The free application of the principles of consonance and dissonance and of part-writing in the working out of contrapuntal ideas, as opposed to Strict counterpoint.
Free counterpoint
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Mentioned in
- Strict counterpoint (music)
- Prelude and Fugue, for keyboard No. 3 in C sharp major (WTC I/3), BWV 848 (BC L82) (Classical Work)
- Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85) (Classical Work)
- Prelude and Fugue, for keyboard No. 13 in F sharp major (WTC I/13), BWV 858 (BC L92) (Classical Work)
- Prelude and Fugue, for keyboard No. 7 in E flat major (WTC II/7), BWV 876 (BC L110) (Classical Work)
- Prelude and Fugue, for keyboard No. 5 in D major (WTC I/5), BWV 850 (BC L84) (Classical Work)
- Prelude and Fugue, for keyboard No. 16 in G minor (WTC I/16), BWV 861 (BC L95) (Classical Work)
- John Taverner (Classical Artist)
- Concerto for 4 violins, strings & continuo in D major ("L'estro armonico" No. 1), Op. 3/1, RV 549 (Classical Work)
- Greeting Prelude, for orchestra (Classical Work)
- Prelude and Fugue, for keyboard No. 7 in E flat major (WTC I/7), BWV 852 (BC L86) (Classical Work)
- A Set of 3 Short Pieces, for string quartet, double bass & piano, S. 84 (K. 2B16) (Classical Work)
- La bella man vi stringo, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) (Classical Work)
- Sonata, for piano No. 2, Op. 293 (Classical Work)
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