Main Cast: Gary Cooper, Dorothy McGuire, Anthony Perkins, Marjorie Main, Robert Middleton, Richard Eyer
Release Year: 1956
Country: US
Run Time: 140 minutes
Plot
Adapted from the best-selling novel by Jessamyn West, Friendly Persuasion is set in Southern Indiana in the early days of the Civil War. Gary Cooper plays Jess Birdwell, patriarch of a Quaker family which does not believe in warfare. Birdwell's son Josh (Anthony Perkins) wishes to adhere to his family's pacifism, but is afraid that if he doesn't sign up for military service, he'll prove to be a coward. Josh joins the Home Guard, which disturbs his mother Eliza (Dorothy McGuire). But Jess Birdwell realizes that his son must follow the dictates of his own conscience. Josh proves his courage to himself when he is wounded during a Rebel raid, while the elder Birdwell is able to stay faithful to his religious calling by not killing a Southern soldier when given both a chance and a good reason to do so. Allegedly, writer Jessamyn West nearly scotched her deal with producer/director William Wyler and distributor Allied Artists when Gary Cooper, taking his fans into consideration, insisted upon including a scene in which he forsakes his pacifism and takes arms against the Rebels. If true, then wiser heads prevailed, since no such scene exists in the final release print. Though uncredited due to his status as a blacklistee, Michael Wilson wrote the screenplay for Friendly Persuasion--and even won an Oscar nomination. Also nominated was the film's chart-busting theme song, "Thee I Love" (by Dmitri Tiomkin and Paul Francis Webster). The story was remade as a 2-hour TV pilot film in 1975. ~ Hal Erickson, All Movie Guide
Review
Friendly Persuasion is a charming, sensitive tale of a family of Quakers that attempts to maintain their pacifist ideals amid the turmoil of the U.S. Civil War. Best-known for playing quiet, understated characters who use violence when pushed too far, Gary Cooper gets the opportunity to explore a more peaceful resolution -- though the film occasionally suggests that no person can be completely pacifistic. The tech credits are solid, as should be expected for a film directed by William Wyler; of particular note are Dimitri Tiomkin's score and Dorothy Jeakins's costume design. Though the film tends to exaggerate Quaker speech, the performances are convincing, and the screenplay (by blacklisted Michael Wilson) does a good job of transferring Jessamyn West's story to the screen. The film received six Oscar nominations, including Best Picture, though it did not win in any category. ~ Richard Gilliam, All Movie Guide
Edward S. Haworth - Art Director, Robert Wyler - Associate Producer, Jessamyn West - Consultant/advisor, Bert Henrikson - Costume Designer, Dorothy Jeakins - Costume Designer, Austen Jewell - First Assistant Director, William Wyler - Director, Robert Belcher - Editor, Robert Swink - Editor, Edward A. Biery - Editor, Dimitri Tiomkin - Composer (Music Score), Paul Francis Webster - Songwriter, Emile LaVigne - Makeup, Ellsworth Fredericks - Cinematographer, William Wyler - Producer, Joe Kish - Set Designer, Augie Lohman - Special Effects, Gordon R. Glennan - Sound/Sound Designer, Michael Wilson - Screenwriter, Irene Caine - Costumes Supervisor, Jessamyn West - Book Author
The protagonist of the story is Jess Birdwell (Gary Cooper) the patriarch of the Birdwell family whose worldliness is forever coming in conflict with his being a Quaker. Jess's wife Eliza (Dorothy McGuire) is a deeply religious woman and is steadfast in her refusal to engage in violence of any sort. Jess's daughter Mattie (Phyllis Love) wants to remain a Quaker but has fallen in love with a dashing cavalry officer (Peter Mark Richman), a love that is against her mother's wishes. Jess's youngest child "Little" Jess (Richard Eyer) is a feisty child whose comical feud with his mother's pet goose causes her nothing but heartache. Jess's eldest son Josh (Anthony Perkins) is a young man torn between his hate for violence and the knowledge that to protect his family he must join the military and fight the invaders.
We are introduced to the family via its youngest member, "Little" Jess, who is forever at war with his mother's pet goose. The story begins as an easygoing and humorous tale of Quakers trying to maintain their faith as they get ready and then go to Meeting on a Sunday. The mood shifts dramatically when the meeting is interrupted by a Union officer who asks how the Quaker men can stand by when their houses will be looted and their families terrorized by the approaching Confederate army. He questions various young men specifically, doubting their courage and suggesting that they are hiding behind their religion out of fear. When directly confronted with the question of his being afraid to fight, Josh Birdwell responds honestly that it might be the case. His honesty provokes the wrath of Purdy, a Quaker elder who is quick to condemn people who don't believe as he does.
The film returns to comedy as the Quakers try to maintain their ways, but one is always reminded throughout that the Confederate States Army is drawing closer every day. When the Confederates finally arrive, the situation turns deadly serious. Jess is cultivating his fields when he notices an immense cloud of smoke on the horizon, the kind that can only be produced by the burning of a city. Josh soon arrives and tells them the entire neighboring community has been reduced to a land of ash and corpses. Josh believes that he must fight, a conviction that threatens to destroy the family. Eliza tells him that by turning his back to their religion he's turning his back on her, but Jess sees things a different way, explaining to her: "A man's life ain't worth a hill of beans except he lives up to his own conscience."
With the story's climax at hand, each member of the family is forced in their own way to confront the question of whether or not it is ever right for a Christian to engage in violence.
