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Friedrich von Hagedorn

Hagedorn, Friedrich von (Hamburg, 1708-54, Hamburg), after studying at Jena, received a diplomatic appointment and spent two years (1729-31) in London before returning to Hamburg to devote himself to an active social life and the cultivation of poetry. He was called in his day ‘the German Horace’, but was influenced by English poetry as well as classical models. He wrote, with a sure, deft touch, elegant, unpretentious poetry which was collected in Versuch einiger Gedichte (1729), Versuch in poetischen Fabeln und Erzählungen (1738, ed. H. Steinmetz, 1974), Oden und Lieder (1742-52), and Moralische Gedichte (1750). Hagedorn's poetry has a distinct rococo charm and also exhibits some feeling for nature. (See Anakreontiker and Rokoko.) Sämtliche poetische Werke were published in 3 vols. in 1757 (repr. 1968), and in 5 vols., ed. J. J. Eschenburg, in 1800. For many years he was remembered only for the verse fable Johann der Seifensieder, printed in anthologies, but his poetry was revived in Gedichte, ed. A. Anger, and published in 1968.

 
 
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Friedrich von Hagedorn
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Friedrich von Hagedorn

Friedrich von Hagedorn (April 23, 1708 - October 28, 1754), German poet, was born at Hamburg, where his father, a man of scientific and literary taste, was Danish minister.

He was educated at the gymnasium of Hamburg, and later (1726) became a student of law at Jena. Returning to Hamburg in 1729, he obtained the appointment of unpaid private secretary to the Danish ambassador in London, where he lived till 1731. Hagedorn's return to Hamburg was followed by a period of great poverty and hardship, but in 1733 he was appointed secretary to the so-called "English Court" (Englischer Hof) in Hamburg, a trading company founded in the 13th century. He shortly afterwards married, and from this time had sufficient leisure to pursue his literary occupations till his death.

Hagedorn is the first German poet who bears unmistakable testimony to the nation's recovery from the devastation wrought by the Thirty Years' War. He is eminently a social poet. His light and graceful love-songs and anacreontics, with their undisguised joie de vivre, introduced a new note into the German lyric; his fables and tales in verse are hardly inferior in form and in delicate persiflage to those of his master La Fontaine, and his moralizing poetry re-echoes the philosophy of Horace. He exerted a dominant influence on the German lyric until late in the 18th century.

The first collection of Hagedorn's poems was published at Hamburg shortly after his return from Jena in 1729, under the title Versuch einiger Gedichte (reprinted by A. Sauer, Heilbronn, 1883). In 1738 appeared Versuch in poetischen Fabeln and Erzählungen; in 1742 a collection of his lyric poems, under the title Sammlung neuer Oden und Lieder; and his Moralische Gedichte in 1750. A collection of his entire works was published at Hamburg in 1757 after his death. The best is J.J. Eschenburg's edition (5 vols., Hamburg, 1800). Selections of his poetry with an excellent introduction in F. Muncker's Anakreontiker und preussisch-patriotische Lyriker (Stuttgart, 1894). See also H. Schuster, F. von Hagedorn und seine Bedeutung für die deutsche Literatur (Leipzig, 1882); W. Eigenbrodt, Hagedorn und die Erzählung in Reimversen (Berlin, 1884).

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