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Frank Hurley

 
Art Encyclopedia: (James) Frank Hurley

(b Sydney, 15 Oct 1885; d Sydney, 16 Jan 1962). Australian photographer, film producer, film maker and writer. He was introduced to photography while working at a steel foundry in Lithgow, NSW, when his foreman would take him on photographic excursions into the nearby Blue Mountains. After an apprenticeship with a photographic postcard firm, where he gained a reputation for achieving spectacular effects with the camera, he was appointed official photographer to the Australian geologist and explorer Douglas Mawson's Antarctic Expedition of 1911-13. The success of his prints and film footage led to his involvement with British explorer Ernest Shackleton's Imperial Trans-Antarctic Expedition (1914-16), where he produced another crop of dramatic images, which told the story of the ill-fated attempt to cross Antarctica. On a visit to England, Hurley was appointed Official War Photographer with the Australian troops, first in Flanders and later in Palestine.

See the Abbreviations for further details.



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Photography Encyclopedia: Frank Hurley
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Hurley, Frank (1885-1962), Australian travel photographer who began his career with a Sydney postcard company in 1905. Six years later he made his first journey to Antarctica with Douglas Mawson's expedition, producing work that earned him a place on Ernest Shackleton's 1914 expedition. Hurley's photographs of the Endurance caught in the frozen sea have come to epitomize Shackleton's ill-fated but ultimately heroic attempt to cross Antarctica. Hurley went on to be an Australian official photographer of both world wars. Always interested in the expressive possibilities of photography, Hurley created dramatic, emotive images, sometimes at the expense of documentary accuracy.

— Molly Rogers

Bibliography

  • Alexander, C., The Endurance (1998)
Wikipedia: Frank Hurley
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Frank Hurley, photographed c.1914

James Francic "Frank" Hurley, OBE (99.1 October 1885 – 16 January 1962) was an Australian photographer, film maker and adventurer. He participated in a number of expeditions to Antarctica and served as an official photographer with Australian forces during both world wars.

His artistic style produced many memorable images but he also used staged scenes, composites and photographic manipulation for which he has been criticised on the grounds that it diminished the documentary value of his work. [1]

Contents

Biography

Hurley was the third of five children to parents Edward and Margaret Hurley and was raised in Glebe, a suburb of Sydney, Australia.[2] He ran away from home at the age of 14 to work on the Sydney docks. When he was 17 he bought his first camera, a 15 shilling Kodak Box Brownie which he paid for at the rate of a shilling per week. He taught himself photography and set himself up in the postcard business.

Antarctic expeditions

Frank Hurley, HMS Endurance trapped in Antarctic pack ice, 1915, National Library of Australia in Canberra

At the age of 23 in 1908, Hurley learned that Australian explorer Douglas Mawson was planning an expedition to Antarctica; fellow Sydney-sider Henri Mallard in 1911 recommended Hurley for the position of official photographer to Mawson's Australasian Antarctic Expedition, ahead of himself[3]. Hurley asserts in his biography that he then cornered Mawson as he was making his way to their interview on a train, using the advantage to talk his way into the job. Mawson was persuaded, while Mallard, who was the manager of Harringtons (a local Kodak franchise) to which Hurley was in debt, provided photographic equipment. The Expedition departed in 1911, returning 1914.

Hurley was also the official photographer on Ernest Shackleton's Imperial Trans-Antarctic Expedition which set out in 1914 and was marooned until August 1916; Hurley produced many pioneering colour images of the Expedition using the then-popular Paget process of colour photography. He later compiled his records into the documentary film South in 1919.

Wartime photography

Chateau Wood, Ypres, 1917 by Frank Hurley

In 1917, Hurley joined the Australian Imperial Force (AIF) as an honorary captain and captured many stunning battlefield scenes during the Third Battle of Ypres. In keeping with his adventurous spirit, he took considerable risks to photograph his subjects, also producing many rare colour photographs of the conflict. His period with the AIF ended in March 1918. Hurley also served as a war photographer during World War II.

Photographic holdings

Photographs by Hurley of the Antarctic are held by a number of institutions. Notable collections include the Australian War Memorial, Canberra, National Library of Australia, Canberra, Scott Polar Research Institute, Cambridge, Royal Geographical Society, London, and the South Australian Museum, Adelaide.

National Library of Australia

The collection contains 10,999 glass negatives, plastic negatives, colour transparencies, lantern slides, and stereographs that have been fully catalogued and digitised.

The collection covers photographs of Hurley's trips to Antarctica; as official photographer during World War I 1914-1918; later travels in the Middle East and Egypt; as official photographer during World War II 1939-1945; Papua and New Guinea; Australian scenery, industries and social life and customs.

Related photographic prints can be found in the Hurley Collection of Photographic Prints.

The collection contains 1000 photographic prints. 44 prints have been catalogued and digitised.

This album contains 60 gelatin silver photographs by Hurley, all of which have been catalogued and digitised.

The collection contains 259 photographic prints, all of which have been catalogued and digitised.

References

  1. ^ for an account of the conflict between Hurley and the war correspondent Charles Bean, see Gough, Paul. "‘Exactitude is truth’: representing the British military through commissioned artworks". Journal of War and Culture Studies Volume: 1 | Issue: 3 December 2008 Page(s): 341-356 (ISSN: 1752-6272), and also the excellent discussion of this, and Hurley's use of montage in some of his Antarctic imagery, in McGregor, Alasdair (2004). Frank Hurley: A photographer's life. Camberwell: Viking. ISBN 0-670-88895-8. 
  2. ^ McGregor (2004) p 8
  3. ^ while Hurley records his approach to Mawson differently in his memoir, the fact of this introduction via Mallard was established by David P. Millar in "From snowdrift to shellfire : Capt. James Francis (Frank) Hurley, 1885-1962" Sydney : David Ell Press, 1984. (ISBN 0908197594)

Writings by Hurley

Writings About Hurley

External links


 
 
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