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Fred Freiberger

 
Writer: Fred Freiberger
  • Born: Feb 19, 1915 in New York
  • Died: Mar 02, 2003 in Bel Air, California
  • Occupation: Writer
  • Active: '50s-'70s
  • Major Genres: Western, Action
  • Career Highlights: Garden of Evil, The Weapon, The Beast From 20,000 Fathoms
  • First Major Screen Credit: Stork Bites Man (1947)

Biography

Propelled by his success as a writer/producer of such legendary small-screen staples as Star Trek and The Wild, Wild West, Fred Freiberger would subsequently embark on a successful film career by producing such cult films as The Beast from 20,000 Fathoms (1953) and The Beginning of the End (1957). Born in New York City in February of 1915, Freiberger served in England with the 8th Air Force during the Second World War, earning a Purple Heart after being shot down over Germany and held as a prisoner of war for 22 months. Relocating to the West Coast after the end of the war, it was in Hollywood that Freiberger would find success as a film publicist. Though successful at his job, the fledgling publicist was forced to turn to writing when lack of films -- resulting from a Hollywood strike -- made for rough times as a promoter. He subsequently became one of the most successful scribes of the small screen. Writing seemed to come natural to Freiberger, and he became one of only two writers to be accepted into the Actor's Lab. Work on Alfred Hitchcock Presents, Bonanza, and The Fugitive lead to producing work on Ben Casey in 1959, and with Star Trek and The Wild, Wild West, the writer-turned-producer became ever more associated with the science fiction genre. So successful was Freiberger at science fiction that in 1975 he was brought in to breathe new life into the troubled British series Space: 1999. Continuing to pen such series as Starsky and Hutch and The Beverly Hillbillies in his later years, Freiberger also served a stint at Hanna-Barbera, where he would write for Scooby-Doo, Where Are You? and Superfriends, among others. Making it a point to hire blacklisted writers during the McCarthy Era, the sympathetic scribe also served on the Academy of Motion Picture Arts and Sciences, and both the Writers and Producers Guild of America. Married to wife Shirley in 1953, Fred Freiberger remained married until his death in early 2003. He was 88. ~ Jason Buchanan, All Movie Guide
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Fred Freiberger

Fred Freiberger, 1976
Born February 19, 1915(1915-02-19)
Died March 2, 2003 (aged 88)
Nationality American
Occupation Television producer

Fred Freiberger (February 19, 1915 – March 2, 2003) was an American television producer and script writer. He is best known for his work as producer of the third and final season of science fiction series Star Trek from 1968–1969. He was later contracted by Gerry Anderson and became the producer of the British-made science fiction series Space: 1999 for its second season. He wrote three episodes for Space: 1999 under the pseudonym "Charles Woodgrove" as he had done when writing episodes of the Western series Rawhide. Perhaps unusually for writer/producers of his standing in his generation, Freiberger also did a considerable amount of work in animation, including Josie and the Pussycats in Outer Space, yet another Freiberger space series.

Freiberger's career began as a writer for film in the 1940s, and by the late 1950s he was working extensively in television, writing Westerns and other genres. In 1960, he became producer of the popular medical drama, Ben Casey, which was followed by a stint as producer of The Wild Wild West during its first season in 1965-66. In 1968, Gene Roddenberry, as a result of differences with NBC, stepped down as showrunner for Star Trek, and Freiberger was hired as producer. The season was derided by critics and fans, was plagued by reduced production budgets from NBC, and was scheduled in the so-called Friday night death slot which resulted in it failing to attain sufficient ratings numbers to continue; it was cancelled in the spring of 1969.

Freiberger went on to write episodes for a number of popular early-1970s TV series, such as All in the Family, Emergency!, Starsky and Hutch, and Ironside before being hired to take over from Gerry and Sylvia Anderson as producer for the second season of Space:1999.

In the pre-production analysis for the second season of Space: 1999, Freiberger pointed out that the first season was too intellectual for his target audiences, and he consequently redesigned the series.

The retooled series introduced the popular character of Maya but failed to generate sufficient ratings for renewal to a third season (although according to the book The Complete Gerry Anderson by Chris Bentley, a third season was anticipated). Freiberger then moved on to produce the final season of The Six Million Dollar Man in 1977-1978 and the short-lived Beyond Westworld in 1980 and, still later, wrote numerous episodes of the 1980s syndicated series, Superboy.

Freiberger has a somewhat dubious reputation in science fiction fandom, mostly due to his involvement in the final season of Star Trek, The Six Million Dollar Man and Space: 1999, all of which were cancelled under his watch. This led to Freiberger being given the nickname "The Series Killer" [1] although it should be noted that he was also involved in the establishment of several other series that lasted for several seasons, such as Wild Wild West and Superboy. Both Nichelle Nichols and William Shatner refused to assign any blame to Freiberger for the inferior third season of Star Trek in their published autobiographies.[2][3]

As Nichols observes, the result of NBC's severe budget cutbacks to the third season of Star Trek--in an environment of rising production costs and escalating actor's salaries--meant that

"you saw fewer outdoor location shots, for example. Top writers, top guest stars, top anything you needed was harder to come by. Thus, Star Trek's demise became a self-fulfilling prophecy. And I can assure you, that is exactly as it was meant to be....In the third season [the] new producer Fred Freiberger did everything he could to shore up the show. I know that some fans hold him responsible for the show's decline, but that is not fair. Star Trek was in a disintegrating orbit before Fred came aboard. That we were able to do even what we did is a miracle and a credit to him. One day Fred and I had an exchange, and he snapped at me. Even then, though, I knew he wasn't angry with me but with his unenviable situation. He was a producer who had nothing to produce with."[4]

Trivia

It is rumored that a clandestine, humorous homage to Freiberger appears in the form of the cartoon character Fred Fredburger, the annoying green elephant-like creature with small horns and a love of nachos and frozen yogurt, that appears in the American animated television series, The Grim Adventures of Billy & Mandy.

References

  1. ^ http://blogs.techrepublic.com.com/geekend/?m=200809
  2. ^ Nichelle Nichols, Beyond Uhura: Star Trek and Other Memories, G.P. Putnam & Sons, New York 1994. p.189
  3. ^ William Shatner, Star Trek Memories, 1993. pp.264-72
  4. ^ Nichols, Beyond Uhura, p.189

External links


 
 
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