cani (Violin), Roger Lian (Assistant), Coqui Of Puerto Rico (Performer), Rich Costey (Mixing), Wayne Bergeron (Trumpet), Isaiah Owens (Group Member), Andrew Scheps (Engineer), Lenny Castro (Percussion), Paul Pilsneniks (Assistant), David Campbell (Composer), Jon Theodore (Group Member), Peter Curzon (Photography), Omar Rodriguez-Lopez (Music Direction), Flea (Trumpet), Peter Kent (Violin), Marcel Rodriguez-Lopez (Group Member), Diego Casillas (Violin), Rupert Truman (Photography), Peter Curzon (Cover Art), Omar Rodriguez-Lopez (Engineer), Storm Thorgerson (Photography), Nick Lane (Trombone), David Schiffman (Engineer), Gary Gersh (A&R), Salvador Hernandez (Trumpet), Roger Joseph Manning Jr. (Piano), William Reichenbach (Trombone (Bass))
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Wikipedia: Frances the Mute
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Frances the Mute
Studio album by The Mars Volta
Released March 1, 2005
Recorded July–October 2004 at Avatar Studios, New York
Genre Progressive rock, Experimental rock, Jazz fusion
Length 76:57 (CD edition)
77:19 (triple vinyl edition)
Label Gold Standard Laboratories, Universal, Strummer
Producer Omar Rodriguez-Lopez
Professional reviews
The Mars Volta chronology
Live
(2003)
Frances the Mute
(2005)
Scabdates
(2005)
Singles from Frances the Mute
  1. "The Widow"
    Released: March 14, 2005
  2. "L'Via L'Viaquez"
    Released: July 11, 2005

Frances the Mute is the second studio album by progressive rock band The Mars Volta released in the US on March 1, 2005. The album's lyrics often jump from Spanish to English. Though not as commercially successful as De-loused in the Comatorium, it received considerable critical praise. The album displays a deep jazz influence while infusing Latin flavor into many songs while utilising many of the Dub, Ambient and Electronica influences and techniques experimented with in De Facto and Omar Rodriguez-Lopez's solo project in order to create one cohesive composition divided into many tracks. Originally to be titled Sarcophagus[1], Frances the Mute sold 123,000 copies in its opening week and has sold 465,000 copies as of September 2006. The album made multiple "Best of" lists at the end of 2005.[2] In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #18 in its list of "40 Cosmic Rock Albums". [3]

Contents

History

Jeremy Ward, audio artist for The Mars Volta until his death, had previously worked as a repo man. One day, Ward discovered a diary in the backseat of a car he was repossessing, and began to note the similarities between his life and that of the author — most notably, that they had both been adopted. The diary told of the author's search for his biological parents, with the way being pointed by a collection of people, their names being the basis for each named track of Frances the Mute. Ward was in the process of completing it at the time of his death.

Omar Rodriguez-Lopez wrote all the music for Frances The Mute, some of which was inspired by jams performed by the group on tour for De-Loused In The Comatorium, such as a jam frequently used in "Drunkship Of Lanterns" that evolved into the breakdown in "Cygnus....Vismund Cygnus." Rodriguez-Lopez also arranged and produced the recording sessions himself.

In December 2004, a full copy of Frances the Mute was leaked to the Internet from the vinyl version. The rip was of poor quality. Encoded as a 96 kbit/s MP3, other versions were reencoded to 192 kbit/s WMA from the source mp3, resulting in even worse audio quality. Gold Standard Laboratories issued a statement decrying the Internet release for its subpar sound quality, and suggesting that fans should respect the band's request not to share the leaked music.

The first single, "The Widow", was released in early 2005 and the album Frances the Mute was released on midnight, March 1, 2005, and sold over 100,000 copies within the first week of release, and debuted at number four on the Billboard Album Charts. The title track, "Frances the Mute", which is purportedly meant to be track one on the album and, according to the band, "decodes" the album's story, was not included in the album, and was released on March 14, 2005, in the United Kingdom. This release was a three set limited edition, containing a single with a live version of "The Widow", played at The Wiltern in Los Angeles on June 13, and the unreleased title song "Frances the Mute." Also in the collection is a DVD that includes clips from their performance at the Electric Ballroom in London on July 9, 2003, "The Widow" music video, and the "Televators" music video. Finally, the last item was a 12" single pressed on marble green vinyl[4] including "Frances The Mute" and a live version of "The Widow", released by Gold Standard Labs. Only approximately 10,000 were pressed.

A second single from the album, "L'Via L'Viaquez" was released in June 2005. Included on this single there was another unreleased song entitled "The Bible and the Breathalyzer".

Frances The Mute debuted at No. 4 on The Billboard 200 and has sold nearly 465,000 copies in the United States, according to Nielsen SoundScan. The album was the band's career best at No. 4 until their fourth album The Bedlam in Goliath came out almost 3 years later on the Billboard 200 at No. 3. The album was certified gold by the RIAA in the US for shipments of 500,000 albums on October 5, 2009.

In 2008, the edited version of "L'Via L'Viaquez" was featured on the video game Guitar Hero: World Tour.[5]

Sound

Frances the Mute is comparable to The Mars Volta's 2003 release De-Loused in the Comatorium, with its cryptic, verbose lyrics, and highly layered instrumentals, although the progressive rock influence is stronger on Frances the Mute than it was on De-Loused in the Comatorium. The band's musical influences are more prominent; the guitar solo on "The Widow" seems inspired by classic rock, and much of the album has a psychedelic feel to it. Perhaps because of inspiration from such Pink Floyd albums as Meddle, ambient noise plays a larger role on Frances the Mute than it does on De-Loused in the Comatorium. "Miranda That Ghost Just Isn't Holy Anymore", for example, begins with 4 minutes of coquí frogs singing while a thick soundscape is slowly built from Cedric Bixler-Zavala's voice and synthesizers.

Track listing

The finalized track listing had five tracks and was intended to be released as such on all formats; the vinyl version and online retailer copies (such as those from the iTunes Store) can be found with this track listing. Because of disputes with Universal Records, "Cassandra Gemini" (listed as "Cassandra Geminni" on most versions of the album) 5 was arbitrarily split into eight tracks on the CD version, taking up tracks 5 through 12, since the band would otherwise only be paid an EP's wages for a 5 track album. The splits in the eight CD tracks (5 through 12) do not represent the five listed movements of the song, although the entirety of Sarcophagi is within the track 12.

On vinyl, "Cassandra Gemini" was split among two sides, in the middle of "Faminepulse". Each side of vinyl (save the final one) ends with a locked groove, repeating either a sound effect or a bar of music endlessly until the needle is lifted. The third side, containing "Miranda That Ghost Just Isn't Holy Anymore", opens by repeating the 30 seconds of coquí noises that conclude "L'Via L'Viaquez"; this small portion is indexed separately from "Miranda". A limited edition 4LP version also contained the Widow single as the fourth vinyl; all four discs were printed on glow-in-the-dark vinyl and were packaged in a red plastic case.[6]

Original track listing

# Title Length
1. "Cygnus....Vismund Cygnus"1
  • I. "Sarcophagi"
  • II. "Umbilical Syllables"
  • III. "Facilis Descenus Averni"
  • IV. "Con Safo""  
13:02
2. "The Widow"   5:50
3. "L'Via L'Viaquez3"   12:21
4. "Miranda That Ghost Just Isn't Holy Anymore"
  • I. "Vade Mecum"
  • II. "Pour Another Icepick"
  • III. "Pisacis (Phra-Men-Ma)"
  • IV. "Con Safo""  
13:09
5. "Cassandra Gemini" 5
  • I. "Tarantism"
  • II. "Plant a Nail in the Naval Stream"
  • III. "Faminepulse"
  • IV. "Multiple Spouse Wounds"
  • V. "Sarcophagi""  
32:32

CD pressing

# Title Length
1. "Cygnus....Vismund Cygnus"   13:02
2. "The Widow"   5:51
3. "L'Via L'Viaquez3"   12:22
4. "Miranda That Ghost Just Isn't Holy Anymore"   13:10
5. "Cassandra Gemini I"   4:46
6. "Cassandra Gemini II"   6:40
7. "Cassandra Gemini III"   2:56
8. "Cassandra Gemini IV"   7:41
9. "Cassandra Gemini V"   5:00
10. "Cassandra Gemini VI"   3:48
11. "Cassandra Gemini VII"   0:47
12. "Cassandra Gemini VIII"   0:54

Japanese bonus DVD

# Title Length
1. "Frances the Mute (audio only)" (In Thirteen Seconds / Nineteen Sank, While Six Would Swim / Five Would Grow and One Was Dead) 14:36
2. "Drunkship of Lanterns" (live)  
3. "Cicatriz ESP" (live)  
4. "Televators" (live)  

Best Buy Exclusive

The Best Buy version of the album included a download card for one bonus track:

# Title Length
1. "The Widow" (live acoustic)  

Vinyl pressing

Side one

# Title Length
1. "Cygnus....Vismund Cygnus"   13:02
2. "The Widow"   5:50

Side two

# Title Length
1. "L'Via L'Viaquez"   12:21

Side three

# Title Length
1. "[unlisted coquí noises]"   0:39
2. "Miranda That Ghost Just Isn't Holy Anymore"   13:09

Side four

# Title Length
1. "Cassandra Gemini [part one]"   14:52

Side five

# Title Length
1. "Cassandra Gemini [part two]"   17:39

Personnel

Singles

Charts

Album

Year Chart Position
2005 European Top 100 Albums -
2005 The Billboard 200 4
2005 Top Canadian Albums 6
2005 Top Internet Albums 4
2005 UK Albums Chart 23
2005 Norway Albums Chart 1
2005 ARIA Album Chart (Australia) 9
2005 Austrian Album Chart 43
2005 Dutch Albums Chart 34

Singles

Year Single Chart Position
2005 "The Widow" European Hot 100 Singles -
2005 "The Widow" Mainstream Rock Tracks 26
2005 "The Widow" Modern Rock Tracks 7
2005 "The Widow" The Billboard Hot 100 95
2005 "The Widow" UK Singles Chart 20

Notes

1 Latin for "Swan"; it is also a constellation.
2 Latin for "The easy descent into Hell".
3 "L'Via L'Viaquez" was misprinted as "L' Via L' Viaquez" on the back and in the liner notes of Frances the Mute.
4 Latin for "Go With Me". A Vade Mecum is also a handbook or something always carried on a person.
5 The official spelling for the song title is "Cassandra Gemini"; despite the typo "Geminni" printed on all parts of the CD packaging, the MusicBrainz database, the vinyl release of the album, and the band's official site all list the track as "Gemini".

References


 
 
Learn More
The Mars Volta (Rock Band, 2000s)
Scab Dates (2005 Album by The Mars Volta)
Amputechture (2006 Album by The Mars Volta)

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