Francis Quarles
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For more information on Francis Quarles, visit Britannica.com.
English Metaphysical poet whose book Emblems, Divine and Moral (1635) was influential in its time.
Quotes:
"The road to perseverance lies by doubt."
"Temper your enjoyments with prudence, lest there be written on your heart that fearful word satiety."
"Wickedness is its own punishment."
"Flatter not thyself in thy faith in God if thou hast not charity for thy neighbor."
"Has fortune dealt you some bad cards. Then let wisdom make you a good gamester."
"That friendship will not continue to the end which is begun for an end."
See more famous quotes by
Francis Quarles
Francis Quarles (1592 - September 8, 1644), English poet, was born at Romford, London Borough of Havering, and baptized there on May 8 1592.
His father, James Quarles, held several places under Elizabeth, and traced his ancestry to a family settled in England before the Conquest. He was entered at Christ's College, Cambridge, in 1608, and subsequently at Lincoln's Inn. He was made cupbearer to the Princess Elizabeth, in 1613, remaining abroad for some years; and before 1629 he was appointed secretary to Ussher, the primate of Ireland.
About 1633 he returned to England, and spent the next two years in the preparation of his Emblems. In 1639 he was made city chronologer, a post in which Ben Jonson and Thomas Middleton had preceded him. At the outbreak of the Civil War he took the Royalist side, drawing up three pamphlets in 1644 in support of the king's cause. It is said that his house was searched and his papers destroyed by the Parliamentarians in consequence of these publications.
Quarles married in 1618 Ursula Woodgate, by whom he had eighteen children. His son, John Quarles (1624-1665), was exiled to Flanders for his Royalist sympathies and was the author of Fons Lachrymarum (1648) and other poems.
The work by which Quarles is best known, the Emblems, was originally published in 1635, with grotesque illustrations engraved by William Marshall and others. The forty-five prints in the last three books are borrowed from the Pia Desideria (Antwerp, 1624) of Herman Hugo. Each "emblem" consists of a paraphrase from a passage of Scripture, expressed in ornate and metaphorical language, followed by passages from the Christian Fathers, and concluding with an epigram of four lines. The Emblems was immensely popular with the vulgar, but the critics of the 17th and 18th centuries had no mercy on Quarles. Sir John Suckling in his Sessions of the Poets disrespectfully alluded to him as he "that makes God speak so big in's poetry." Pope in the Dunciad spoke of the Emblems, "Where the pictures for the page atone And Quarles is saved by beauties not his own."
The works of Quarles include:
An edition of the Emblems (Edinburgh, 1857) was embellished with new illustrations by CH Bennett and WA Rogers These are reproduced in the complete edition (1874) of Quarles included in the "Chertsey Worthies Library" by Dr AB Grosart, who provides an introductory memoir and an appreciation which greatly overestimates Quarles's value as a poet.
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