Chip Davis didn't have to look far for inspiration on Fresh Aire 7, using the occasion to indulge a long-standing interest in the number seven. The result is rather strict program music: the seven chakras are aligned to seven unique works, the seven colors (or "colours" if you live in the U.K. or Nebraska) of the rainbow are transcribed into seven separate notes/instruments, a seven-part rondo is recorded between 7 a.m. and 7 p.m. on a single day, etc. Of course, this sort of mystic numerology is a natural fit for new age, a point acknowledged when Fresh Aire 7 won the Grammy in 1991 for Best New Age Album, but luck had little to do with it. Combining synthesizers with an orchestra and choir (old pal Jackson Berkey occasionally appears behind the harpsichord), Davis bridges acoustic and electronic sounds together into a new age/classical tapestry more rich in color and effect than most of his contemporaries. Having left medieval rock behind him, Davis has evolved into a savvy electronic composer on a par with Michael Oldfield, Jean-Michel Jarre, and Vangelis, but his electronics are always tempered with a human element. The disc begins with "Conjuring the Number 7," uncorking a bubbly bottle of musical champagne at the onset. "Sunday the 7th Day" re-creates the scene of fox hunts from Davis' hometown region, an engaging confection of light classical music. "The 7 Colours of the Rainbow" may be the most steeped in new age idioms, featuring soothing sounds with rolling notes; "The 7 Metals of Alchemy" is edgier, inviting comparison to contemporary Tangerine Dream or Oldfield. Both pieces rank among the best electronic compositions in the Mannheim catalog. But the album's highlight is the extended work, "The 7 Chakras of the Body." "Chakra 1" starts in the primitive forest, "Chakra 2" mixes mechanical sounds with an Eastern melody, and soon Davis has left the earth in a mix of angelic voices and keyboards that achieves the same effect as Harold Budd's best work. "The 7 Stars of the Big Dipper" closes the disc on a note of childlike wonder. Though "The 7 C's" is really just a puddle of a pun, Fresh Aire 7 is a septemfluous collection of sounds that channels Davis' creative energies, and in the end it's new age's cup that overfloweth. Mannheim Steamroller seems to just get better with age, due largely to Davis' boundless curiosity. ~ Dave Connolly, All Music Guide
John Rutter (Choir Master), Jackson Berkey (Harpsichord), Mannheim Steamroller (Main Performer), Sharon Davis (Photography), The Cambridge Singers (Vocals), Chip Davis (Conductor), Chip Davis (Producer), Chip Davis (Liner Notes), Chip Davis (Bass (Upright)), Chip Davis (Photography), Martin Abrams (Viola), Caroline Ashton (Soprano (Vocal)), Caroline Ashton (Soloist), Nicola Barber (Alto (Vocals)), John Boyd (Engineer), John Boyd (Mastering), John Boyd (Mixing), Bill Bradley (Engineer), Harvey Brough (Tenor (Vocal)), Leonard Chausow (Cello), Dale Clevenger (French Horn), Donna Deam (Vocals), Donna Deam (Soprano (Vocal)), Andrew Gant (Tenor (Vocal)), Charles Gibbs (Bass (Vocal)), Adrian Gola (Violin), Joseph Golan (Violin), Paul Gordon (Tenor (Vocal)), Peter Gritton (Alto (Vocals)), Steve Hartman (Harp), Mary Hitch (Alto (Vocals)), Campbell Hughes (Balance Engineer), Frances Jellard (Alto (Vocals)), Karen Kerslake (Vocals), Karen Kerslake (Soprano (Vocal)), Peter LaBella (Violin), Mark LeBrocq (Tenor (Vocal)), Patrick Lee-Browne (Bass (Vocal)), Simone Mace (Vocals), Simone Mace (Soprano (Vocal)), Samuel Magad (Violin), Jocelyn Miles (Vocals), Jocelyn Miles (Soprano (Vocal)), Roger Moulton (Viola), Charles Pott (Bass (Vocal)), Florentina Ramniceau (Violin), Arnie Roth (Violin), Kim Scholes (Cello), John Sharp (Cello), Susanna Spicer (Alto (Vocals)), Penelope Stow (Soprano (Vocal)), Jeremy Taylor (Tenor (Vocal)), Collins Trier (Bass), Clare Wallace (Vocals), Clare Wallace (Soprano (Vocal)), Catherine Brubaker (Viola), Li-Kuo Chang (Viola), Fox Fehling (Violin), Phyllida Hancock (Alto (Vocals)), Bobby Jenkins (Horn (English)), Bobby Jenkins (Oboe), Wayne Jesz (Mastering), Wayne Jesz (Assistant Producer), Wayne Jesz (Assistant Production Coordination), Blair Milton (Violin), Everett Mirsky (Violin), Brad Opland (Bass), Alice Render (French Horn), Gail Salvatori (Violin), Gregory Sarchet (Bass), Liba Shacht (Violin), Angus Smith (Tenor (Vocal)), Otakar Sroubek (Violin), Daniel Strba (Viola), Gary Stucka (Cello), Robert Swan (Viola), Thomas Yang (Violin), Brian Ackley (Assistant Producer), Mike Chambers (Bass (Vocal)), Louis Davis, SR. (Keyboard Technician), Mary Gingrich (French Horn), Lawrence Golan (Violin), Charles Greig (Bass (Vocal)), Don Greig (Bass (Vocal)), Andrew Hammond (Bass (Vocal)), Campbell Hughs (Engineer), Marlou Johnston (Violin), Marlou Jonston (Violin), Jo Maggs (Vocals), Jo Maggs (Soprano (Vocal)), Victoria Mayne (Cello), James Ottaway (Bass (Vocal)), Rachel Platt (Vocals), Rachel Platt (Soprano (Vocal)), Walter Preucil (Cello), Alison Smart (Vocals), Alison Smart (Soprano (Vocal)), James Smelser (French Horn), Florentina Ramniceanu (Violin), Arnold Roth (Concert Master), Arnold Roth (Orchestra Contractor), Dennis Di Cicco (Photography), D.L. Cramer Ph.D. (Illustrations), Rick Harrig (Photography), Gregory Sadlek (?), Gregory Sadlek (Consultant), Kim Sholes (Cello), Louis Stout (?), Louis Stout (Orchestral Assistant), Laura Miller (Violin)
